357 research outputs found
A Case of Down Syndrome Who Developed Pancreatic Cancer: A Case Report and Review of Literature
No full textNo abstract available.Image: Trisomy 21 chromosome - Down syndrome (Author: Alexey Ratnikov; Wikimedia Commons
Knowledge Type Identification in API Documentation
No full text<p>This release contains the source code and instruction on how to obtain the dataset to reproduce the results presented in the following paper</p>
<pre><code>@inproceedings{FMM19,
title={On Using Machine Learning to Identify Knowledge in API Reference Documentation},
author={Fucci, Davide and M. Alizadeh B., Alireza and Maalej, Walid},
booktitle={27th ACM Joint European Software Engineering Conference and Symposium on the Foundations of Software Engineering},
pages={103--112},
year={2019},
doi={10.1145/3338906.3338943}
organization={IEEE}
}
</code></pre>
The formation of the classical tafsīr tradition : the Qurʼān commentary of al-Thaʻlabī (d. 427/1035) by Walid A. Saleh.
No full text"This work is both an introduction to the genre of classical tafsir and a detailed study of one of its major architects, al-Thalabi (d. 427/1035). The book offers a detailed study of the hermeneutical principles that governed al-Thalabi's approach to the Quran, principles which became the norm in later exegetical works. It is divided into three main sections: the first outlines the life and times of the author; the second is a detailed study of his major exegetical work, al-Kashf; the third charts a brief history of the genre of tafsir through documenting the reactions of later exegetes to al-Kashf. This work brings together material never examined before and tries to offer anew way of understanding the history of classical Quran exegesis."--Jacket.Includes bibliographical references (pages 251-259) and indexes."This work is both an introduction to the genre of classical tafsir and a detailed study of one of its major architects, al-Thalabi (d. 427/1035). The book offers a detailed study of the hermeneutical principles that governed al-Thalabi's approach to the Quran, principles which became the norm in later exegetical works. It is divided into three main sections: the first outlines the life and times of the author; the second is a detailed study of his major exegetical work, al-Kashf; the third charts a brief history of the genre of tafsir through documenting the reactions of later exegetes to al-Kashf. This work brings together material never examined before and tries to offer anew way of understanding the history of classical Quran exegesis."--Jacket
Exploring Author Context for Detecting Intended vs Perceived Sarcasm
No full textWe investigate the impact of using author context on textual sarcasm detection. We define author context as the embedded representation of their historical posts on Twitter and suggest neural models that extract these representations. We experiment with two tweet datasets, one labelled manually for sarcasm, and the other via tag-based distant supervision. We achieve state-of-the-art performance on the second dataset, but not on the one labelled manually, indicating a difference between intended sarcasm, captured by distant supervision, and perceived sarcasm, captured by manual labelling.<br/
Exploring Author Context for Detecting Intended vs Perceived Sarcasm
No full textWe investigate the impact of using author context on textual sarcasm detection. We define author context as the embedded representation of their historical posts on Twitter and suggest neural models that extract these representations. We experiment with two tweet datasets, one labelled manually for sarcasm, and the other via tag-based distant supervision. We achieve state-of-the-art performance on the second dataset, but not on the one labelled manually, indicating a difference between intended sarcasm, captured by distant supervision, and perceived sarcasm, captured by manual labelling.<br/
Flaubert lecteur de l'Histoire naturelle de Pline
No full textThis article questions the relationship between flaubertian writing and the latin text that represents one of the major sources of Salammbo’s composition. It intends more specifically to examine the way in which the details taken from Pliny’s Natural History and which were diversely used by Flaubert during the composition of the “ roman carthaginois” were processed. In fact, various methods and techniques were implemented in the genesis : – combining data stemming from the author''s reading with issues of his own experience – condensating data – deliberately pursuing strangeness and seeking inaccuracy – description serving narration. With Flaubert, the ancient works lose their exemplary nature and become sources of documentation and the Ancients cease being the ideals they were during the renaissance and the classical periods. Analyzing these methods and processes can bring us to reflect on the poetic aspect of Flaubert’s writing largely based on documentation.Cet article s’interroge sur la relation qu’entretient l’écriture flaubertienne avec le texte latin et qui constitue l’un des ressorts clefs de la composition de Salammbô : il se propose plus précisément d’examiner la façon dont sont transformés les détails empruntés à l’Histoire naturelle de Pline, et qui sont diversement exploités par Flaubert pendant la composition du roman carthaginois. En effet, différentes méthodes et techniques sont utilisées au cours de la genèse de l’oeuvre : combinaison entre des données tirées des lectures de l’auteur et d’autres provenant de son expérience propre, condensation de données, recherche de l’étrangeté, imprécision volontaire, description au service de la narration. Avec Flaubert, les ouvrages anciens perdent leur exemplarité pour devenir sources de documentation et les Anciens cessent d’être des modèles comme ils l’étaient à la Renaissance et à l’époque classique. L’analyse de ces méthodes et procédés peut nous amener à réfléchir sur la poétique d''une écriture flaubertienne fondée en grande partie sur la documentation.Ezzine Walid. Flaubert lecteur de l'Histoire naturelle de Pline. In: Ktèma : civilisations de l'Orient, de la Grèce et de Rome antiques, N°35, 2010. pp. 393-401
Art and political dissent in postwar Lebanon: Walid Sadek's fi annani akbar min bikasu [bigger than picasso]
No full textTaking Walid Sadek's fi annani akbar min bikasu [bigger than picasso] as its starting point, this article examines relations of art and politics in post-civil war Lebanon. A tiny and inexpensive paperback related to Picasso unfolds into a work of art that raises questions about the place of art and political dissent. After situating bigger than picasso in the context of contemporary book art and artistic practices of the postwar generation in Lebanon, the article focuses on the juxtaposition of text and image. By placing narratives of art vandalism next to the image of a monument dedicated to the late Syrian President Hafiz al-Asad, bigger than picasso playfully and provocatively breaks with political taboos at a time when the silence about the Lebanese Civil War (1975-90) and about Lebanese-Syrian relations was met with increasing anxiety. At the same time, the work makes room for aesthetic inquiries, exploring new possibilities of art at the margins of cultural production. The article concludes that bigger than picasso brings to the fore the discrepancy between public monumentality and artistic practices, which in finding ways around political violence and censorship have recourse to ephemeral and private spheres, and holds unexpected meanings in ever-changing political circumstances. Copyright © Cambridge University Press 2013.Abdelke Youssef, 2009, AL SAFIR 1229, P29; Al-Zubaidi Layla, 2012, JADALIYYA 0608; [Anonymous], 1983, BEIRUT MASSACRE COMP; [Anonymous], 1983, ISRAEL LEBANON REPOR; [Anonymous], 1999, ORIENT JOUR 0908, P6; [Anonymous], 2012, BRISMES BRIT SOC MID; [Anonymous], 2010, COMMUNICATION 0629; Appadurai Arjun, 1986, SOCIAL LIFE THINGS C; Atassi Mohammad Ali, 2011, PERSPECTIVES POLITIC, V2, P28; Bahrani Zainab, 2009, MODERNISM IRAQ; Barakat Saleh, 2009, ROAD PEACE PAINTING, P57; Benjamin Walter, 1999, ILLUMINATIONS, P211; Black Ian, 2012, GUARDIAN; Chiffoleau Sylvia, 2006, SYRIE QUOTIDIEN CULT, V115-16; Chiffoleau Sylvia, 2006, SYRIE QUOTIDIEN CULT, V249-65; Cooke Miriam, 2007, DISSIDENT SYRIA MAKI; Cotter Suzanne, 2009, CONT ART MIDDLE E, P50; Daghir Sharbil, 1990, AL HURUFIYYA AL ARAB; Della Ratta Donatella, 2012, JADALIYYA 1031; Demos T. J., 2006, ARTFORUM, V45, P235; Donati Caroline, 2005, EXCEPTION SYRIENNE E, P109; Drucker Johanna, 2004, CENTURY ARTISTS BOOK, pxii; Enwezor Okwui, 2008, ARCH FEVER USES DOCU; Fani Michel, 1998, DICT PEINTURE LIBAN, P237; Fattouh Mayysa, 2012, FILLIP, V17, p[56, 151]; Gamboni, DESTRUCTION ART, P255; Gamboni Dario, 1997, DESTRUCTION ART, P3; Gamboni Dario, 1997, DESTRUCTION ART ICON, P25; George Alan, 2003, SYRIA NEITHER BREAD; Ghalioun Burhan, 2002, CONFLUENCES MEDITER, V44; Gonzales Yves, ART SANS FRONTIERS A; Hanf Theodor, COEXISTENCE WARTIME, p[210, 231, 237]; Haugbolle Sune, 2010, WAR MEMORY LEBANON, P64, DOI 10.1017-CBO9780511676598.006; Heffernan J. A. W., 1993, MUSEUM WORDS POETICS, P3; Hubert Judd D., 1999, CUTTING EDGE READING, P8; Husein Ali Zahra A., 2010, CRITICISM, V51, P589; Husni Ronak, 2012, BRISMES ANN C LSE 26; Husni Ronak, 1995, BRIT J MIDDLE E STUD, V22, P81, DOI 10.1080-13530199508705613; Kassir Samir, 1994, GUERRE LIBAN DISSENS, P218; Larkin Craig, 2012, MEMORY CONFLICT LEBA; Lavin Marylin Aronberg, 1992, PIERO FRANCESCA; Leenders Reinoud, 2012, SPOILS TRUTH CORRUPT; Ma'oz Moshe, 1988, ASAD SPHINX DAMASCU, P42; Maasri Zeina, 2009, WALL POLITICAL POSTE, P46; MacFarquhar Neil, 2011, NY TIMES; Makarem Amal, 2002, MEMOIRE AVENIR DHAKI; Makiya Kanan, 1991, DESTRUCTION ART, P107; Makram-Ebeid Hoda, 2012, CORPS DECOUVERT; Mandelbaum Jacques, 2012, MONDE; Marston Speight R., 1973, INT J MIDDLE E STUD, V4, P178, DOI 10.1017-S0020743800027434; Mejcher-Atassi S, 2012, ART HIST, V35, P816, DOI 10.1111-j.1467-8365.2012.00901.x; Mejcher-Atassi S, 2012, ARCHIVES, MUSEUMS AND COLLECTING PRACTICES IN THE MODERN ARAB WORLD, P1; Merewether Charles, 2006, ARCH DOCUMENTS CONT; Mitchell Timothy, COLONISING EGYPT, P33; Mitchell W. J. T., 1994, PICTURE THEORY ESSAY, P151; Mitchell W. J. T., 2005, WHAT DO PICTURES WAN, P18; Naef Silvia, 1995, IMAGE MONDE ARABE, P139; Naef Silvia, 1992, ART ECRITURE ARABE P; Naef Silvia, 1996, RECHERCHE MODERNITE, P111; Perrigaud Martha, 1983, J PALESTINE STUD, V12, P3; Picard Elizabeth, 1993, DAMAS MIROIR BRISE O, P146; Porter Venetia, 1996, WORD ART ARTISTS MOD; Porter Venetia, 2008, WORKD ART ARTISTS MO; Raad Walid, 2007, ATLAS GROUP, V3, P9; Raad Walid, 2006, ARTFORUM, V45, P244; Raphael Gaelle, 2011, JADALIYYA 0502; Reid D. M., 2002, WHOSE PHARAOHS ARCHA; Rogers, 2010, ARAB STUDIES Q, V18, P118; Rogers S, 2007, ART J, V66, P8; Rubin James H., 1997, COURBET, P4; Sadek Walid, 1999, FI ANNANI AKBAR MIN; Sadek Walid, 2001, AL ADAB, V49, P112; Saleebi Sameer, 1986, KHALIL SALEEBI; Salti Rasha, 2006, INSIGHTS SYRIAN CINE, P182; Salti Rasha, 2006, INSIGHTS SYRIAN CINE, P95; Scheid Kirsten, 2010, INT J MIDDLE E STUD; Schwedler Jilian, 2010, POLICING PRISONS MID, P223; Seale Patrick, 1988, ASAD STRUGGLE MIDDLE, P267; Stewart Susan, 1993, LONGING NARRATIVES M, P171; Strachan W. J., 1969, ARTIST BOOK FRANCE 2; Tabler Andrew, 2011, LIONS DEN EYEWITNES; The British Lebanese Association, 1989, LEB ART VIEW 200 YEA, P157; Turk Riad, 2000, MONDE; Vernay-Nouri Annie, 2002, ART LIVRE ARABE MANU, P177; Volk Lucia, 2010, MEMORIALS MARTYRS MO; Wedeen Lisa, AMBIGUITIES DOMINATI, P1; Wilson-Goldie Kaelen, 2010, ARTFORUM, V48, P270; Winegar J, 2008, ANTHROPOL QUART, V81, P651; Yaqoob Tahira, 2013, NATIONAL 03070
TTF-1 Expression in Rectal Adenocarcinoma: A Case Report and Review of the Literature
No full textThyroid transcription factor 1 (TTF-1) is considered a highly sensitive and specific marker for primary lung adenocarcinoma. However, in recent years retrospective studies of tumor samples have confirmed that, although rare, TTF-1 can also be expressed in colorectal adenocarcinoma. There are a few case reports of patients with TTF-1-positive colon adenocarcinoma in the medical literature but none of TTF-1-positive rectal adenocarcinoma. Here, we present a case of rectal adenocarcinoma with lung metastasis found to be TTF-1 positive on immunohistochemistry. A review and discussion of the available literature is also included
Book review: shadows of the holy land - Fred Halliday reviews more chapters in a long saga
No full textAuthor reviews: Nicholas Bethell, "The Palestine triangle"; Nathan Weinstock, "Zionism: false Messiah"; Jacob Landau, "Abdul-Hamid's Palestine"; I.F. Stone, "Underground to Palestine"; Walid Kazzila, "Palestine in the Arab dilemma"; Molly Izzard, "The Gulf
- …
