8,090 research outputs found

    Enseñanza de ELE a través de los sentidos: un método multisensorial para estudiantes con y sin dislexia

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    Hernandez Castro, Sheila; director de proyecto: de Eguiburu Hevia, María2024-2025Máster Universitario en Enseñanza de Español como Lengua ExtranjeraFacultad de Ciencias de la Educació

    Virgil Suarez, 27th Annual ODU Literary Festival

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    Virgil Suarez is a Professor in the MFA Creative Writing Program at Florida State University. He received his M.F.A. from Louisiana State University in 1987. Suarez was born in Cuba in 1962. He specializes in creative writing (fiction and poetry) and Latino/a (especially Cuban-American) literature. He is the author of over fifteen books of prose and fiction including 90 Miles (Selected & New Poems) forthcoming in 2005 from the University of Pittsburgh Press, The Soviet Circus Visits Havana & Other Stories (University of Arizona Press, 2004), Landscapers & Dreams (Lousiana Literature Press, 2003) Vespers: Spirituality in America (University of Iowa Press, 2003), and Guide to the Blue Tongue (University of Illinois Press, 2002). Honors include the G. MacCarthur Poetry Prize, 2002, the Book Expo America/Latino Literature Hall of Fame Poetry Prize for best book of poetry (Banyan, LSU Press), several Pushcart Prize nominations, and a fellowship from the National Endowment for the Arts

    Sobre a recepción e fortuna crítica do chamado “Conto gallego” de Rosalía de Castro

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    [Resumo]: O denominado “Conto Gallego”, único exemplo de prosa narrativa galega de Rosalía de Castro, foi considerado durante anos un texto de dubidosa autoría, en parte polos problemas ligados á súa problemática difusión, o que provocou un certo silencio bibliográfi co e que fose un texto escasamente estudado. No artigo ofrécese unha completa revisión das valoracións e lecturas que sobre el se teñen feito, como exemplo da reavaliación crítica a que foi submetida a obra rosaliana nos últimos trinta anos.[Abstract]: For years, scholars have argued over the authorship of Rosalía de Castro’s only narrative prose text in Galician, her so-called Conto Gallego (‘A Galician Tale’). The confusion with regard to the identity of its author, due in part to problems in relation to how the text was originally transmitted, has led to its frequent omission from de Castro’s bibliography and a tendency to be overlooked by scholars of her work. This article proposes a complete reassessment and revision of the tale, as part of the critical reappraisal of de Castro’s writing over the past thirty years

    Rosalía de Castro e as escritoras angloamericanas do seu tempo en La hija del mar

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    [Resumo] O presente traballo analiza a recepción por parte de Rosalía de Castro de escritoras europeas e americanas dos séculos XVIII e XIX coas que compartiu preocupacións de autoría, de xénero, temáticas e literarias. Prestarase especial atención ás referencias intertextuais de escritoras mencionadas pola propia Rosalía nos seus escritos, en particular á inglesa Charlotte Turner Smith e á norteamericana Maria Susanna Cummins e á identificación de Rosalía con elas e coas súas carreiras literarias. A análise permite afirmar que nas súas obras propuxeron cuestións relativas ás mulleres, á súa orfandade e ás súas capacidades, ben como ao feito de que as habelencias femininas son truncadas pola sociedade circundante, en particular, se teñen vocación de as desenvolveren en igualdade cos varóns.[Abstract] This article deals with the reception by Rosalía de Castro of eighteenth- and nineteenth-century European and American female writers with whom she shared preocupations about authorship and gender, as well as thematic and literary concerns. Special attention will be paid to the intertextual references of the writers mentioned by the Galician author, particularly Charlotte Turner Smith and Maria Susanna Cummins, and to de Castro’s identification with these writers and their literary careers. This analysis will show that they presented issues pertaining to female foundlings, their capacities and how their abilities were not accepted in their respected societies, particularly if they wanted to behave as males would do.Ministerio de Comercio, Economía y Empresa; FEM2015-66937-PXunta de Galicia; ED431D 2017/1

    Evocação de Castro Soromenho

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    A obra de Castro Soromenho é apresentada como um trabalho de denuncia do sistema colonial. O autor coloca em evidência o fato de que o escritor Castro Soromenho foi um pioneiro dessa literatura de denuncia, a par da visão trágica de um processo.The word of Castro Soromenho, is presented like a critical work against the colonial system. The author shows the evidence in de fact that the writer Castro Soromenho was a pioneer of this critical literature, with of a tragical vision of a process

    Carta, Rubén Darío a Francisco Castro, 1882 Julio 3

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    abstract: Handwritten letter from Rubén Darío to Francisco Castro, Darío's friend from León (Nicaragua). Francisco Castro was director of the literary magazine "El Ensayo" (1880-1881). Rubén Darío collaborated with Castro on "El Ensayo". Rubén Darío was in Chinandega (Nicaragua) when the letter was written.The original Rubén Darío Papers 1882-1945 (MSS-339) are located at ASU Libraries Archives & Special Collections. For more information about visiting the collection see http://hdl.handle.net/2286/L.A.0.Other names cited in this letter are: Moncada, Ibarra, Ayón, Duarte and Selva.The top edge is slightly torn

    Funaxopsis Heyer & Castro, 2009, gen. nov.

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    Funaxopsis gen. nov. Type species: Cunaxoides passerinae Den Heyer, 1981b. Diagnosis. This genus can be distinguished from other genera by the following set of characteristics: tibia IV with 2 sts and 1 long sts; setae c2 and h2 smooth and depression for pe organ on tarsus I lacking. Etymology. The senior author just added a few more letters to the stem-“..unaxo..” and ending it on a taxonomically recognized suffixPublished as part of Heyer, Jacob Den & Castro, Tatiane M. M. G., 2009, SiGe-Space-Synthesizer-Entwicklung eines SiGe-Synthesizerdemonstrators: SISSI; Schlussbericht, pp. 1-15 in Zootaxa 2140 on page 13, DOI: 10.2314/gbv:620362286, http://zenodo.org/record/531966

    sj-pdf-1-aja-10.1177_15333175211039089 – Supplemental Material for Neuropsychiatric Symptoms in Patients With Alzheimer’s Disease During SARS-COV-2 Pandemic in Peru

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    Supplemental Material, sj-pdf-1-aja-10.1177_15333175211039089 for Neuropsychiatric Symptoms in Patients With Alzheimer’s Disease During SARS-COV-2 Pandemic in Peru by Nilton Custodio, Sheila Castro-Suárez, Rosa Montesinos, Virgilio E. Failoc-Rojas, Rossana Cruz del Castillo and Eder Herrera-Perez in American Journal of Alzheimer's Disease & Other Dementias</p

    Guillermo Pérez Castro Lira (1952-2003)* In memoriam. 32. Arqueología

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    Hernández Pons, Elsa 1996. “Arqueología histórica en México: Antecedentes y propuestas”, en Enrique Fernández Dávila y Susana Gómez Serafín (coords.), Primer Coloquio de Arqueología Histórica, México, Conaculta, INAH, pp. 1-26.Matos Moctezuma, Eduardo (coord.) 1974. Proyecto Tula, primera parte, México, INAH-SEP.Núñez Montesinos, Eduardo 1996. “Entrevista con Guillermo Pérez Castro Lira”, en Actualidades Arqueológicas, núm. 9, noviembre-diciembre, México, ENAH, pp. 13-14.Peña Castillo, Agustín y Ma. del Carmen Rodríguez 1976. “Excavaciones en Dainí, Tula, Hidalgo, en Eduardo Matos Moctezuma (coord.), Proyecto Tula, segunda parte, México, INAH-SEP.Pérez Castro Lira, Guillermo 1989. “Noticias sobre la arqueología histórica”, en Arqueología, núm. 5, México, INAH, pp. 211-216.Pérez Castro Lira, Guillermo et al. 1989. “El Cuauhxicalli de Moctezuma I”, en Arqueología, núm. 5, México, INAH, pp. 131-151.Pérez Castro Lira, Guillermo 1990. “Una escultura mexica en la antigua casa de la imprenta”, en Arqueología, núm. 2, segunda época, México, INAH.Sánchez, Bartolomé 1974. “El desalojo de los chinantecos”, en Estudios Indígenas, vol. III, núm. 4, México, INI
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