165 research outputs found
Buku penetapan warisan budaya takbenda Indonesia tahun 2020
No full textBuku Penetapan Warisan Budaya Takbenda Indonesia Tahun 2020 disusun oleh Direktorat Pelindungan Kebudayaan, Direktorat Jenderal Kebudayaan, Kementerian Pendidikan dan Kebudayaan sesuai dengan tugas pokok dan fungsinya antara lain melakukan pelestarian dan pelindungan karya udaya melalui kegiatan Pencatatan, Pengusulan dan Penetepan Warisan Budaya Takbenda Indonesia Tahun 2020. Buku Penetapan ini disusun guna memberikan informasi mengenai Warisan Budaya Takbenda Indonesia yang telah ditetapkan Tahun 2020. Karya budaya dalam buku initelah melalui tahapan penilaian oleh Tim Ahli Warisan Budaya Takbenda sehingga dapat ditetapkan menjadi Warisan Budaya Takbenda Indonesi
Towards Global Education? Indonesian and German Academic Cultures Compared. Menuju Pendidikan Global? Membandingkan budaya akademik Indonesia dan Jerman
No full textSeat of The Divine Preserver: Prabudewa Iconographies of The Hamengku Buwana Dynasty
No full textFor more than two-and-a-half centuries, the Sultanate of Yogyakarta has been under the rule of one dynasty of sultans called the Hamengku Buwana. One of the keys to such a prolonged rulership by one dynasty is the use of narratives as well as symbolisms that support said narratives. In the case of the sultanate, the narratives relate the rulers to the concept of the sultan as a god-king, or in the Javanese term, prabudewa. In this article, I explore how the dynasty found means of identification with the Hindu deity, Lord Vishnu, to strengthen the claim that the sultan is indeed a divine sovereign. Using the symbolic framework, I argue that the Hamengku Buwana have used artistic allusions to Lord Vishnu which are incorporated in the court's iconographies to reach that goal. At the end of the day, I found that the dynasty has, in fact, been using artistic iconographies within the royal court as a means to strengthen their identification as Lord Vishnu, the divine preserver of the universe according to the Hindu pantheon. The iconographies are spread throughout the royal court and can be found in various forms as well which one can still see to this day, such as the royal coach, the sultan's throne room, and in Yogyakartan batik motifs
The development of dangdut and its meanings : a study of popular music in Indonesia
No full textThis thesis was scanned from the print manuscript for digital preservation and is copyright the author.
Researchers can access this thesis by asking their local university, institution or public library to
make a request on their behalf. Monash staff and postgraduate students can use the link in the References field
Pergelaran: Sebuah mozaik penelitian seni-budaya
No full textGerak dinamis serupa ini terjadi pula dalam disiplin keilmuan yang menempatkan seni sebagai objek kajiannya. Buku Pergelaran dimaksudkan sebagai pengantar mengenai pergeseran perspektif yang terjadi dalam kajian seni. Pembahasan memfokuskan diri pada munculnya kecenderungan pendekatan yang memberi penekanan pada pergelaran (performance) - atau yang sering di kenal sebagai performance centeral approach. Beberapa bagian dalam buku ini pun memaparkan secara singkat tentang pemikiran fenomenologi _ aliran filsafat yang melatarbelakangi munculnya pergeseran pendekatan tersebut. Buku ini menyajikan bagaimana perspektif fenomenologi memberi pengaruh pada minat antropologi untuk meneliti perihal pengalaman. Buku ini juga membahas pendekatan yang terpusat pada pergelaran, termasuk keterkaitan antara perforrmance centered approach ini dengan metode etnograf
Menggelar Narasidan Reputasi: PameranSeniRupa sebagai Pergelaran
No full textAbstrakPembagian seni secara konvensional ke dalam Seni Rupa dan Seni Pertunjukan dapat dituduhsebagai faktor pendorong tidak saling bertegursapanya kajian kedua ranah seni tersebut. Penelitian ini menggunakan metode kajian pertunjukan. Hasil penelitian ini menyajikan tawaran cara pandang pergelaran (performance) sebagai salah satu alternatif perspektif untuk menjembatani kajian kedua ranah seni tersebut. Penulis berpendapat bahwa melihat pameran seni rupa sebagai peristiwa pergelaran berpeluang menghasilkan wilayah kajian baru dalam kajian seni rupa. Cara pandang pergelaran bahkan juga dapat dimanfaatkan lebih lanjut untuk mengkaji akuisisi dan koleksi seni rupa.Kata kunci: pameran seni rupa, pergelaran, kajian pertunjukanAbstractThe conventional division of arts into Arts and Performing Arts can be blamed as an impedingfactor for conversation between studies of the two art realms. This research uses performance studies method.This research result proposes performance as analternative perspective to bridge both studies. It argues that viewing arts exhibition as performance might give result to a new field of arts studies. Performance perspectives even can be applied further to examine arts acquisition and collection.Key words: arts exhibition, performance, performance studies</jats:p
Book Review: Bijl, P., & Chin, G. V. S. (Eds.) (2020): Appropriating Kartini - Colonial, National and Transnational Memories of an Indonesian Icon
No full textThis book dicusses the national, regional, and transnational appropriations of Kartini - a young Javanese woman who lived in Jepara, Central Java, between 1879 and 1904. She is recognised internationally as an iconic feminist and nationalist Indonesian figure and is, after Anne Frank, the most widely-read and influential, (originally) Dutch-language author worldwide in the 20th and 21st centuries. Since 1911, her letters, first published in Dutch as "Door duisternis tot licht" (lit. "Through Darkness Into Light"), have been translated into numerous languages including French, Russian, Japanese, Javanese, Sundanese, and Arabic. There are also several versions of Indonesian and English translations. In the 1960s, a republication of the first 1920 English language translation of a selection of her writings was included in the UNESCO Collection of Representative Works
Relevansi Antropologi dalam Kajian Kesenian di Indonesia
No full textThis article aims to review how anthropology and art pay attention to art, especially to similar studies that have been carried out in Indonesia. Based on this, it is also to show the implicit meaning of some propositions and associations of ideas from an anthropological perspective that can be considered for the study of art. In this sense, it is not to solve the great questions of the anthropology of art or confine oneself to the virtues of anthropology for art but to broaden the horizons in which they must be considered
- …
