1,720,983 research outputs found
Special Issue on Translation Automation and Sustainability
The research articles in this issue offer a comprehensive exploration of the intersection between translation and technologies
Approaches to human and machine translation quality assessment
In both research and practice, translation quality assessment is a complex task involving a range of linguistic and extra-linguistic factors. This chapter provides a critical overview of the established and developing approaches to the definition and measurement of translation quality in human and machine translation workflows across a range of research, educational, and industry scenarios. We intertwine literature from several interrelated disciplines dealing with contemporary translation quality assessment and, while we acknowledge the need for diversity in these approaches, we argue that there are fundamental and widespread issues that remain to be addressed, if we are to consolidate our knowledge and practice of translation quality assessment in increasingly technologised environments across research, teaching, and professional practice
On education and training in translation quality assessment
In this chapter, we argue that education and training in translation quality assessment (TQA)is being neglected for most, if not all, stakeholders of the translation process, from translators, post-editors, and reviewers to buyers and end-users of translation products and services. Within academia, there is a lack of education and training opportunities to equip translation students, even at postgraduate level, with the knowledge and skills required to understand and use TQA. This has immediate effects on their employability and long-term effects on professional practice. In discussing and building upon previous initiatives to tackle this issue, we provide a range of viewpoints and resources for the provision of such opportunities in collaborative and independent contexts across all modes and academic settings, focusing not just on TQA and machine translation training, but also on the use of assessment strategies in educational contexts that are directly relevant to those used in industry. In closing, we reiterate our argument for the importance of education and training in TQA, on the basis of all the contributions and perspectives presented in the volume
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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