60,456 research outputs found
Livio de Simone I.D.
No full textIl settore Interior Decoration di Livio de Simone rappresenta una anticipazione degli anni '60 rispetto a tutti i marchi di moda che solo successivamente si occuperanno del settore casa, per cui molto innovativo per la presente ricerca
Mεταξύ: Consideracions per a l’amor contemporani, de Simone Weil a Diotima de Mantinea
No full text[cat] Aquest present estudi analitza la relació entre Simone Weil i Plató, a través de la noció de μεταξύ i el platonisme que s’hi vincula. Aquesta noció és estudiada a través del diàleg platònic del Convit i més concretament el discurs de Diotima de Mantinea, i dins de totes les obres de Simone Weil. L’estudi de l’obra de Simone Weil porta a identificar una «platonicitat» que hem intentat classificar dins dels estudis platònics. D’afegitó l’estudi de μεταξύ en la obra weiliana ens ha permès establir una relació de l’autora dins del marc de la filosofia del segle XX. D’aquesta manera a través de la comprensió del text platònic i de la seva traducció, i posant-la en relació amb les interpretacions d’en Jordi Sales, Stanley Rosen i Giovanni Reale hem establert una relació entre el concepte de μεταξύ que tenia Plató i el que tenia Simone Weil. Finalment, hem establert que el concepte μεταξύ es tracta d’una noció fonamental per tal d’entendre la filosofia i que ens permet una comprensió més profunda del significat que suposa l’amor.[eng] This essay demonstrate the relationship between Simone Weil and Plato, through the concept of μεταξύ and the Platonism associated with it. We find this notion in the Platonic dialogue the Symposium, more specifically in the discourse of Diotima of Mantinea, and furthermore in Simone Weil’s work. Subsequently, Simone Weil's work leads to the identification of a «Platonism» that we have tried to classify within the Platonic studies. In addition, the study of μεταξύ in Weil’s work has allowed us to establish a relationship between her and the framework of twentieth-century philosophy. Hence, through the understanding of the Platonic dialogue and its translation, and the interpretations of Jordi Sales, Stanley Rosen and Giovanni Reale, we have settled a correlation of the concept of μεταξύ in Plato and in Simone Weil. Finally, we have bestowed μεταξύ as a fundamental notion in order to understand philosophy, which allows us to a deeper understanding of the meaning of Love
Traits verbaux dans les noms et les formes nominalisées du verbe
No full textRaffaele Simone et Anna Pompei, à partir de plusieurs langues (français, italien, grec ancien, latin, turc), formulent l’hypothèse que les verbes et les noms ne forment pas deux classes de mots disjointes. Ils envisagent la possibilité d’un continuum entre le "pur" nominal (noms pleinement référentiels) et le "pur" verbal (verbes pleinement prédicatifs) ; le passage du verbe au nom et du nom au verbe se réalisant par un "gommage" progressif des propriétés distinctives de chacune des deux catégories. Un des points forts de cet article est de mettre en lumière l’existence d’un certain nombre de formes intermédiaires au statut incertain
R. Cardoso de Oliveira, O Processo de Assimilação dos Terêna
No full textDreyfus Simone. R. Cardoso de Oliveira, O Processo de Assimilação dos Terêna. In: L'Homme, 1961, tome 1 n°3. pp. 126-129
Prof Dr
No full textSupplementary Figure 1- List of Vibrio cholerae [toxin A (P01555), B (P01556), and P (P29485)] synthetic peptides and position in the cellulose membrane of Spot synthesis.Supplementary Table of the manuscript "Fine epitope mapping of the Vibrio cholera toxins A, B, and P and an ELISA assay " by: De-Simone, S.G; Napole-ão-Pêgo, P.; Gonçalves, P.S; Lechuga, G.C.; Cardoso, S.V.; Provance, D.W; Morel, C.M.; Silva, F.R.. Title. Fine epitope mapping of the Vibrio cholerae toxins A, B and P and an ELISA assay. Int. J. Mol. Sci. 2022, 23, x. https://doi.org/10.3390/xxxxx
Academic Edit
Salvatore G. De-Simone 1,2,4,*, Paloma Napoleão-Pêgo 1,2, Priscilla S. Gonçalves 1,2,4, Guilherme C. Lechuga 1,2, Sergian V. Cardoso 3, David W. Provace 1,2 , Carlos M. Morel1 and Flavio R da Silva 1,
A Metaethical Study of Simone Weil’s Notion of Attention Through Critical Practical Analogy
No full textThis research provides an example of art practice employed within a metaethical framework by addressing Simone Weil‘s ethical notion of attention. In this thesis, 'metaethics‘ is defined as a second order inquiry into first order questions of normative ethics, more specifically, an inquiry into the metaphysical and epistemological premises of Weil‘s discourse on the ethical value of attention.
On one hand, I demonstrate how Weil‘s notion of attention can expand the scope of art so as to include metaethics. On the other hand, I use art to widen the current knowledge of Weilian attention.
The research projects described and analysed in this thesis are predicated on a method which I designate 'critical practical analogy‘; this is an analogy which includes art practical operations for the purpose of critical investigation. This method subsumes both theoretical and practical inquiries. I used two analogies:
– Normative analogy compares (a) the dualistic relation that Weil postulates between agent and reality in her discourse on attention to (b) the relation that I postulate between my agency through observational drawing and the object of observation. The analogy operates by using Weil‘s assertions on attention normatively in observational drawing.
– Imaginal analogy compares (a) Weil‘s use of tautology and contradiction in her arguments for ethical attention to (b) tautology and contradiction considered as argument forms. The analogy operates by giving aesthetic presence to these forms, i.e. by turning them into images through artworks.
The analogies obtained the following outcomes:
– The normative projects afford a practical knowledge of Weilian attention by interpreting it as an ethical practice of detachment. The projects also demonstrate that, notwithstanding Weil‘s transcendent view of truth, such a practice of detachment is compatible with a subjective notion of truth.
– By capitalising on the non-propositional mode of representation which is typical of visual art, the imaginal projects engender a scepticism which favours dialogue and values questions as positive research results.
The outcomes indicate the following implications for visual arts practice:
– The outcomes of the normative projects demonstrate how contemporary artists who regard notions of universal truth with scepticism need not necessarily disavow ethical intentions in their practice.
– Due to its propositional character, theoretical metaethics can reach an impasse from which it can only point discursively to the limits of language. The outcomes of the imaginal projects evidence that art can move beyond these limits non-propositionally.
The use of critical practical analogy also indicates a methodological implication for art practical, interdisciplinary research. Critical practical analogy could provide artists with both a heuristic research tool and a template for articulating a discursive representation of art practice which both acknowledges the non-linearity and indirectness of practice-led research and the need for
interdisciplinary intelligibility
SIMONE LANGLOIS - N °I
No full textComprend : AU PRINTEMPS / J. BREL ; Simone LANGLOIS avec François RAUBER et son orchestre - JE NE SAIS PAS / J. BREL ; Simone LANGLOIS avec François RAUBER et son orchestre - SUR LA PLACE : avec Jacques BREL / J. BREL ; Simone LANGLOIS avec François RAUBER et son orchestre - HEUREUX / J. BREL ; Simone LANGLOIS avec François RAUBER et son orchestre - IL NOUS FAUT REGARDER / J. BREL ; Simone LANGLOIS avec François RAUBER et son orchestre - LA FOULE / A. CABRAL - M. RIVGAUCH ; Simone LANGLOIS avec Franck AUSSMAN et son orchestre - BAL CHEZ TEMPOREL / G. BEART - A. HARDELLET ; Simone LANGLOIS avec François RAUBER et son orchestre - LES AMANTS DE PARIS / Léo FERRE - E. MARNAY ; Simone LANGLOIS avec Franck AUSSMAN et son orchestre - UNE ENFANT / Ch. AZNAVOUR - R. CHAUVIGNY ; Simone LANGLOIS avec Franck AUSSMAN et son orchestre - GLORIA / M. MONNOT - R. ROUZAUD ; Simone LANGLOIS avec Franck AUSSMAN et son orchestreBnF-Partenariats, Collection sonore - BelieveContient une table des matière
Perfil e prevalência do tabagismo em estudantes de cursos da área da saúde da Universidade Federal de Santa Catarina.
No full textTrabalho de Conclusão de Curso - Universidade Federal de Santa Catarina. Curso de Medicina. Departamento de Saúde Pública
Il disincanto tragico del moderno. Habermas & Weber
No full textIl contributo di Antonio De Simone in questo volume è rivolto ad analizzare e ricostruire criticamente la lettura che Habermas compie nella Theorie des kommunikativen Handelns (1981) del problema weberiano della razionalizzazione sociale, della "perdita di senso" e della "perdita di libertà" nel disincanto tragico della modernità
A comparative study of form and theology in the works of Flannery O'Connor and Simone Weil
No full textIn this comparative study of the form and theology of Flannery O'Connor and Simone Weil I interrogate how Weil's philosophical writings and her theology illuminate O'Connor's use of both narrative and non-fictional forms, and her Catholicism. The Introduction analyses how Weil's concept of superposed reading provides a new method of approaching both O'Connor, her writings, and O'Connor
studies, and focuses on how such apparently different women interconnect. Chapter One explores how both Weil and O'Connor attempt to write their theologies on the
souls of their readers yet are each subject to constraints imposed by form. Weil's concept of locating equilibrium between incommensurates is discussed, and her
distinctively philosophical approach to fictions and fictionality is used to investigate O'Connor's notion of prophetic fictions and the writer's role. Chapter Two assesses how both writers revivify Christian paradoxes. Weil's monstrous concept of affiiction, and O'Connor's use of the grotesque genre to jolt secular man into an
awareness of the sacred are scrutinised. Chapter Three studies how both writers consider an encounter between God and man is possible through the action of grace. My Conclusion interrogates how Weil's work can deepen our understanding of O'Connor's writings, and examines how successful O'Connor is at realising a truly
Christian literature. I conclude that despite being a writer of powerful fictions, O'Connor can not be totally successful in her mission as writer-prophet because
ultimately fiction escapes orthodoxy
- …
