4,750 research outputs found
Henry Roth Correspondence
No full textEntries include the typed transcripts of introductory correspondence from the Maine State Library and receipt of Roth\u27s book gift to the Maine Author Collection
J. Roth. The Halakhic Process. A Systematic Analysis.
No full textSchwarzfuchs Simon. J. Roth. The Halakhic Process. A Systematic Analysis.. In: Revue de l'histoire des religions, tome 209, n°3, 1992. pp. 302-303
Energieversorgung der Stadtwerke Roth
No full textDie vorliegende Projektarbeit ist Teil des Gesamtprojektes, welches die regenerative Energieversorgung der Stadtwerke Roth mittels Solar, Wind, Wasserkraft und mit Biogas befeuerten Blockheizkraftwerken sicherstellt. Dabei wird eine Versorgungssystemauslegung mit zugehöriger Speicherdimensionierung durchgeführt. In dieser Arbeit werden die Windkraft und eine Systembewirtschaftungsstrategie genauer beleuchtet. Bei der Standortermittlung für Windenergieanlagen wurde der Suchradius auf den Landkreis Roth ausgeweitet, da im Bereich Stadt Roth keine Möglichkeit für Neuanlagen besteht. Hierbei konnten mögliche Standorte für Windenergieanlagen ermittelt werden. Ob der Standort für eine Windenergieanlage zugelassen ist, wird im Genehmigungsverfahren entschieden. Die durchschnittlichen Windgeschwindigkeiten betragen hier ca. 6,7 m/s. Bei der zukünftigen Energieversorgung werden Neuanlagen im Bereich Windkraft und Photovoltaik benötigt. 92 % dieser übernehmen Windkraftanlagen, 8% übernehmen Photovoltaikanlagen. Die Windkraftanlagen haben hierbei eine Nabenhöhe von 160 m, eine Generatornennleistung von 3 MW und einen Rotordurchmesser von 150 m. Es werden elf Neuanlagen benötigt. Im Gesamtsystem entstehen Stromgestehungskosten von 20,39 ct/kWh.
Die Systembewirtschaftungsstrategie errechnet mit Wetterprognosen und Strommarktpreisen eine lukrative Ein- und Verkaufsstrategie für die im Speichersystem gespeicherte Energie. Hierbei ist die Versorgungs-sicherheit der Stadtwerke Roth stets gegeben. Bei einem Strommarktpreis von 150 €/MWh ergäben sich durch die strategische Vermarktung reine Stromgestehungskosten von 7,8 ct/kWh
'Roth, Dietrich, Das Moller-Florilegium. Hans Simon Holtzbeckers Blumenalbum für den Bürgermeister Barthold Möller'
No full textInternational audienceRecension de Dietrich Roth, Das Moller-Florilegium. Hans Simon Holtzbeckers Blumenalbum für den Bürgermeister Barthold Möller, München : Hirmer, 2007, 336 p., 456 ill., 98 €
History Department Chair, Professor Roger Simon, with student Jeremi Roth \u2794
No full textLehigh Week, Volume 7, Issue 1, Page 3;" Professor Simon assists Roth, of Ontairo, Canada, with a project comparing the constitutions of the US and Canada. A College Scholar, Roth is receiving 12 credits for the special project which will result in a 100-page presentation. He is a double major in history and philosophy.
Abstract 1917: CHD1 depletion leads to androgen-independent growth of prostate cancer cells lines and regulates the TGFβ system in an EZH2-dependent manner
No full textAbstract Introduction: Therapy of metastasized prostate cancer (PCA) largely depends on androgen deprivation therapy (ADT). Despite initial response, tumors inevitably reach castration resistance (CRPC), a stage at which chemotherapy and second-generation antiandrogens (e.g. Enzalutamide) represent the main therapeutic options. Acquired resistance to these drugs is an emerging problem, raising a need for new approaches. Deletion or mutation of the Chromodomain Helicase DNA binding protein 1 (CHD1) gene, encoding an ATP-dependent chromatin remodeler, is more prevalent in CRPC compared to earlier tumor stages. Therefore, we investigated the effects of CHD1 depletion in androgen-sensitive LNCaP cells. Experimental procedures: LNCaP cells were grown in media with either 10% fetal bovine serum (FBS), 10% charcoal-stripped serum (CSS) or 10% CSS plus 1nM testosterone. Growth was visualized by image-based cell cytometry. After 10 days of growth, RNA sequencing (RNA-seq) was performed to investigate changes in gene expression (between the different growth conditions with and without CHD1 depletion). Results were verified by qRT-PCR and Western blot. The identified treatment options were tested with small-molecule inhibitors in different concentrations. Finally, we performed chromatin immunoprecipitation followed by next-generation sequencing (ChIP-seq) in order to identify the epigenetic mechanisms underlying the differential regulation. Results: We identified a correlation between androgen-independent growth and CHD1 depletion which could be compensated by addition of 1 nM testosterone. Moreover, we identified CHD1-dependent regulation of Enhancer Of Zeste Homolog-2 (EZH2), which could be confirmed at the protein level. Treatment with 1 µM JQ-EZ (an EZH2 inhibitor) showed a stronger effect on the proliferation of CHD1-knockdown cells compared to controls. ChIP-seq and RNA-seq analysis helped to identify a subset of EZH2-bound genes depending on CHD1 knockdown and androgen deprivation. Among those genes, we identified the I-SMAD genes SMAD6 and SMAD7 which are regulators of TGFβ and BMP signaling to be upregulated after androgen-deprivation and downregulated with CHD1 knockdown. We also showed differential regulation of PMEPA1, a TGFβ-dependent inhibitor of PCA bone metastasis. Coherently, we found upregulation of mesenchymal markers such as CDH2, pointing towards a role in EMT. Conclusion: We identified a new regulatory mechanism for CRPC harboring a CHD1-deletion leading to a more mesenchymal state in an EZH2-dependent manner. First experiments with an EZH2 inhibitor in our system indicate a possible therapeutic use. CHD1 could hereby be used both as a biomarker for early metastasis as well as for therapeutic stratification. Citation Format: Simon J. Böcker, Simon J. Baumgart, Annabell Roth, Vijayalakshmi Kari, Steven A. Johnsen, Oliver Hahn. CHD1 depletion leads to androgen-independent growth of prostate cancer cells lines and regulates the TGFβ system in an EZH2-dependent manner [abstract]. In: Proceedings of the American Association for Cancer Research Annual Meeting 2018; 2018 Apr 14-18; Chicago, IL. Philadelphia (PA): AACR; Cancer Res 2018;78(13 Suppl):Abstract nr 1917
[Stammbuch Ludwig Roth] / Ludovicus Roth. Wilhelm Antonius Sapper
No full text[STAMMBUCH LUDWIG ROTH] / LUDOVICUS ROTH. WILHELM ANTONIUS SAPPER
[Stammbuch Ludwig Roth] / Ludovicus Roth. Wilhelm Antonius Sapper ( - )
Cover ( - )
Roth, Ludwig; Blatt 1,1 ( - )
Castell, Wolfgang George von; Blatt 1,2 (1)
Guttenstein, Heinrich Peter von; Blatt 5 (4-5)
Schlick zu Passaun, Christoph Carl von; Blatt 9 (8-9)
Jörger, Carl Wilhelm; Blatt 27 (26-27)
Jörger, Carl Helmhart; Blatt 28 (28-29)
Herberstein, Sigmund von; Blatt 29 (28-29)
Unbekannt; Blatt 31 (30-31)
Riemer, Valentin; Blatt 37 (36-37)
Major, Johannes; Blatt 43 (42-43)
Gerhard, Johann; Blatt 45 (44-45)
Vippach, Georg von; Blatt 47 (46-47)
Bocer, Heinrich; Blatt 63 (62-63)
Unbekannt; Blatt 65 (64-65)
Cludius, Johannes Thomas; Blatt 67 (66-67)
Thumm, Theodor; Blatt 69 (68-69)
Pregitzer, Johann Ulrich; Blatt 71 (70-71)
Halbritter, Johann; Blatt 73 (72-73)
Harpprecht, Johann; Blatt 75 (74-75)
Magirus, David; Blatt 77 (76-77)
Bayer, Andreas; Blatt 81 (80-81)
Romanus, Franz; Blatt 99 (98-99)
Battus, Bartholomäus; Blatt 117 (116-117)
Hortleder, Friedrich; Blatt 131 (130-131)
Reihing, Jacob; Blatt 135 (134-135)
Himmel, Johann; Blatt 145 (144-145)
Fomann, Ortolph; Blatt 147 (146-147)
Arumäus, Dominicus; Blatt 149 (148-149)
Unbekannt; Blatt 151 (150-151)
Theodoricus, Petrus; Blatt 153 (152-153)
Unruh, Erasmus; Blatt 157 (156-157)
Mendius, Martin; Blatt 163 (162-163)
Carpzov, Conrad; Blatt 165 (164-165)
Carpzov, Benedict; Blatt 167 (166-167)
Unbekannt; Blatt 171 (170-171)
Cramer, Daniel; Blatt 175 (174-175)
Unbekannt; Blatt 179 (178-179)
Brendel, Zacharias; Blatt 183 (182-183)
Schenck, Eusebius; Blatt 185 (184-185)
Mylius, Georg; Blatt 187 (186-187)
Francke, Georg; Blatt 189 (188-189)
Cubach, Quirin; Blatt 191 (190-191)
Reuter, Gottfried; Blatt 195 (194-195)
Merck, Andreas; Blatt 217 (216-217)
Glaß, Salomon; Blatt 229 (228-229)
Hunnius, Nicolaus; Blatt 233 (232-233)
Schmuck, Wilhelm; Blatt 281 (280-281)
Speckhan, Eberhard; Blatt 287 (286-287)
Arm, Julius; Blatt 295 (294-295)
Lansius, Thomas; Blatt 331 (330-331)
Bacmeister, Matthäus; Blatt 339 (338-339)
Neuenhan, Heinrich; Blatt 363 (362-363)
Berger, Anton; Blatt 391 (390-391)
Harnisch, Johann; Blatt 406 (406-407)
Himmel, Georg; Blatt 407 (406-407)
Toelmann, Simon; Blatt 411 (410-411)
Rosinus, Johannes; Blatt 415 (414-415)
Rümelin, Martin; Blatt 419 (418-419)
Helmstatt, Friedrich Albrecht von; Blatt 422 (422-423)
Bülow, Paul Joachim von; Blatt 423 (422-423)
Gemmingen, Johann Sigmund von; Blatt 425 (424-425)
Bouwinghausen von Wallmerode, Friedrich Hermann; Blatt 427 (426-427)
Helmstatt, Pleickhard von; Blatt 429 (428-429)
Kechler von Schwandorf, Johann Conrad; Blatt 431 (430-431)
Metrophanes; Blatt 451 (450-451)
Heider, Wolfgang; Blatt 457 (456-457)
Hofmann, Heinrich; Blatt 459 (458-459)
Schertlin von Burtenbach, Johann Albrecht; Blatt 461 (460-461)
Horst, Philipp; Blatt 465 (464-465)
Lindemann, Thomas; Blatt 473 (472-473)
Besold, Christoph; Blatt 475 (474-475)
Rieckmann, Joachim; Blatt 477 (476-477)
Aenetius, Gottlieb; Blatt 481 (480-481)
Eiseler, Thomas; Blatt 485 (484-485)
Goeler von Ravensburg, Johann Bernhard; Blatt 487 (486-487)
Stahl, Daniel; Blatt 489 (488-489)
Bloss, Johann Sebastian; Blatt 496 (496-497)
Haug, Castol; Blatt 497 (496-497)
Wedel, Johann; Blatt 501 (500-501)
Müller, Christoph; Blatt 503 (502-503)
Grave, Gerhard; Blatt 510 (510-511)
Praetorius, Hieronymus; Blatt 511 (510-511)
Beutler, Thomas; Blatt 513 (512-513)
Zisenis, Johann; Blatt 515 (514-515)
Schultetus, Christoph; Blatt 517 (516-517)
Schaper, Christoph; Blatt 519 (518-519)
Eisengrein, Tobias; Blatt 521 (520-521)
Schleicher, Sigismund; Blatt 524 (524-525)
Imlin, Daniel; Blatt 525 (524-525)
Cellarius, Christoph; Blatt 531 (530-531)
Deutsch, Zacharias; Blatt 532 (532-533)
Hammer, David; Blatt 533 (532-533)
Germar, Heinrich; Blatt 535 (534-535)
Lerchenfelder, Christoph Emmeram; Blatt 536 (536-537)
Hopff, Johann Georg; Blatt 537 (536-537)
Jung, Johann Friedrich; Blatt 538 (538-539)
Wolffarth, Matthias; Blatt 539 (538-539)
Unbekannt; Blatt 541 (540-541)
Schaper, Franz; Blatt 543 (542-543)
Ranitz, David; Blatt 545 (544-545)
Spatz, Johann; Blatt 549 (548-549)
Zückmesser, Franz; Blatt 551 (550-551)
Boner, Heinrich; Blatt 553 (552-553)
Haug, Matthaeus; Blatt 559 (558-559)
Rechlinger, Johann Ulrich; Blatt 561 (560-561)
Jagow, Erasmus Dieterich von; Blatt 567 (566-567)
Jagow, Levin Georg von; Blatt 568 (568-569)
Helfreich, Gabriel; Blatt 569 (568-569)
Geller, Georg Christoph; Blatt 570 (570-571)
Lauginger, Otto Friedrich; Blatt 571 (570-571)
Stöberlein, Paul; Blatt 575 (574-575)
Göpner, Carl; Blatt 576 (576-577)
Wegelin, Matthias; Blatt 577 (576-577)
Gichtel, Johann; Blatt 579 (578-579)
Dobler, Georg; Blatt 580 (580-581)
Hilpert, Johann; Blatt 581 (580-581)
Guther, David; Blatt 585 (584-585)
Schnobel, Joachim; Blatt 587 (586-587)
Schwindel, Johann Jacob; Blatt 589 (588-589)
Kuechell, Mathäus; Blatt 590 (590-591)
Weinmann, Johann Simon; Blatt 591 (590-591)
Rößlin, Johann Jacob; Blatt 593 (592-593)
Steinacker, Johann Christian; Blatt 595 (594-595)
Zückwolf, Jacob; Blatt 597 (596-597)
Walitonius, Johannes; Blatt 615 (614-615)
Rezer, Daniel; Blatt 618 (616/619)
Hetzel, Jacob; Blatt 627 (626-627)
Hirschmann, Michael; Blatt 637 (636-637)
Linck, Philipp; Blatt 645 (644-645)
Beyrer, Martin; Blatt 649 (648-649)
Register über sämmtliche hierinn befindliche Personen (666-667
L'archive photographique dans l'art contemporain (2012-2022) : décrypter l'expérience visuelles dans les œuvres de Taryn Simon et Evan Roth
No full textThis dissertation explores the utilization of photographic archives in the realm of contemporary art photography, with specific attention directed towards the long-term archival art projects conducted by two American conceptual artists, Taryn Simon (b. 1975) and Evan Roth (b. 1978). Centering on these two case studies that bridge the divide between physical and digital archival contexts, this analysis aims to examine the manner in which Simon and Roth navigate a spectrum of photographic and archival formats, materials, and conceptual frameworks in both tangible and virtual domains. My argument, based in a monographic approach, is firmly anchored in the selection of Simon and Roth as central figures of study. These artists skillfully harness the concept of the photo-archive not only to contemplate memory and historical narratives but also to expand the parameters of contemporary art photography. In doing so, they make substantial contributions to the ongoing discourse surrounding "post-photography." This becomes particularly relevant in an era characterized by the ubiquity of photographic imagery, driven by the pervasive influence of digital transformations on our daily lives. This dissertation aims to elucidate how the artists' unique methodologies in curating and presenting photo-archives as contemporary art result in distinctive visual and performative experiences for viewers in exhibition contexts. Through this analysis, it explores the experiential dimension of photography within the framework of Simon and Roth's creative works and exhibitions. It is my contention that Simon and Roth's artistic projects serve a dual purpose, effectively engaging audiences through aesthetically compelling photographic compositions and elaborate site-specific installations while also provoking intellectual and critical contemplation. Their projects prompt reflection on contemporary aspects of our image-centric culture, spanning visual knowledge creation, categorization, preservation, and distribution, as well as the shaping of collective memory and identity through photographic archives. Additionally, their artworks explore the material and immaterial aspects of photography and archives, illuminating these dynamics within our visual culture. This dissertation examines selected archival artworks by Simon and Roth in the context of their curatorial and institutional settings. It emphasizes the significant impact of these factors on the audience's reception of the works and concludes that these institutional and curatorial contexts greatly contribute to our understanding of the multifaceted expressions and possibilities of photography within contemporary art practice.Cette thèse explore l'utilisation des archives photographiques dans le domaine de la photographie contemporaine, en accordant une attention particulière aux projets d'art archivistique à long terme menés par deux artistes conceptuels américains, Taryn Simon (née en 1975) et Evan Roth (né en 1978). En se concentrant sur ces deux études de cas qui comblent le fossé entre les contextes archivistiques physiques et numériques, cette analyse vise à examiner la manière dont Simon et Roth naviguent à travers un spectre de formats photographiques et archivistiques, de matériaux et de cadres conceptuels, tant dans les domaines tangibles que virtuels. Mon argument, basé sur une approche monographique, est fermement ancré dans le choix de Simon et Roth en tant que figures centrales d'étude. Ces artistes exploitent habilement le concept de la photo-archives non seulement pour réfléchir à la mémoire, à l'identité et à l'histoire, mais aussi pour élargir les paramètres de la photographie contemporaine. Ce faisant, ils apportent une contribution significative au discours en cours sur la « post-photographie ». Ceci devient particulièrement pertinent à une époque caractérisée par l'ubiquité de l'imagerie photographique, sous l'influence prédominante des transformations numériques dans notre vie quotidienne. Cette thèse explore comment les méthodologies des artistes dans la présentation muséographique des archives photo en tant qu'art contemporain génèrent des expériences visuelles et performatives distinctes pour les spectateurs. Elle examine la dimension expérientielle de la photographie dans les oeuvres créatives et les expositions de Simon et Roth. Leurs projets engagent le public à travers des compositions photographiques esthétiquement captivantes et des installations élaborées tout en suscitant une réflexion intellectuelle et critique. Leurs projets incitent à la réflexion sur les aspects contemporains de notre culture centrée sur l'image, couvrant la création, la catégorisation, la préservation et la distribution des connaissances visuelles, ainsi que la formation de la mémoire collective et de l'identité à travers les archives photographiques. De plus, leurs oeuvres d'art explorent les aspects matériels et immatériels de la photographie et des archives, éclairant ainsi ces dynamiques au sein de notre culture visuelle. Cette thèse examine en détail certaines oeuvres sélectionnées de Simon et Roth dans le contexte de leurs cadres muséographique et institutionnel. Elle souligne l'impact significatif de ces facteurs sur la réception des oeuvres par les spectateurs et conclut que ces contextes muséographiques contribuent à notre compréhension des différentes expressions et des possibilités de la photographie au sein de l'art contemporain
L'archive photographique dans l'art contemporain (2012-2022) : décrypter l'expérience visuelles dans les œuvres de Taryn Simon et Evan Roth
No full textCette thèse explore l'utilisation des archives photographiques dans le domaine de la photographie contemporaine, en accordant une attention particulière aux projets d'art archivistique à long terme menés par deux artistes conceptuels américains, Taryn Simon (née en 1975) et Evan Roth (né en 1978). En se concentrant sur ces deux études de cas qui comblent le fossé entre les contextes archivistiques physiques et numériques, cette analyse vise à examiner la manière dont Simon et Roth naviguent à travers un spectre de formats photographiques et archivistiques, de matériaux et de cadres conceptuels, tant dans les domaines tangibles que virtuels. Mon argument, basé sur une approche monographique, est fermement ancré dans le choix de Simon et Roth en tant que figures centrales d'étude. Ces artistes exploitent habilement le concept de la photo-archives non seulement pour réfléchir à la mémoire, à l'identité et à l'histoire, mais aussi pour élargir les paramètres de la photographie contemporaine. Ce faisant, ils apportent une contribution significative au discours en cours sur la « post-photographie ». Ceci devient particulièrement pertinent à une époque caractérisée par l'ubiquité de l'imagerie photographique, sous l'influence prédominante des transformations numériques dans notre vie quotidienne. Cette thèse explore comment les méthodologies des artistes dans la présentation muséographique des archives photo en tant qu'art contemporain génèrent des expériences visuelles et performatives distinctes pour les spectateurs. Elle examine la dimension expérientielle de la photographie dans les oeuvres créatives et les expositions de Simon et Roth. Leurs projets engagent le public à travers des compositions photographiques esthétiquement captivantes et des installations élaborées tout en suscitant une réflexion intellectuelle et critique. Leurs projets incitent à la réflexion sur les aspects contemporains de notre culture centrée sur l'image, couvrant la création, la catégorisation, la préservation et la distribution des connaissances visuelles, ainsi que la formation de la mémoire collective et de l'identité à travers les archives photographiques. De plus, leurs oeuvres d'art explorent les aspects matériels et immatériels de la photographie et des archives, éclairant ainsi ces dynamiques au sein de notre culture visuelle. Cette thèse examine en détail certaines oeuvres sélectionnées de Simon et Roth dans le contexte de leurs cadres muséographique et institutionnel. Elle souligne l'impact significatif de ces facteurs sur la réception des oeuvres par les spectateurs et conclut que ces contextes muséographiques contribuent à notre compréhension des différentes expressions et des possibilités de la photographie au sein de l'art contemporain.This dissertation explores the utilization of photographic archives in the realm of contemporary art photography, with specific attention directed towards the long-term archival art projects conducted by two American conceptual artists, Taryn Simon (b. 1975) and Evan Roth (b. 1978). Centering on these two case studies that bridge the divide between physical and digital archival contexts, this analysis aims to examine the manner in which Simon and Roth navigate a spectrum of photographic and archival formats, materials, and conceptual frameworks in both tangible and virtual domains. My argument, based in a monographic approach, is firmly anchored in the selection of Simon and Roth as central figures of study. These artists skillfully harness the concept of the photo-archive not only to contemplate memory and historical narratives but also to expand the parameters of contemporary art photography. In doing so, they make substantial contributions to the ongoing discourse surrounding "post-photography." This becomes particularly relevant in an era characterized by the ubiquity of photographic imagery, driven by the pervasive influence of digital transformations on our daily lives. This dissertation aims to elucidate how the artists' unique methodologies in curating and presenting photo-archives as contemporary art result in distinctive visual and performative experiences for viewers in exhibition contexts. Through this analysis, it explores the experiential dimension of photography within the framework of Simon and Roth's creative works and exhibitions. It is my contention that Simon and Roth's artistic projects serve a dual purpose, effectively engaging audiences through aesthetically compelling photographic compositions and elaborate site-specific installations while also provoking intellectual and critical contemplation. Their projects prompt reflection on contemporary aspects of our image-centric culture, spanning visual knowledge creation, categorization, preservation, and distribution, as well as the shaping of collective memory and identity through photographic archives. Additionally, their artworks explore the material and immaterial aspects of photography and archives, illuminating these dynamics within our visual culture. This dissertation examines selected archival artworks by Simon and Roth in the context of their curatorial and institutional settings. It emphasizes the significant impact of these factors on the audience's reception of the works and concludes that these institutional and curatorial contexts greatly contribute to our understanding of the multifaceted expressions and possibilities of photography within contemporary art practice
The Name Simon
No full textSpeculation about the “change” in the name of the apostle Peter will undoubtedly always be in order. In this respect the recent article of Cecil Roth of Oxford raises an interesting point. He suggests that the apostle's name Peter prevailed in time over Simon because of a current tendency of contemporary Judaism to avoid the use of the name Σίμων or װעמש. The latter name was “commonly or even methodically modified or eliminated, for some reason or the other, among the Jews at the beginning of the Christian era. One finds it difficult to avoid the conclusion that the modification of the name of the Apostle by the elimination of ‘Simon’ was connected with this and due to the same cause, whatever that may have been.” Roth offers parallels of persons whose name was Simon, but who were known more usually by a patronymic or a nickname (ben Sira, ben Zoma, ben Azzai, ben Nanos, bar Kochba), and suggests that it was a peculiarly “patriotic” name, borne by great national and revolutionary leaders such as Simon Maccabee, Simon the High Priest (Sir 50.1–21), Simeon ben Šeṭaḥ (politician-Rabbi of the second century B. C), Simon the rebel (Josephus, JW 2.4,2 #57; Ant. 17.10,6 #273), Simon the son of the founder of the Zealots, Judah the Galilean (Josephus, Ant. 20.5,2 #102), Simon bar Giora (leader in the First Revolt), Simon bar Kochba (leader of the Second Revolt).</jats:p
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