150 research outputs found
Construyendo la ópera nacional: A Marília de Itamaracá de L. V. De-Simoni
No full textLuiz Vicente De Simoni (1782-1881) was an Italian physician who went to Rio de Janeiro in 1817, and was constantly involved in the musical and theatrical scene of the city. He is the author of Marília de Itamaracá (1854, music by Adolpho Maersch), considered by some authors as the first “Brazilian” opera. The subject is historical and narrates some episodes of the 17th century war against the Dutch. One of his main concerns was the use of Brazilian and Portuguese themes in operas, in order to invent something “national”. As part of a broader movement, the idea was to explore Brazilian people, landscape and traditions as the main subject for operas that should be sung in Portuguese. The movement was related to a broader political project sponsored by the government and the Emperor, aimed at the revision of Brazilian history and the construction of a new cultural identity for the country. The purpose of this paper is to examine some aspects of the libretto of Marília de Itamaracá and the ideas discussed in its preface, showing the contradictions and tensions involved in the creation of a “national” identity through operas
Architettura e Potere: Intervista di Gregorio Carboni Maestri e Simona de Simoni a Peter Eisenman
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Alternanza scuola lavoro, turismo intergenerazionale e patto tra le generazioni
No full textSince 1999, the Generational Meetings Laboratory has been proposing research/experimentation on "intergenerational tourism" in different national contexts, collaborating with the A.R.I.P.T. Fo.R.P. Association (Interdisciplinary Research Association of Tourism Psychology - Training, Research, Planning).
Following the guidelines provided by the Managers in Environment and Intergenerational Tourism, these multi-theoretical and multi-methodological studies have used the Law 107/2015 for the Alternating School Work: from 2016 in Sfruz -Trento- and San Pellegrino Terme -Bergamo-; from 2018 in Chiusi -Siena- and Viterbo.
The general training objectives pursued by the project are as follows: the enrichment of the personality of the students, through the relationship with the sensitivities of the small group of the elderly; the interaction between young and elderly people in a phase of identity crisis of the adolescent and the retired; the acquisition of skills for the knowledge of the territory (through intergenerational communication) in its historical, economic, social and cultural evolution; the enhancement of cultural and environmental heritage; the learning of communication methods often little known to the elderly through computer labs where young people "teach" the elderly. The new role of student-teacher reinforces the identity of the young person, which slowly connote school learning, transversal knowledge and future professional images...
Among the main results obtained at national level, the contribution presents those of the research/experiments that -started in 2002- were recently conducted in the area of Viterbo, where the class alternation, currently called "Path for transversal skills and guidance" is configured rather as a cycle of preparatory meetings and motivational intergenerational tourism.
Intergenerational tourism in Viterbo stands out for: an intense network work coordinated by Caritas Diocesana in synergy with the Provincial Acli; a themed tourism that evokes traditions, is attentive to the environment and enhances the local history and culture; the continuity of the intergenerational calendar throughout the year. The results confirm the stages of evolution of intergenerational communication introduced by A. Albanese (2001) from the "approach" to "generative creativity"; the latter is expressed in Viterbo in the pact between generations in favour of local communities and the environment.
Intergenerational tourism is thus outlined as one of the new thematic and quality tourism, attentive to the natural and historical-cultural environment that is "protected", "promoted", "socialized" and "strengthened" through the intergenerational relationship, on the basis of collaborations between organizations and institutions, through active initiatives throughout the year
Psammoecus simoni Grouvelle 1892
No full textPsammoecus simoni Grouvelle, 1892 (Fig. 11) Psammoecus simonis Grouvelle, 1892: 287. Psammoecus simoni – Grouvelle 1908c: 476.— Pal 1985. Material examined Lectotype ♂, by present designation: ‘ Antipolo | E. Simon’, ‘TYPE’ [red label], ‘MUSEUM PARIS | 1917 | Coll. GROUVELLE’ [yellow label], ‘ Psammoecus | Simoni | ty. A. Grouv’ [Grouvelle’s hand] (MNHN). Paralectotype 1 spm with identical data as lectotype (MNHN). Other material 5 spms ‘COLL: MUS. CONGO | Madagascar: Maroansetra | (à la lumière) II/ IV-1950 | J. Vadon’ (MRAC). 1spm ‘COLL. MUS. TERVUREN | N.E. Madagascar: | Ambodivoangy 1959 | J. Vadon’ (MRAC). Differential diagnosis Ps. simoni differs by its short oval habitus and the short, stout parameres that are fused with the basal piece from all other African Psammoecus. The wide-based pronotal teeth resemble Ps. luchti sp. nov., it differs by the elytral striae being considerably wider than interstices, elytra being shorter, darkened basis of elytra, parameres short, stout and fused with basal piece. Redescription BODY. Oval, total length 2.13-3.00 mm (Fig. 11A). Surface yellowish-brown, sometimes reddish-brown, elytra with brown or blackish-brown maculae: humeral swelling, a transverse band in the middle of the elytra, the elytral suture along the posterior two thirds and the elytral apex are dark. Base of antennae yellowish or reddish brown, 6 th to 10 th antennomere darkened, 11 th antennomere yellowish-white, some specimens with light apex of 10 th antennomere. HEAD. Broad, temples narrowed immediately behind eyes; width 0.64-0.71 mm, length 0.33-0.44 mm, 1.67-1.73 times as wide as long. Eyes protuberant, rounded, 0.17-0.20 mm long, distance of inner margins 0.38-0.45 mm. Puncturation on vertex coarse, density of punctures variable, pubescence composed of long, semierect setae, directed anteriorly; microsculpture absent. Longitudinal impressions on vertex very shallow, attaining the middle of the eyes, sometimes shorter. Antennae as in Fig. 11B, 1.17-1.40 mm long, stout, antennomere proportions of lectotype as follows: 2.9: 1.3: 1.8: 1.5: 1.8: 1.6: 1.4: 1.0:1.2: 1.4: 2.8. PRONOTUM. Broad; width 0.62-0.74 mm, length 0.48-0.56 mm, 1.22-1.35 times as wide as long. Surface smooth, without impressions. Anterior angles with distinct groups of small teeth; lateral margins with four distinct teeth; tooth I very small, tooth II a little larger, teeth III and IV largest. Posterior group of teeth consisting of a larger anterior tooth and a very small, almost obtuse posterior tooth. Puncturation coarser than on vertex, punctures sometimes adjoining. Pubescence as on vertex; microsculpture absent. ELYTRA. Oval, short, length 1.35-1.70 mm, combined width 1.00- 1.23 mm, 1.27-1.43 times as long as their combined width. Rows of punctures on disc wider than interstices. Pubescence consists of long, semierect setae. Microsculpture absent. PARAMERES. Short, stout, fused with basal piece; with distinct pattern of three large setae (Fig. 11 C). Remarks In his original description, Grouvelle (1892) spells the name ‘simonis’. However, on the labels that Grouvelle added to the syntypes as well as in a later paper (Grouvelle, 1908c), he spells the name ‘simoni’. Pal (1985) also uses the latter spelling. Hence the present author considers ‘simonis’ to be a misprint and proposes to spell the name in accordance with Grouvelle (1908c) and Pal (1985).Published as part of Karner, Michael, 2012, A revision of African Psammoecus (Coleoptera, Silvanidae) and descriptions of two new species from the collection of the Musée royal de l'Afrique centrale, pp. 1-31 in European Journal of Taxonomy 17 on pages 24-26, DOI: 10.5852/ejt.2012.17, http://zenodo.org/record/385784
Cuando el Campo Refleja la Sociedad: una reseña de El fútbol brasileño – institución cero: de Simoni Lahud Guedes
No full textO livro O futebol brasileiro: instituição zero, de Simoni Lahud Guedes, resgatado após o incêndio do Museu Nacional, é uma obra pioneira na Antropologia do Esporte. Com base em sua dissertação de mestrado de 1977, Guedes analisa o futebol como fenômeno social, indo além do lazer, e o compreende como representação simbólica da identidade brasileira. Dividida em quatro capítulos, a obra percorre temas como o lazer, a dinâmica do jogo, a atuação da imprensa nas Copas e a relação do futebol com operários urbanos de Bangu. A autora oferece uma etnografia sensível do campo de jogo, destacando a imprensa como produtora de discursos que ora unem, ora racializam a derrota. Ao final, defende o futebol como instituição multifacetada e campo fértil para estudos sociais. A reedição da obra é tanto um tributo à autora quanto uma contribuição atemporal aos estudos do futebol no Brasil.The book The Brazilian Football: Zero Institution, by Simoni Lahud Guedes, rescued after the fire at the National Museum, is a pioneering work in the Anthropology of Sport. Based on her 1977 master\u27s thesis, Guedes analyzes football as a social phenomenon that goes beyond leisure, interpreting it as a symbolic representation of Brazilian identity. Divided into four chapters, the work explores themes such as leisure, the dynamics of the game, the role of the media during World Cups, and the relationship between football and urban workers in Bangu. The author offers a sensitive ethnography of the game field and highlights how the press produces discourses that either unify or racialize defeat. In the conclusion, football is portrayed as a multifaceted institution and a fertile ground for social studies. The reissue is both a tribute to the author and a timeless contribution to football studies in BrazilEl libro El fútbol brasileño: institución cero, de Simoni Lahud Guedes, rescatado tras el incendio del Museo Nacional, es una obra pionera en la Antropología del Deporte. Basada en su tesis de maestría de 1977, Guedes analiza el fútbol como fenómeno social que va más allá del ocio, interpretándolo como una representación simbólica de la identidad brasileña. Dividido en cuatro capítulos, el libro aborda temas como el ocio, la dinámica del juego, el papel de la prensa en los mundiales y la relación entre el fútbol y los trabajadores urbanos de Bangu. La autora ofrece una etnografía sensible del campo de juego y destaca cómo la prensa produce discursos que, a veces, unifican y, otras veces, racializan la derrota. En la conclusión, el fútbol aparece como una institución multifacética y un campo fértil para los estudios sociales. La reedición es tanto un homenaje a la autora como una contribución atemporal a los estudios sobre el fútbol en Brasil
Estructura de la comunidad de poliquetos en un manglar de la costa norte de Brasil
No full textPolychaetes play an important role in the structure and functioning of benthic communities in mangroves; however, knowledge about these organisms in the Maranhão Amazon coast is scarcity. This study analyzed the ecological aspects of polychaete community in the Quebra Pote mangrove in Maranhão State. Four sampling campaigns were carried out during both rainy and dry periods between November 2013 and July 2014, using 100 meters long transects set perpendicular to the waterline at three zones 50 m between them. A total of 521 organisms were identified belonging to ten families and 15 species; Nephtys simoni, Notomastus sp., and Paraonis sp. represented 58.92 % of all samples. Mobile deposit-feeders polychaetes were dominant and abundant. The Quebra Pote mangrove showed high values of diversity and evenness. The spatial distribution indicated that several species such as Capitella sp., Heteromastus sp., N. simoni, Notomastus sp., Paradoneis sp., Paraonis sp., Scoloplostexana, Sigambra grubei, and Syllis gracilis magellanica were present in all mangrove zones. The diversity and abundance of polychaetes were greater in lower mesolittoral (Zone 1), with a dominance of Avicennia schaueriana. The abundance of polychaetes decreased along transects from the lower mesolittoral to upper mesolittoral areas, suggesting that the presence of domestic sewage effects supersedes the vegetation effectLos poliquetos desempeñan un importante papel en la estructura y funcionamiento de las comunidades bentónicas de manglares; sin embargo, el conocimiento sobre estos organismos permanece escaso en la costa amazónica de Maranhão, Brasil. Este estudio analizó los aspectos ecológicos de la comunidad de poliquetos del manglar Quebra Pote, Estado de Maranhão. Se realizaron cuatro recolectas durante el período de secas y lluvias, entre noviembre 2013 y julio 2014, se delimitó un transecto de 100 metros de longitud, perpendicular a la línea de agua, con tres zonas distantes entre sí de 50 m. Se cuantificaron 521 individuos distribuidos en diez familias y 15 especies; Nephtys simoni, Notomastus sp. y Paraonis sp., correspondieron al 58,92 % del total muestreado. Los poliquetos detritívoros móviles fueron dominantes y abundantes. El manglar Quebra Pote presentó elevados valores de diversidad y equidad. En la distribución espacial, se observó que varias especies estuvieron presentes en todas las zonas del manglar, por ejemplo Capitella sp., Heteromastus sp., N. simoni, Notomastus sp., Paradoneis sp., Paraonis sp., Scoloplos texana, Sigambra grubei y Syllis gracilis magellanica. La diversidad y abundancia de poliquetos fueron mayores en el mediolitoral inferior (Zona 1), con predominio de Avicennia schaueriana. A lo largo de las zonas se observó que la abundancia de poliquetos decrece del mediolitoral inferior hacia al mediolitoral superior, probablemente como consecuencia del desagüe doméstico, que suplantó el efecto de la vegetaciónThe authors are thankful to the National Council for Scientific and Technological Development–CNPq for the financial support provided through a research scholarship granted to the first author, which allowed the execution of this stud
Il Turismo come Conoscenza e Valorizzazione Intergenerazionale dei Beni: il Teatro dell’Unione di Viterbo.
No full textAfter an excursus that synthesizes the history of the Generational Meetings Laboratory and A.R.I.P.T. Fo.R.P. in the design, implementation and monitoring of intergenerational tourism research/experimentations carried out on the national territory, this paper briefly reviews the theoretical references and the methodology used.
Reference is therefore made to the results obtained in the research/experimentations in Viterbo, to which the most recent training projects of Alternanza Scuola Lavoro for high school students (today PCTO) have also contributed. Despite the specificity of each research/experimentation, a common model has been identified in the evolution of the relationships between the participants. This model of intergenerational communication develops according to the phases of "rapprochement", "knowledge" and "empathy" (Albanese, 2001). In Viterbo "City for Fraternity" the research results are characterized by a rich dimension of values:
- "objectified" according to the Theory of Social Representations (Moscovici, 1961/1976) in an Intergenerational Values and Environmental Education Path;
- highlighted by values evoked by the participants such as: altruism, friendship, sharing, brotherhood, integration, solidarity, union, family, etc.
It exposes the PCTO carried out in 2018/2019 in Viterbo in accordance with a network agreement between A.R.I.P.T. Fo.R.P., ACLI, Caritas, Liceo delle Scienze Umane e Liceo Musicale “Santa Rosa da Viterbo” for the knowledge and intergenerational valorization of goods and environment. A particular focus is reserved to the stage of the Teatro dell'Unione, with its high symbolic value, as well as historical, artistic and cultural.
The article highlights the specific objectives agreed with the School and illustrates the design and implementation of the training course in the various stages of implementation. The description of the activities carried out leaves room for the protagonists: the school as an essential part of a wider network made up of public and private bodies that have been supporting the projects in Viterbo since 2002.
The evaluation of the work carried out in 2019 has inspired the creation of a small book including narratives and images on the memory of the City of Viterbo through the Teatro dell'Unione. Some hypotheses are formulated for the development of the project for the next school years, according to the slogan coined in 2019: "Grandparents and Grandchildren: the Union is the strength
Philosophie politique de l'espace : le programme de recherche d'Herni Lefebvre et ses conséquences théoriques
No full textDans ce travail, on analyse la conception de l’espace formulée par Henri Lefebvre entre la fin des années cinquante et la moitié des années soixante-dix, cherchant à identifier les articulations théorico-politiques les plus importantes et leurs possibles développements. Le premier chapitre est consacré à l’analyse lefebvrienne de la métropole fordiste : le rôle de l’espace dans la production de la quotidienneté, comme organisation systémique de la reproduction sociale. Le deuxième chapitre examine le passage à la « société urbaine » : l’explosion progressive de l’espace d’accumulation keynésiano-fordiste et la formation d’un nouveau sujet de classe, irréductible à l’image du prolétaire industriel. Enfin, le troisième chapitre approfondit la conception constructiviste de l’espace élaborée par Lefebvre et l’hypothèse d’une critique de l’économie politique de l’espace. Un parcours qui conduit à la description d’un modèle articulé et complexe de l’espace politique, centré sur les processus d’urbanisation, rescaling et mondialisation. La thèse illustre de manière globale le parcours théorique qui à partir de l’examen d’une spatialité keynésiano-fordiste conduit Lefebvre à l’analyse de l’« espace néolibéral » émergeant , pour en discuter de manière critique l’actualité.In this work, we analyze the conception of the space elaborated by Henri Lefebvre between the late fifties and the first half of the seventies, seeking to identify the most important theoretical and political articulations and their possible developments. The first chapter is devoted to Lefebvre’s analysis of Fordist metropolis: the role of the space in the production of everydayness, as a systemic organization of social reproduction. The second chapter examines the transition to “urban society”: the progressive explosion of Keynesian-Fordist space and the formation of a new class subject, irreducible to the image of the industrial proletarian. The third chapter deepens the constructivist conception of the space developed by Lefebvre, and the hypothesis of a critique of the political economy of the space. A path that leads to the description of an articulated and complex model of political space, focusing on the process of urbanization, rescaling and globalization. The dissertation shows comprehensively the theoretical movement, which from the examination of a Keynesian-Fordist spatiality leads Lefebvre to the analysis of the emerging “neoliberal space”, to critically discuss its actuality.In questo lavoro si analizza la concezione dello spazio formulata da Henri Lefebvre tra la fine degli anni Cinquanta e la metà degli anni Settanta, cercando di individuare gli snodi teorico-politici più importanti e i possibili sviluppi. Il primo capitolo è dedicato all'analisi lefebvriana della metropoli fordista: al ruolo dello spazio nella produzione della quotidianità come organizzazione sistemica della riproduzione sociale. Nel secondo capitolo si esamina il passaggio alla «società urbana»: l'esplosione progressiva dello spazio di accumulazione keynessiano-fordista e la formazione di un nuovo soggetto di classe, non riducibile all'immagine del proletariato industriale. Nel terzo capitolo, infine, vengono approfondite la concezione costruttivistica dello spazio elaborata da Lefebvre e l'ipotesi di una critica dell'economia politica dello spazio. Un percorso che conduce alla descrizione di un modello articolato e complesso dello spazio politico incentrato sui processi di urbanizzazione, riscaling e mondializzazione. Complessivamente, la tesi illustra il percorso teorico che, dalla disamina di una spazialità keynessiano-fordista, conduce Lefebvre all'analisi dello «spazio neoliberale» emergente e ne discute criticamente l'attualità
Transstate social spaces and development. Exploring the changing balance between communities, states and markets
No full textFaist T. Transstate social spaces and development. Exploring the changing balance between communities, states and markets. Discussion paper. Decent Work Research Programme, DP/169/2007. Geneva: International Institute for Labour Studies (IILS); 2007
Building national character in opera: L. V. De-simoni's Marilia De Itamaraca
No full textLuiz Vicente De Simoni (1782-1881) was an Italian physician who went to Rio de Janeiro in 1817, and was constantly involved in the musical and theatrical scene of the city. He is the author of Marilia de Itamaraca (1854, music by Adolpho Maersch), considered by some authors as the first "Brazilian" opera. The subject is historical and narrates some episodes of the 17th century war against the Dutch. One of his main concerns was the use of Brazilian and Portuguese themes in operas, in order to invent something "national". As part of a broader movement, the idea was to explore Brazilian people, landscape and traditions as the main subject for operas that should be sung in Portuguese. The movement was related to a broader political project sponsored by the government and the Emperor, aimed at the revision of Brazilian history and the construction of a new cultural identity for the country. The purpose of this paper is to examine some aspects of the libretto of Marilia de Itamaraca and the ideas discussed in its preface, showing the contradictions and tensions involved in the creation of a "national" identity through operas.Luiz Vicente De Simoni (1782-1881), médico italiano que foi para o Rio de Janeiro em 1817, esteve constantemente envolvido no mundo musical e teatral da cidade. Ele é o autor de Marília de Itamaracá (1854, música de Adolpho Maersch), considerada por algun2039113135sem informaçãosem informaçãoLuiz Vicente De Simoni (1782-1881) was an Italian physician who went to Rio de Janeiro in 1817, and was constantly involved in the musical and theatrical scene of the city. He is the author of Marilia de Itamaraca (1854, music by Adolpho Maersch), consid
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