280 research outputs found
Pīnokyo va negāhī be tarğome-hā-ye ān dar zabān-hā-ye dīgar [Pinocchio : uno sguardo alle traduzioni in lingue diverse]
No full textThe article is the transcription of a paper given by the author at a conference on Carlo Collodi in Tehran, in 2011. It discusses Carlo Collodi’s «Pinocchio» as one of the most translated literary works in history, trying to define the features that have made this work such a successful book all over the world. A particular focus is reserved to the various Persian versions of the book
Progettazione simulatori incidentali per sistemi integrati di gestione di incidenti nucleari
No full textIl presente rapporto documenta le attivita' condotte per l'obiettivo Cl della LP2 del PAR2011. E' stata condotta una analisi delle possibilità di realizzare Simulatori Incidentali per prevedere a breve termine l'evolversi di eventuali incidenti in centrali europee. Sono stati presi in esame vari tipi di reattori di potenza (BWR, PWR, VVER) per i quali si dispone in ENEA di una base di dati di impianto. Sono stati selezionati alcuni fondamentali codici di calcolo che potranno costituire il backbone dei futuri simulatori incidentali. Il focus è stato posto sulla stima del termine di sorgente ovvero la quantità di radionuclidi che potrebbe essere rilasciata nel corso di un incidente severo. Sono state discusse caratteristiche fondamentali di tali strumenti come la flessibilità di uso dei codici e la capacità di lanciare analisi di scenari alternativi a supporto dei decisori. Il presente report è stato realizzato presso il Laboratorio 'Simulatori di Ingegneria' della UTFISST di ENEA, in collaborazione con l'Universita' di Pisa (CIRTEN
L'apocalisse di don Milani
No full textIn questo libro per la prima volta vengono raccolte le voci di alcuni tra i più autorevoli intellettuali italiani che, nel corso di quattro decenni, si sono occupati del priore di Barbiana. Certuni, come Montanelli, Rodari, Ortese, De Mauro, Pampaloni, Del Buono, Martini, Quinzio, Ravasi, Baget Bozzo e Carlo Bo, hanno espresso il loro punto di vista sulla testimonianza pastorale di don Milani. Altri, come Zolla, Galante Garrone, Bocca, Capitini, Pasolini, Ferrarotti, Vassalli e Gianni Vattimo, sono venuti concentrando l’attenzione sul suo magistero pedagogico; altri ancora, come Silone, Ingrao, Natalia Ginzburg, Balducci, Biagi e Giovanni Berlinguer, hanno penetrato il senso del suo impegno civile. Il lascito milaniano – composto di un’apocalittica premonitrice, di un profetismo coraggioso e di una laicità esemplare, cui certo s’unisce il legato della sua figura carismatica – è ciò che resta di lui, insieme alle molteplici voci che ha fatto parlare nel segno di quella libertà di cui è stato custode severo, anche quando la verità poteva essere scomoda
When time is space: Evidence for a mental time line
No full text(This is a sample cover image for this issue. The actual cover is not yet available at this time.) This article appeared in a journal published by Elsevier. The attached copy is furnished to the author for internal non-commercial research and education use, including for instruction at the authors institution and sharing with colleagues. Other uses, including reproduction and distribution, or selling or licensing copies, or posting to personal, institutional or third party websites are prohibited. In most cases authors are permitted to post their version of the article (e.g. in Word or Tex form) to their personal website or institutional repository. Authors requiring further information regarding Elsevier’s archiving and manuscript policies are encouraged to visit
A new look at performance monitoring through the goggles of goal relevance and its impact on the FRN ERP component
No full textNeurophysiological evidence for evaluative feedback processing depending on goal relevance
No full textFeedback signaling the success or failure of actions is readily exploited to implement goal-directed behavior. Two event-related brain potentials (ERPs) have been identified as reliable markers of evaluative feedback processing: the Feedback-Related Negativity (FRN) and the P3. Recent ERP studies have shown a substantial reduction of these components when the feedback's goal relevance (in terms of goal informativeness) was decreased. However, it remains unclear whether this lowering of evaluative feedback processing at the FRN and P3 levels (i) reflects a common regulation process operating across them or (ii) indirectly and mostly depends on valence processing. To address these questions, 44 participants performed a time estimation task wherein the perceived goal relevance of the feedback following each decision was manipulated via instructions in different blocks. We recorded 64-channel EEG and collected subjective ratings of feedback valence and relevance, separately for goal relevant and irrelevant conditions. ERP results showed a substantial reduction of the FRN and P3 components for irrelevant than relevant feedback, despite the balanced task relevance between them. Moreover, a Principal Component Analysis (PCA) showed that these two successive ERP effects had dissociable spatio-temporal properties. Crucially, a multivariate multiple regression analysis revealed that goal relevance per se, but not valence, was the unique significant predictor of the amplitude reduction of the FRN and P3 when the feedback was goal irrelevant. These results suggest that although these ERP components exhibit non-overlapping spatio-temporal properties and performance monitoring effects, they can both be modulated by a common, valence-unspecific process related to goal relevance
Em busca de uma racionalidade prática para o direito :
No full textDissertação (Mestrado) - Universidade Federal de Santa Catarina, Centro de Ciências Jurídicas.A edição do Traité de l´Argumentation de Chaïm Perelman em 1958 reabriu o campo de investigações dos raciocínios não-formais, buscando os critérios seguros de uma argumentação racional. A revalorização da dimensão dialógica das relações entre os homens postulou uma mudança do paradigma de racionalidade cartesiana, positivista e dogmática, até então hegemônica, para o paradigma da razão prática. Na aplicação da Nova Retórica ao Direito, Perelman encontrou o substrato ideal para a exemplificação mais efetiva de sua teoria. Isto porque, na prática jurídica, a maior parte dos raciocínios utilizados nas argumentações jurídicas são dialéticos. Perelman entende que o paradigma do positivismo jurídico não consegue responder a todas as questões aventadas na vida efetiva do Direito, desenvolvendo, então, uma Teoria da Argumentação Jurídica em complementação a uma Teoria do Direito de caráter formal, que no Direito se apresentará sob a forma de uma Lógica da Argumentação Jurídica. O paradigma de racionalidade prática argumentativa do Direito proposto por Perelman concentra-se em fornecer os parâmetros racionais, enquanto dotados de razoabilidade, para os raciocínios jurídicos, com especial atenção aos raciocínios judiciais e à necessidade de motivação das decisões oriundas da produção judicial do Direito. Entre o racionalismo jurídico dogmático e o irracionalismo que negou a possibilidade de se operar com valores no Direito, Perelman oferece uma terceira via: a razoabilidade. Este modelo de racionalidade prática pode hoje ser amplamente desenvolvido e debatido no seio de uma teoria lingüística, como é proposta da recente Teoria Discursiva do Direito de Habermas
Carlo Magri e il suo contributo al teatro barocco maltese
No full textThe paper, titled “Carlo Magri e il suo contributo al teatro barocco”, presents an in depth study and analysis of the Maltese playwright's theatrical works in the seventeenth century and his contribution to Baroque theatre in the Mediterranean region. The study focuses on his 2 three-act plays written under the pseudonym of ‘Marco Largi, maltese’. The first one entitled La regia è un Sogno ovvero la Costanza, written in 1672, was the first play written by a Maltese ever to be published. The second one, written in 1674, was entitled Chi la dura la vince, ovvero Teodolinda. The author compares and contrasts themes, settings and other aspects of Magri's play with those of Sicilian and Neapolitan dramatists like Tommaso Aversa and Niccolo` Amenta, amongst others. Even though Maltese theatrical works of the period have been influenced by Italian baroque theatre, particularly by the Neapolitan commedia dell'arte style of writing and rep-resentation, the study reveals how Carlo Magri succeeded in introducing in his play a number of innovations. One of the most important is the elimination, as a result of his sensitivity to the public's wishes, of the use of vulgar language and of the prologue. This delineates him as a pioneer in the drive for change.peer-reviewe
Contro la prospettiva: monocentrismo individuale della visione
No full textGiancarlo De Carlo, in the introduction to the volume
Il Palazzo di Federico da Montefeltro, 1985, edited
by Maria Luisa Polichetti, speaks of Luciano Laurana and
Francesco di Giorgio Martini as the “spirits” of the Palazzo.
We cannot help but imagine De Carlo himself as a presence
for the city, always present and alive through his project.
In L’architettura della partecipazione he exposes how often
the representation of architecture does not include the
people who live in it; a custom whose origins the author
traces back to the “individual monocentric vision” of the
Renaissance perspective.
Based on this consideration eight internationally
renowned photographers, Urbino ISIA teachers, tell the
story of De Carlo’s work in Urbino. These images tell the
story of De Carlo in Urbino today. What interests us is their
potential as a lesson for the present. Paola Binante,
Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford,
Stefano Graziani, Armin Linke, Giovanna Silva, explore
and recount the nature of this lesson through photography.
Alongside their multiple perspectives is the performative
work, carried out by the graphic designer Patrick Lacey and
the artist Ben Cain, with the ISIA students and the narrations
developed by the students of the Iuav University of Venice,
together with Armin Linke, using photographic material
from the archives.
Besides curators’ texts, this book includes contributions
by Roberta Valtorta, with respect to the long-term
relationship between architecture and photography,
by Mirko Zardini, on De Carlo’s relationship with the city
of Urbino, and by Sara Marini, on the architect’s textual
production
Spiriti. Otto fotografi raccontano Giancarlo De Carlo a Urbino Spiriti. Eight photographers recount Giancarlo De Carlo in Urbino
No full textGiancarlo De Carlo, in the introduction to the volume
Il Palazzo di Federico da Montefeltro, 1985, edited
by Maria Luisa Polichetti, speaks of Luciano Laurana and
Francesco di Giorgio Martini as the “spirits” of the Palazzo.
We cannot help but imagine De Carlo himself as a presence
for the city, always present and alive through his project.
In L’architettura della partecipazione he exposes how often
the representation of architecture does not include the
people who live in it; a custom whose origins the author
traces back to the “individual monocentric vision” of the
Renaissance perspective.
Based on this consideration eight internationally
renowned photographers, Urbino ISIA teachers, tell the
story of De Carlo’s work in Urbino. These images tell the
story of De Carlo in Urbino today. What interests us is their
potential as a lesson for the present. Paola Binante,
Luca Capuano, Mario Cresci, Paola De Pietri, Jason Fulford,
Stefano Graziani, Armin Linke, Giovanna Silva, explore
and recount the nature of this lesson through photography.
Alongside their multiple perspectives is the performative
work, carried out by the graphic designer Patrick Lacey and
the artist Ben Cain, with the ISIA students and the narrations
developed by the students of the Iuav University of Venice,
together with Armin Linke, using photographic material
from the archives.
Besides curators’ texts, this book includes contributions
by Roberta Valtorta, with respect to the long-term
relationship between architecture and photography,
by Mirko Zardini, on De Carlo’s relationship with the city
of Urbino, and by Sara Marini, on the architect’s textual
production
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