195,964 research outputs found
Deborah Hatton
No full textDeborah was the first women in Australia to qualify as a level one rugby league coach. She was assistant coach of the junior Eastern Suburbs SG Ball Rugby League Representative team in Sydney and a qualified Rugby League referee.
In 1969, Deborah married Stephen Hatton and moved with him to Nhulunbuy where she immersed herself in community activiities. Deborah became involved with the Gove Arts Theatre group; Lions Club; rugby; football and swimming teams; as well as teaching ballroom dancing to school children.
The couple moved to Darwin in 1975. Deborah served four years as president of the Nightcliff Family Centre and as president of the umbrella organisation for Darwin Family Centres. In 1980, Deborah started her business Dance Connection, which grew into the largest dance studio in the Territory. Deborah was involved with the first 'Dance in Education' team responsible for introducing dance classes to students in the Darwin primary schools. She worked for the Northern Territory Department of Education as a choreographer for 'The Beat'.Other dance initiatives included the formation of the Darwin Contemporary Dance Association in 1983; commencing a residential holiday dance school program in 1985; inviting guest dance instructors to Darwin in 1986 and developing the Darwin Christian Dane Fellowship in 1987.EducatorProfessional Dance
Textile Recycling in Victorian Literature: An Interview with Deborah Wynne
No full textAn interview: Helene B. Ducros interviews Deborah Wynne about her research on Victorian textile recycling and its representation in the work of Charles Dickens.This interview refers to Wynne's research into Victorian textile recycling and how it was represented in Victorian literature and culture, particularly the work of Charles Dickens
Richards, Deborah
No full textDeborah is an Adult Education professional, with thirty years of proven administrative and leadership experience in client-relationship management, project management, new program development, contract negotiation, business development and delivery, and event management.
Deborah has worked in the adult education sector for close to 25 years, as a Program Manager for the Pre-Professional Program with the Certified Management Accountants Society of British Columbia, and at Justice Institute of British Columbia (JIBC) in various educational leadership roles since 2001. Deborah is currently the Program Director for the Continuing Professional Health Education department within the Health Sciences Division at JIBC, where she has managed contract and client relationships for large multi-year and multi-site training for agencies within Canada and internationally. She has also overseen the development of national certification examination services for health professional organizations, and implemented two new academic credentials in emergency medical services and community care licensing
Deborah Levy: Elämisen hinta
No full textArvio teoksesta: Deborah Levy, Elämisen hinta, s. 142, S&S, Suom. Pauliina Vanhatalo.nonPeerReviewe
O carnavalesco em contos escolhidos de Deborah Eisenberg e Wells Tower
No full textMestrado em Línguas, Literaturas e CulturasEsta dissertação analisa a aplicação do conceito do carnavalesco em termos de aspectos formais e temáticos às obras de dois importantes escritores de contos norteamericanos, Deborah Eisenberg e Wells Tower. Enquanto as narrativas de Tower apresentam o uso de “billingsgate”, e outras características grotescas, bem como as inversões de paródia, ironia e também humor negro, o clima carnavalesco bakhtiniano que pressuponha uma celebração festiva que supostamente confronta a cultura dominante está ausente. Deborah Eisenberg, por outro lado, engloba bem o aspecto dialógico, polifónico e heteroglóssico das teorias bakhtinianas, com interessantes inversões paródicas. No entanto, mesmo as suas narrativas não podem ser designadas como carnavalescas, pelo menos não no verdadeiro sentido do termo bakhtiniano. A análise realizada revela que a análise destas narrativas breves e contemporâneas seguindo uma perspectiva estritamente bakhtiniana do carnavalesco é impossível, e embora dê frutos em alguns aspectos, a reavaliação de alguns princípios básicos de Bakhtin é necessária para atender às exigências desencantadas dos tempos modernos.The dissertation deals with contemporary American short stories and the analysis of the application of the concept of the carnivalesque to both formal and thematic aspects in the works of two prominent American short story writers Deborah Eisenberg and Wells Tower. While Tower´s stories show billingsgate and grotesque features, as well as parodic and ironic inversions and dark humour, the Bakhtinian carnivalesque atmosphere of festive celebration that counters the dominant culture is lost. Deborah Eisenberg on the other hand encompasses well the dialogic, polyphonic and heteroglossic aspect present in Bakhtin’s theories, with interesting parodic inversions. However, even her stories cannot be termed as carnivalesque, at least not in the truly Bakhtinian sense of the word. The analysis conducted therefore reveals that analyzing these contemporary short stories following a strictly Bakhtinian perspective of the carnivalesque is impossible, and although it bears fruit in some aspects, the reevaluation of some of Bakhtin´s basic principles is needed to suit the disenchanted requirements of modern times.
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Tombstone of Deborah Voorhees
No full textDeborah Voorhees widow of Garret Van Derveer died May 1st 1817 aged 53 years 5mo, 5 days (Epitaph
Deborah Gee helping at Door Prize Table
No full textPhotograph of Deborah Gee, former graduate helping at the door prize table at Alumini Reception
Concentrations
No full textPhotograph of people in the exhibition "Concentrations VII: Deborah Butterfield," October 31–December 19, 1982, held at the Dallas Museum of Fine Arts
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