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Nun, Gimel, Hei, Shin | 21-20259
Get PDFNun, Gimel, Hei, ShinChanukah Round
Part Number: 21-20259
Previous Part Number: HL-259
Price: $1.85
Voicing: SSA
Lyrics By: Michael Kubovy & Judith Shatin
Music By: Judith Shatinhttps://digitalcommons.butler.edu/jca_scores/1493/thumbnail.jp
Shatin to Central Link cross-harbour railway tunnel in Hong Kong
No full textShatin to Central Link cross-harbour railway tunnel in Hong Kon
Les rites purificatoires pour la paix dans le district de Shatin à Hong Kong
No full textPui-yin Ho, Jacquet Raphaël. Les rites purificatoires pour la paix dans le district de Shatin à Hong Kong. In: Perspectives chinoises, n°67, 2001. pp. 66-77
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
The explanation of An Autumn Scene of Shatin
No full textAn Autumn Scene of Shatin was composed between March and April, 2000. This ensemble piece is written for solo soprano, female chorus, clarinet, bassoon, violin, violoncello, piano and percussion (one player). The composition was named after the poem An Autumn Scene of Shatin, written by Prof. Yu Chung-Kwuang. The composer tried to express the images of the poem by word-painting. The designs of musical structure and the text were tightly connected.
The form of this work is through-composed. It can be divided into four parts\ue3\ua9 Adagio - Un poco animato - Chorale grandioso - Adagio. At the two-third length of the work, the composer quoted the Renaissance Mass L\uef\ubchomme arm\ue8\ub1 to present special sound. Most of the main melodies of this piece are sung by solo soprano, and the transitions between sections are played by female chorus and instrumentalists. The manipulation of texture is an important element. The vocal pitch material is based on interval. On the other hand, the overall instrument pitch is used with tone row. The special technique of strings with overtones, pizzcato, glissando, col legno and sul ponticello are illustrated to create extraordinary effects. This exquisite piece is like a miniature tone poem with words
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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