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    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Laughing at “Young Bull”: American Authority in Civil War Cartoons

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    Drawing on transnational approaches to American literature, this essay reconsiders the politics of US Civil War cartoons. Whereas prior studies analyze how pro-Union and Confederate periodicals satirize both the enemy and themselves to bolster their respective causes, I ask what is at stake in jokes about foreign encounters. In the largely unstudied humor magazine Yankee Notions, cartoons persistently touch on fears that the war would weaken the country’s status and fantasies that Union victory could affirm US global authority. The cartoons strive to manage these sentiments by revising familiar caricatures. In so doing, they implicitly assure readers that Americans understand foreign peoples and themselves well enough to make light of international relations. Moreover, the magazine defines who is worth knowing, as it focuses on how Europe views the United States and vice versa. The cartoons thereby assert that ostensibly white, civilized empires recognize the Union as their equal, while occluding questions of how peoples of color view US imperialism

    Global Sympathy: Representing Nineteenth-Century Americans' Foreign Relations

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    Over the past two decades, scholars have established sympathy's key role in nineteenth-century literary culture and the development of U.S. nationalism. While examining the bonds that feeling forges among citizens, however, critics have largely neglected the question of how sympathy also links Americans to the larger world. Representations of global sympathy--wherein characters from different cultures share one another's joy and pain--pervade nineteenth-century U.S. literature. My project analyzes how authors narrativized the nation's political, territorial, and cultural changes, while underscoring the persistent importance of feeling in defining America's global role. "Global Sympathy" tells a story about what happens when writers imagine Americans as the kith and kin of foreign peoples. Beginning in the early national period, the first chapter explores how James Fenimore Cooper employs tropes of foreign friendship to establish Americans' equality to the British, inviting readers to re-imagine the British Empire as a valuable trading partner. My second chapter considers the importance of Christianity to Nathaniel Hawthorne and Maria Cummins, whose Protestant American heroines become metaphorical sisters to people in Italy and Syria, respectively. Read together, these pre-Civil War writers evoke confidence in Americans' ability to navigate foreign relations amidst political instability. Yet with increasing U.S. expansion, writers in the second half of the nineteenth-century expressed growing concern about America's foreign influence. Chapters three and four center on minority writers who employ sentiment to criticize the effects of imperialism on "foreign" peoples both within and outside the nation. María Amparo Ruiz de Burton participates in Gilded Age literary critiques of America as unfeeling and undemocratic, and develops an international courtship narrative to convey U.S. oppression of both "native" Californios and foreign nations like Mexico. Pauline Hopkins's turn-of-the-century fiction constitutes part of a broader body of literary responses to the Spanish-American War. Hopkins questions U.S. imperialism and racism by imagining the world, rather than the nation, as a family. More broadly, this project analyzes how Hopkins and all of the writers I study translate foreign politics into intimate terms and--by depicting U.S. citizens' affective ties to diverse peoples--insist on America's obligations to the international sphere

    Seduction\u27s Offspring: Resisting Sentimental Violence from Wilson to Wells

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    This essay argues that tensions in sentimentalism proved generative for nineteenth-century African American women writers who rethink familiar portraits ofthe shift from the seduction plot to domestic fiction

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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