5,804 research outputs found
Letter from Hayao (Sam) Chuman to the American Friends Service Committee
No full textA letter from Hayao (Sam) Chuman to the American Friends Service Committee, donating a portion of his redress check from the U.S. government to the Committee.The Chuman (Hayao "Sam" and Toshiko) Papers documents the World War II experiences of Hayao "Sam" and Toshiko Chuman, who were Kibei Nisei born in the United States but grew up and completed school in Japan, and then returned to the U.S. prior to the war. It chronicles the Chuman's incarceration from the Santa Anita Assembly Center, through Jerome, Rohwer, Tule Lake camps, and the Santa Fe and Crystal City internment camps as well as their struggle for restoring their U.S. citizenships in the 1960s. The digital collection consists of mostly textual material, including correspondence, affidavits, incarceration camp records, lease agreements, financial documents, receipts, pamphlets, and booklets
Letter from Hayao (Sam) Chuman to Earl Warren and "Attorney General Clark"
No full textA letter from Hayao (Sam) Chuman to Chief Justice of the Supreme Court Earl Warren and "Attorney General Clark". The letter is a request to regain his citizenship after renouncing his U.S. citizenship and requesting repatriation to Japan during his time incarcerated in World War II.The Chuman (Hayao "Sam" and Toshiko) Papers documents the World War II experiences of Hayao "Sam" and Toshiko Chuman, who were Kibei Nisei born in the United States but grew up and completed school in Japan, and then returned to the U.S. prior to the war. It chronicles the Chuman's incarceration from the Santa Anita Assembly Center, through Jerome, Rohwer, Tule Lake camps, and the Santa Fe and Crystal City internment camps as well as their struggle for restoring their U.S. citizenships in the 1960s. The digital collection consists of mostly textual material, including correspondence, affidavits, incarceration camp records, lease agreements, financial documents, receipts, pamphlets, and booklets
George Bernard Shaw, dibujo realizado por Sam Patrick, retrato.
No full textBajo el dibujo se lee: Bernard Shaw, por el dibujante Sam Patrick
Sam Smith Genuine England
No full textPuppet man. Sam Smith’s VO says "Children’s toys are mainly about pretending to be grown up". Puppet woman. "The things I make are about what it’s like when you get there." Another male puppet ("Since I found my things were being copied, they all carry a written guarantee that I did them and they’re British."), holding up a bench seating four figures; view of river behind. Sea of wooden ships. Sam Smith opening the blinds. Photograph of Smith as a boy. He talks about his early life, intercut with woman puppet combing her hair, photographs of early twentieth-century liners. A lion; Smith’s VO repeating "crossing the line, lions round the eyes, lead kindly lion…" and other phrases from the mane. VO continues to talk of early life: drawing of four-funnel liner and of small boy with toy boat. Various nautical themed creations. A tram. Smith talks about trams and their painted numbers giving the illusion of three dimensions which introduced him "to a world in which things were not always as they seem". Photographs of tram and shop windows; Smith describes the shop where his clothes came from. Victorian paper figures. Details of painting of theatre-goers while Smith talks about watching scenery being delivered and visiting the theatre where, from side seats, he could see into the wings. Tiles sets in various combinations. Puss in Boots. Smith describes his reaction to the (female) Principle Boy. Photographs from Edwardian variety acts; an articulated puppet moving on a string. Smith says he "became an addict of theatricality". Smith with a volume of an educational part-work, The Living Races of Mankind, collected by his father, in which he first found pictures of naked women. Photographs. The Happy Handbell Ringer, with moving breasts. Cats. Photograph of Lillian Gish. Paintings of women "How beautiful they were the lovely ones." Box of tiles: The Trunk – Fond Memories. Smith talks about going to the cinema as a teenager, and about his life being "something like a magic lantern – the scene flickers for a moment, and then goes for ever, leaving only a myth". Smith with some toys which he describes as making themselves. Swimmers in bathing huts. Smith making a seated figure; he thinks that being able "to give [his] heart to making something [he knows] is going to be thrown away … is a measure of being slightly civilised … it’s really worthwhile doing the unnecessary with love".
Man’s head: "The story so far: a man punting along is joined by a woman from a dream." "A dream lasts longer." Smith’s VO describes the dynamic between the couple. "A Second Groom being rowed across the Lake by his Third Bride look!" and "The third Bride rows her second Groom across the Lake": Smith describes them and why she’s rowing. More from this sequence with Smith commenting on the characters. He talks about being "fascinated by how people dress up for special occasions…" A Classic Union. Smith VO talking about how one idea will last only until he’s made a few things relating to it. Photographs of Edwardian park scene. Wooden camera and model. Bad Ems. Horse and rider; lion and rider. Collection of figures including Naïve Man, Poor Man. Memories HMS Indefatigable; The Daughter of the Regiment. A Suspicious Birdfeeder – details, including the Sam Smith Genuine England stamp. The man and his bench of characters; details; others. Smith’s VO talking about a landscape painting he once submitted to the Royal Academy; he says his natural language is wood. Woman and policeman; I Was Young Once. Smith lowering the blinds. Credits
Sam "Kangaroo"
Get PDFabstract: Sam left Sudan when he was six years old. He also witnessed many people die when they tried to cross the Gilo river.
“Lost Boys Found” is an ongoing, interdisciplinary project that is collecting, recording and archiving the oral histories of the Lost Boys/Girls of Sudan. The collection is a work-in-progress, seeking to record the oral history of as many Lost Boys/Girls as are willing, and will be used in a future book.Age: 23Region: Upper Nile (Bor)This picture and bio was donated to the "Lost Boys Found" oral history project from The Arizona Lost Boys Cente
the beat report piece detailing author Sam Pfeifle\u27s wishes for local music fo
No full textthe beat report piece detailing author Sam Pfeifle\u27s wishes for local music for 2004, mentioning radio stations WCYY and WCLZ, local band 6gig, and the Musicians Resource League
Izvori informacija u dostupnim EBSCO bazama podataka za istraživanja u visokom školstvu u Srbiji = Academic research in Serbia and available database resources
Get PDFUniversities in Serbia have access to large amounts of quality information through online full text databases. Specific details regarding the world’s two most comprehensive full text research data-bases, Academic Search Premier and Business Source Premier are provided. The paper examines which databases are strongest in each discipline, and covers issues such as the availability of journals most-cited, full text formats, peer-review status, embargo periods, backfills, and other important facets. Additional information depicts reasons for tremendous increase in the availability of information in the Serbia, and the value that these resources bring to researchers in universities
Article about Sam Shaw, a Northeast Harbor Jeweler, who turns beach stones into
No full textArticle about Sam Shaw, a Northeast Harbor Jeweler, who turns beach stones into one-of-a-kind pendants, bracelets, necklaces, rings, earrings, and pins. Some of Shaw\u27s piece, whose designs are influenced by the landscape and geology of Mount Desert, fetch up to $1,500
Letter from Kitty Barragato to Hayao (Sam) Chuman
No full textA letter from Kitty Barragato, Finance and Interpretation for the American Friends Service Committee, to Hayao (Sam) Chuman in thanks for his donation.The Chuman (Hayao "Sam" and Toshiko) Papers documents the World War II experiences of Hayao "Sam" and Toshiko Chuman, who were Kibei Nisei born in the United States but grew up and completed school in Japan, and then returned to the U.S. prior to the war. It chronicles the Chuman's incarceration from the Santa Anita Assembly Center, through Jerome, Rohwer, Tule Lake camps, and the Santa Fe and Crystal City internment camps as well as their struggle for restoring their U.S. citizenships in the 1960s. The digital collection consists of mostly textual material, including correspondence, affidavits, incarceration camp records, lease agreements, financial documents, receipts, pamphlets, and booklets
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