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Studio sugli smalti della copertura in cotto del Campanile del Duomo di Parma
No full textUn fulmine, nella notte del 22 ottobre del 2009, ha colpito la cuspide del campanile del Duomo di Parma causando un incendio, responsabile di un ingente danno strutturale e conservativo. In particolare, è andata distrutta gran parte della copertura in rame, che ha messo in luce l’inaspettata copertura in cotto invetriato risalente al periodo medievale.
Lo scopo della ricerca è stato quello di conoscere la composizione originale delle invetriature della copertura in cotto e di distinguere quali deterioramenti della struttura e dei laterizi fossero imputabili alle alte temperature sviluppate durante l’incendio e quali invece fossero comparsi in precedenza.
Le invetriature, in base alle diverse colorazioni presenti sulla superficie, sono state suddivise in due gruppi:
• Invetriature bianche con colorazioni aranciate, rosse o verdi opache e addirittura cangianti “rame rosso” e/o verdi disomogenee;
• Invetriature nere con una superficie opaca o lucida che hanno assunto colorazioni cangianti azzurro-verdi e rosse;
Su ogni campione è stata effettuata una prima analisi attraverso la Spettroscopia micro-Raman, in quanto non ne comporta la distruzione. I dati ottenuti sono stati verificati con quelli acquisiti mediante Microscopia elettronica a scansione e microanalisi (SEM-EDS). Successivamente, sulla base dei risultati conseguiti, è stato scelto di approfondire l’analisi di alcuni campioni con la Diffrattometria a raggi X su polveri e la preparazione di sezioni stratigrafiche, sottoposte a loro volta ad indagini con la Spettroscopia micro-Raman e con SEM-EDS.
In tutti i campioni con smalto bianco è stata rilevata, tramite analisi al SEM-EDS, la presenza di stagno, responsabile della colorazione biancastra. Gli spettri micro-Raman e le analisi XRD hanno evidenziato la presenza di cassiterite SnO2. La colorazione rosso-arancio assunta dallo smalto bianco è dovuta ad ematite, come si nota dagli spettri Raman e dalla presenza di Fe in alte percentuali nelle analisi SEM-EDS del degrado superficiale. Questo ossido di ferro è presente solo nella zona superficiale e non all’interno della vetrina, come è possibile osservare dalla sezione stratigrafica: probabilmente proviene dai bolzoni che univano le lastre di rame al supporto ligneo sottostante. Per quanto riguarda invece le sfumature cangianti rosse, esse sono imputabili al rame metallico proveniente dalle lastre di rame che ricoprivano la copertura in cotto. Nelle analisi SEM-EDS eseguite sui composti dovuti al degrado superficiale è stato infatti rilevato rame in alte percentuali; nelle immagini, sia in elettroni secondari che retro-diffusi, sono visibili le particelle del metallo depositate. Dall’osservazione delle sezioni stratigrafiche si nota che il rame, come il ferro, è presente solo nella zona superficiale e non all’interno della vetrina. Anche nelle vetrine bianche con sfumature verdi di varie tonalità è stato rilevato, tramite SEM-EDS, rame in alte percentuali. Le analisi Raman hanno confermato questi risultati con la rilevazione di linarite (solfato basico di piombo e rame), cuprite e tenorite (ossidi di rame). Nelle vetrine con una colorazione nera è stato rilevato ferro e manganese con percentuali in peso variabili. Le analisi XRD e micro-Raman hanno mostrato la presenza all’interno del vetro di bustamite (silicato di calcio e manganese).
L’incendio dovuto al fulmine ha favorito il processo di metallizzazione grazie a vari fattori, come il lungo lasso di tempo (più di otto ore) trascorso tra la caduta del fulmine e lo spegnimento definitivo dell’incendio, la presenza del legno di supporto della copertura e l’ambiente riducente (privo di ossigeno) che si è creato tra la copertura e i laterizi
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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