302 research outputs found
sj-pdf-1-neu-10.1177_19714009211049089 - Supplemental material for Cone-beam CT angiography to assess the microvascular anatomy of intracranial arterial dissections
No full textSupplemental material, sj-pdf-1-neu-10.1177_19714009211049089 for Cone-beam CT angiography to assess the microvascular anatomy of intracranial arterial dissections by Francesco Diana, Eytan Raz, Francesco Biraschi, Daniele G Romano, Giada Toccaceli, Maksim Shapiro and Simone Peschillo in The Neuroradiology Journal</p
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Building stronger research communities and collaboration between established and young scholars
No full textChapter author Maksim Belitski describes his life experiences with David and the broad impact that David has had in the area of the knowledge spillover theory of entrepreneurship. Citing personal stories and observations, Belitski details how David has always been a willing partner for academic collaboration and also provides insights on the secrets to David’s success. This chapter thus forms an example of how David has ensured the future of entrepreneurship research by helping and inspiring up-and-coming scholars
Exotic symplectic manifolds from Lefschetz fibrations
No full textThesis (Ph. D.)--Massachusetts Institute of Technology, Dept. of Mathematics, 2009.This electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.Includes bibliographical references (p. 43-44).In this thesis I construct, in all odd complex dimensions, pairs of Liouville domains W0 and W1 which are diffeomorphic to the cotangent bundle of the sphere with one extra subcritical handle, but are not symplectomorphic. While W0 is symplectically very similar to the cotangent bundle itself, W1 is more unusual. I use Seidel's exact triangles for Floer cohomology to show that the wrapped Fukaya category of W1 is trivial. As a corollary we obtain that W1 contains no compact exact Lagrangian submanifolds.by Maksim Maydanskiy.Ph.D
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The Spectre of Maksim Gorky
No full textThe relationship between the Soviet Union and the African continent has increasingly attracted the attention of historians and literary critics alike, with Angola frequently treated as a fruitful case study. This chapter traces the socio-cultural microhistory of the transmission of the work of Maksim Gorky (1868–1936) in Angola––a transmission which underpinned, crucially, the development of a littérature engagé during the struggle for Angolan independence from the Portuguese Empire in the late 1950s and early 1960s. Gorky’s influence on the generation of Angolan writers active in the 1950s and 1960s––often regarded as the Geração Cultura, after the literary bulletin Cultura (1957–1961), which resided at the heart of the cultural movement supporting the drive for independence––has been explicitly acknowledged. With José Luandino Vieira as a case study, this chapter seeks to determine the ways in which Maksim Gorky’s work influenced, through processes of translation, transmission, and adaptation, a critical moment in the emergence of an Angolan national literary culture. Through comparative analyses between source and target texts, and drawing on extant scholarship of translation and ideology, this chapter analyses the ‘degrees of mediation’ between Gorky’s work and its instrumentalization by the 1950s generation of Angolan authors, and Luandino Vieira specifically. The ‘degrees of mediation’ traced in this paper fall into two main categories: first, both the translation of the Russian author into Brazilian Portuguese––with particular emphasis on the novel Mother (1906)––and its transnational dissemination across the Atlantic; second, in light of the translations then available to Angolan authors, the transposition of aspects of Gorky’s oeuvre into the early writings of José Luandino Vieira
Center
No full textBakalaureusetöö nimetus on Kesklinn. Autor on Maksim Ossipenko.
Töö eesmärgiks on leida sobiv, funktsionaalne, esteetiline ja praktiline lahendus valitud
territooriumil, mis asub Tartu kesklinnas.
Selles piirkonnas on planeeritud kolm uut äri- ja elamufunktsiooniga hoonet ning maa-alune
parkla. Maa-aluse parkla katusel on planeeritud haljasala pinkide ja konteinertaimedega.
Püüdsime säilitada olemasoleva haljastuse. Rohelise tsooni rikkastamiseks istutasime uute
puude ja põõsaste istikuid.
Puhkamiskohtadel on paigaldatud pingid, mis on eraldatud põõsastega, selleks et tagada
privaatsust.
Plaanitud on palju sillutuskividest kõnniteid, mis võimaldavad kerget ja mugavat liikumist.
Autor arvab, et peamised eesmärgid, mis olid püstitatud on saavutatud. Territooriumi uus
disain toob muutusi, mis mõjuvad hästi sellele maa-alale ja muudavad lThis bachelor thesis name is Centre. Author is Maksim Ossipenko.
The main aim of this bachelor thesis is to find more suitable, functional, esthetical and practical
design solution for chosen area, which is situated in the centre of Tartu city.
In this project are planned three new buildings for business and residential uses. Similarly, the
underground parking is planned. On the roof of underground parking is planned green zone with
benches and plants in containers.
Designer tried to save growing trees as much as possible. Also the new tree and shrubs seedlings
were planted. Rest areas where the benches are located are fenced by shrubs for privacy.
Also the net of footpaths is planned, which allows to move faster and more convenient.
Author thinks that the main aims what were put are achieved. The changes, which give the new
design of this area, will be beneficial for this area and will improve the city appearance. Also it
will expand the range of using of this area
Rendering tropes in the translation of the poems by Maksim Bahdanovich from Belarusian into English done by Walter May
No full textThe article centers on rendering tropes in the translation of Maksim BahdanovichТs poems from the Belarusian language into English done by Walter May. The author of the article notes, that the translator was very accurate in rendering original tropes. To render tropes and stylistic figures Walter May uses mainly transposition and finding either a full or a partial equivalent
PENERAPAN MAXIM OF POLITENESS PADA DRAMA FRED ‘N’ ERMA KARYA CALVIN MILLER AUTHOR OF THE SINGER: KAJIAN PRAGMATIS
No full textSkripsi ini berjudul “ Penerapan Maxim Of Politeness pada drama Fred „n‟ Erma karya Calvin Miller author of the singer: Kajian Pragmatis”. Identifikasi masalah dalam skripsi ini adalah mengenai pemahaman tentang aturan-aturan Prinsip Kesantunan dengan membahas percakapan yang mengandung pelanggaran-pelanggaran pada percakapan dalam drama Fred „n‟ Erma.Metode penelitian yang digunakan dalam skripsi ini adalah metode deskriptif analisis, yaitu, metode penelitian yang digunakan dengan cara mendeskripsikan data yang kemudian diikuti dengan analisis.Sumber data yang dipakai dalam skripsi ini diambil dari drama Fred „n‟ Erma karya Calvin Miller Author of the Singer.Landasan teori yang digunakan dalam penulisan skripsi ini adalah teori dari Leech yang berhubungan dengan pragmatis, yakni pengertian maksim, jenis-jenis maksim, faktor pelanggaran maksim dan penyebab terjadinya pelanggaran.Hasil yang diperoleh dari penelitian adalah (1) maksim kesopanan yang paling dominan muncul pada drama Fred „n‟ Erma adalah maksim kesepakatan (2)bahwa percakapan dalam drama Fred „n‟ Erma tersebut, telah melanggar prinsip kesantunan, dan pelanggaran terhadap maksim pujian dan kesepakatan adalah pelanggaran yang sering terjadi dalam percakapan drama tersebut; (3) faktor-faktor terjadinya pelanggaran tersebut yang terjadi di dalam drama Fred „n‟ Erma, lebih banyak karena adanya faktor mempermainkan maksim pujian dan kesepakatan dalam menyampaikan pesan dan merespon sebuah pertanyaan
Pelanggaran Maksim Relevansi Terdakwa Putri Chandrawati dalam Persidangan Kasus Ferdy Sambo pada Laman Kompas TV
No full textThe Ferdy Sambo case was one of the significant cases that drew the attention of the Indonesian public. Throughout the trial, the case was broadcast live on several Indonesian television channels, especially Kompas TV. The purpose of this study is to show how the defendants Putri Chandrawati violated the concept of maxims relevance during the trial in the Ferdy Sambo case. Floating maxims of relevance become the focus on this study. The author concentrates on the defendant's transgressions, but the conversation was between the judges and the defendants. The researcher used six data sets as examples to describe and examine further. The author concludes that floating maxims of relevance committed by the defendant might result in awkwardness and inadequate communication, making it impossible for the court to get clear and relevant information. This study used the note-taking approach in conjunction with a descriptive qualitative method. Since the data source is Kompas TV's official YouTube channel, the author does not require extra authorization to collect voice data.
ABSTRAK
Kasus Ferdy Sambo merupakan salah satu kasus besar yang disiarkan secara langsung di berbagai stasiun televisi di Indonesia, khususnya stasiun Kompas TV. Penelitian ini bertujuan untuk menjelaskan pelanggaran maksim relevansi yang dilakukan oleh terdakwa Putri Chandrawati selama proses interogasi di persidangan, pada kasus Ferdy Sambo. Pelanggaran maksim relevansi akan dipaparkan melalui teori Griece. Percakapan ini terdiri dari hakim ketua majelis dan anggota majelis dengan terdakwa Putri Chandrawati. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik simak catat. Sumber data diambil dari laman resmi Youtube Kompas TV, sehingga penulis tidak membutuhkan izin kusus dalam mengambil data tuturan. Penulis menyimpulkan pelanggaran maksim relevansi yang dilakukan oleh terdakwa dapat menimbulkan kejanggalan dan komunikasi menjadi tidak efektif, sehingga hakim kesulitan untuk mendapatkan keterangan yang jelas dan signifikan. Bentuk pelanggaran maksim relevansi ditandai dengan ketidakrelevan tuturan mitra tutur dengan topik yang disampaikan oleh penutur.
Kata kunci: Maksim relevansi, Hakim, Terdakwa, Persidangan, Interogasi
ABSTRACT
The Ferdy Sambo case is one of the major cases that was broadcast live on various television stations in Indonesia, especially the Kompas TV station. This research aims to explain the violation of the maxim of relevance committed by the defendant Putri Chandrawati during the interrogation process at trial, in the Ferdy Sambo case. Violations of the maxim of relevance will be explained through Griece's theory. This conversation consisted of the chief judge of the panel and members of the panel with the defendant Putri Chandrawati. This research uses a qualitative descriptive method with note-taking techniques. The data source was taken from the official Kompas TV YouTube page, so the author does not need special permission to take speech data. The author concludes that violations of the maxim of relevance committed by the defendant can cause irregularities and communication becomes ineffective, making it difficult for the judge to obtain clear and significant information. A violation of the maxim of relevance is characterized by the irrelevance of the speech partner's speech to the topic conveyed by the speaker.
Keyword: Floating of Maxims, Defendant, Judges, Interrogation, Cour
Maksim Grek Revising Muscovy’s Book Repertoire: Teaching versus False Doctrines
No full textThe article was submitted on 05.02.2024.Изложены результаты текстологического изучения трех сочинений Максима Грека. Развитие текста дает возможность заглянуть в творческую лабораторию средневекового публициста, наблюдать процесс восприятия авторского текста русскими книжниками, находившимися в поиске учительного слова, и увидеть проблемы, интересовавшие человека середины XVI в. Просветительские и богословские суждения афонского богослова были востребованными в обществе Московской Руси, когда, по словам Иосифа Волоцкого, «вся сомнятся». Писатель искал пути и способы проникновения учительного слова в душу и сознание православного человека. Авторские редакции Максима Грека рассматриваются как отражение его новых усилий придать убедительность своей проповеди знаний, важных для православного читателя, даже не всегда связанных с конфессиональными вопросами. Пропаганда знания, отстаивание основ христианства, защита веры от лжеучений – в этом заключался смысл проповеднической активности Святогорца. Предметом настоящего исследования стали его сочинения, толкующие патристическое наследие и обличающие апокрифические легенды. В том и в другом случае Максим Грек откликался на запросы своих любознательных адресатов. Логика рассуждений, богатая аргументация, эмоциональная окрашенность слова – таковы достоинства проповеднических речей ученого монаха. По сравнению с судьбой глав в прижизненных кодексах писателя, почти не изменявшихся при копировании, история текста рассматриваемых произведений уникальна. Их текст сохранился в нескольких редакциях и вариантах, принадлежащих как автору, так и книжникам следующих поколений. Произведения не вошли в состав прижизненного Хлудовского собрания сочинений Максима Грека, хотя критический пафос роднит их с последними в Хлудовском кодексе главами 72 и 73. В них писатель тоже полемизирует с книгами, противными истинам православной церкви. Императивный тон, проходящий через весь текст, подчеркивает учительный характер произведений.This article presents the results of a text study of three works by Maksim Grek. The development of the text presents a valuable opportunity to examine the creative workshop of the medieval opinion journalist, observe the process of perception of the author’s text by Russian scribes who were searching for their own didactic words, and identify the problems that were of interest to people in the mid-sixteenth century. The enlightenment and theological ideas of the Athonite theologian were in demand in the society of Muscovite Russia, when, according to Joseph of Volotsk, “everyone was in doubt about everything”. The writer himself was searching for ways and means for the words of his teaching to penetrate the soul and consciousness of an Orthodox person. Maksim Grek’s authorial revisions are seen as a reflection of his renewed efforts to give cogency to his preaching of knowledge important to the Orthodox reader, even if not always related to confessional matters. The dissemination of knowledge, defence of the foundations of Christianity, and defence of the faith against false doctrines were the essence of the preaching activity carried out by the monk. This study focuses on his works interpreting the patristic heritage and denouncing apocryphal legends. In both cases Maksim Grek responded to the requests of his inquisitive addressees. The monk’s preachings were characterised by a profound logic of reasoning, rich argumentation, and emotionally coloured words. Compared to the fate of the chapters in the writer’s lifetime codices, which were almost unchanged by copying, the history of the text of the works under consideration is unique. Their text has survived in several editions and versions belonging to both the author and scribes of the following generations. The works were not included in the lifetime Chludov collection of Maksim Grek’s works, although their critical tonality is similar to the last chapters 72 and 73 in the Chludov codex. In them, too, the writer polemises against books opposed to the truths of the Orthodox Church. The imperative tone running through the whole text emphasises the didactic character of the works.Работа Л. И. Журовой выполнена по бюджетной теме «Прошлое в письменных источниках XVI–XX вв.: сохранение и развитие традиций» (FWZM‑2024-0006)
What does Dakpai Maksim do when he sings sygyt? A preliminary investigation of one throat singer’s personal style
No full textFamous Tuvan throat singers of the twentieth century continue to receive attention by today’s singers. After considering the sources from the Soviet era that are currently (un)available as recordings, the author analyses a single song with sygyt throat singing by Dakpai Maksim (1921–1993). “Karalangny berem ezhi” (Give me your Karala, my friend) was published by Melodiya in 1968 and later appeared on the website of Alan Lomax’s Cultural Equity project. The author presents evidence that Dakpai was skillfully singing text with a simultaneous overtone melody and that the singer deliberately used harmonics that are avoided by most throat singers. He also analyzes a number of melodic patterns that are common in Tuva, but interpreted in his own unique way by Dakpai
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