676 research outputs found
Pre-inventory of ecclesiastical Goods of the Diocese of Quilmes : safeguarding of the built heritage of the District of Quilmes
No full textResumen: Este artículo presentado corresponde a un recorte del informe final de la investigación iniciada en 2022, en la que nos propusimos alcanzar un mayor conocimiento del patrimonio edilicio —artístico e histórico—, de las capillas y parroquias de la Diócesis de Quilmes, que pertenece a la provincia eclesiástica del Arzobispado de La Plata. Para ello, construimos un instrumento, que constituyó un primer paso para la salvaguarda de los bienes, el que consistió en un preinventario, como disparador de un futuro inventario y catálogo de los bienes, y permitió luego, registrar aquellos que posean mayor valor representativo, arquitectónico y/o simbólico, para ser protegidos patrimonialmente.Abstract: The presented article is an excerpt from research initiated in 2022, in which we aimed to achieve a deeper understanding of the architectural, artistic, and historical heritage of the chapels and parishes within the Diocese of Quilmes, which belongs to the ecclesiastical province of the Archdiocese of La Plata. To this end, we developed a tool as a first step towards the safeguarding of these assets, consisting of a pre-inventory designed to spark the creation of a future inventory and catalog of these works. This process allowed us to identify and record those with the greatest representative, architectural, and/or symbolic value, to ensure their protection as cultural heritage.Fil: Bruzzo, Silvia. Universidad Católica de La Plata. Facultad de Arquitectura y Diseño; Argentina.Fil: Iturria, Vanina. Universidad Católica de La Plata. Facultad de Arquitectura y Diseño; Argentina.Fil: Rodrigo, Sofía. Universidad Católica de La Plata. Facultad de Arquitectura y Diseño; Argentina.Fil: Setrini, Ruth. Universidad Católica de La Plata. Facultad de Arquitectura y Diseño; Argentina
Preinventario de bienes eclesiásticos de la Diócesis de Quilmes, para la salvaguarda del patrimonio edificado perteneciente al Partido de Quilmes
No full textLa Diócesis de Quilmes, que forma parte de la provincia eclesiástica del Arzobispado de La Plata, es un área de gran interés para su estudio debido a su amplia extensión geográfica y poblacional, así como por la variedad de estilos, tipologías religiosas y temporales que se encuentran en su arquitectura sacra.
La creación de un preinventario es esencial para establecer un conocimiento preciso y actualizado de los bienes existentes, y constituyó el primer paso en la salvaguarda de éstos. Además, el preinventario proporcionó una comprensión y análisis más profundos del alcance de los bienes a través de un enfoque ordenado y sistemático. Este instrumento será la base para la elaboración de un futuro inventario y catálogo que tenga en cuenta el valor representativo y patrimonial de los bienes de la Diócesis de Quilmes.
Desde lo metodológico en primer lugar, se efectuó dentro del ámbito curricular, un trabajo de relevamiento de parroquias y capillas. A lo realizado en el aula, se sumaron listados de bienes y fichas de relevamiento, material producido con la incorporación de becarios a la investigación. Por último, se trabajó en la difusión e intercambio de los resultados, en distintos espacios: educativos, culturales, plataformas multimedia, y del propio Obispado de Quilmes.
Como resultado, se ha obtenido información de diverso soporte: fichas de relevamiento, listado de bienes, fichas de divulgación en plataformas digitales, y fichas de preinventario. Consideramos posible continuar con una segunda etapa, a fin seguir construyendo el preinventario de los bienes del obispado.Fil: Bruzzo, Silvia Beatriz. Universidad Católica de La Plata. Facultad de Arquitectura y Diseño. Instituto de Investigación en Arquitectura y Territorio; Argentina.Fil: Iturria, Vanina Laura. Universidad Católica de La Plata. Facultad de Arquitectura y Diseño. Instituto de Investigación en Arquitectura y Territorio; Argentina.Fil: Rodrigo, Sofía. Universidad Católica de La Plata. Facultad de Arquitectura y Diseño. Instituto de Investigación en Arquitectura y Territorio; Argentina.Fil: Peña, Natalia. Universidad Católica de La Plata. Facultad de Arquitectura y Diseño. Instituto de Investigación en Arquitectura y Territorio; Argentina.Fil: Setrini, Rut Aldana. Universidad Católica de La Plata. Facultad de Arquitectura y Diseño. Instituto de Investigación en Arquitectura y Territorio; Argentina
Berkhotbah secara naratif dari kitab Rut
No full textNarrative preaching is a preaching form that is rarely used, even for narrative texts. The listener is more familiar with the expository or thematic form of preaching. The author argues that narrative is not only interpreted as a narrative but also should be preached as a narrative sermon. This also applies to the book of Ruth. Therefore, this article will first explain the interpretation of narrative and apply it to the study of the book of Ruth. This article briefly describes four important things in narrative criticism: plot, investigating characters and settings (place and time of scene), and point of view. Second, this article will explain narrative preaching. Narrative sermons can be arranged in the first person or in the third person by paying attention to the plot, character analysis, setting (place and time of the scene), and point of view. Third, this article describes how to structure a narrative sermon from the book of Ruth, both in the first person and third person. Finally, the author concludes that the book of Ruth is a good example of applying narrative interpretation and preparing a narrative sermon. AbstrakBerkhotbah secara naratif merupakan bentuk berkhotbah yang jarang digunakan, bahkan untuk teks-teks narasi. Pendengar sudah terbiasa dengan bentuk khotbah ekspositoris ataupun tematis. Penulis berpendapat bahwa narasi tidak hanya ditafsirkan sebagai suatu narasi, tetapi juga sebaiknya dikhotbahkan secara naratif. Hal ini juga berlaku untuk kitab Rut. Oleh karena itu, artikel ini pertama-tama akan menjelaskan tentang penafsiran narasi dan mengaplikasikannya dalam penyelidikan kitab Rut. Artikel ini menguraikan secara singkat empat hal penting dalam analisa narasi, yaitu alur cerita (plot), penyelidikan karakter dan setting (tempat dan waktu adegan) dan sudut pandang. Keempat hal penting itu juga diaplikasikan dalam menganalisa narasi kitab Rut. Kedua, artikel ini akan menjelaskan tentang berkhotbah secara naratif. Khotbah naratif dapat disusun dalam bentuk orang orang pertama, maupun orang ketiga dengan memperhatikan alur cerita (plot), penyelidikan karakter dan setting (tempat dan waktu adegan) dan sudut pandang. Ketiga, artikel ini memaparkan bagaimana menyusun khotbah secara naratif dari kitab Rut, baik dalam bentuk orang pertama, maupun orang ketiga. Terakhir, penulis menyimpulkan bahwa kitab Rut merupakan contoh yang baik untuk menerapkan penafsiran narasi dan penyusunan khotbah secara naratif
The dialogue author - music; about the process of origin of a conceptional musical piece
No full textThe author in this thesis addresses selected aspects of the process of origin of a conceptional musical piece, particularly a song (as a complete form), he reflects the principle of a dialogue which is present in music and tries to describe the way in which the originating musical structure is perceived from the point of view of the author. That is the communication of the authorial self with his own musical idea. Furthermore the author strives to authentically reflect the process of the origin of his own musical attempts.
Each of the five chapters of this thesis deals with different set of themes- themes which are closely connected with the actual process of musical creation (the process of creating music and foremost the process of "making" songs).
The first chapter is dedicated to formation of values and to determining the author-music relationship, while the question of taste, necessity and creative direction is being emphasized. The second chapter attempts to answer the question what exactly can be regarded as a song, how its boundaries can be defined and in what way can time and space be managed within those boundaries. The third chapter approaches the author's relationship with his music as a dialogue, tries to describe it and it also deals with understanding of the current in music and the necessity of the element of the immediate during the process of musical creation. In chapter four of this thesis the order of steps in the birth of a song is discussed - from the initial idea to the final form.
In the last fifth chapter the author seeks his own constructive and creative expression and he especially analyzes the relationship between originality and authenticity
Observations of an author, observations of the dramaturgist and observing the creative process)
No full textPráce se zabývá autorskou osobností v oblasti specifického uměleckého žánru, a tím je rozhlasový dokument. Práce využívá zkušeností autorky a zároveň dramaturgyně rozhlasových dokumentárních pořadů a pokouší se odpovědět na otázky, kdo je vlastně autorem dokumentu, jak se jeho osobnost odráží ve způsobu nahlížení na dané téma, natáčení i organizování zvukového materiálu. Zkoumá, jak se ten který autor dokáže nebo naopak nedokáže dopracovat k živému rozhlasovému tvaru. Práce si nedělá nárok na široké zobecnění, ukazuje však některé možné přístupy k tvorbě. Zachycuje momenty, které tvorbu dokumentu oživují nebo naopak nějakým způsobem zastavují a znehybňují. Pokouší se nalézt odpovědi na otázky, jak rozpoznat silnou autorskou osobnost a jak se této osobnosti daří v prostředí média, které její tvorbu podmiňuje a zároveň ji v pozitivním i negativním směru ovlivňuje. V práci je využito pěti kazuistik, v nichž je zachycen proces tvorby dokumentu autorů v různých fázích jejich „autorského vývoje“. Pozornost je upřena na rozdíly mezi motivacemi jednotlivých tvůrců, východisky tvorby, názory na zvukové dílo, vědomou, nebo méně vědomou práci se zvukovým materiálem apod.
Práce se zabývá také rolí dramaturga a jeho vlivu na autora a konečnou podobu díla. Kým je a může být dramaturg v oblasti rozhlasového dokumentu? Existují hranice, za něž by dramaturg neměl jít? Nebo jsou tyto hranice pohyblivé vzhledem k tomu, s jakým autorem a na jakém pořadu v určitou chvíli spolupracuje?This work deals with the author's personality in the context of a specific artistic genre, and that genre is a radio documentary. It uses experience of an author and a dramaturgist of radio documentaries and tries to answer some questions, who really is the author of a radio documentary, how their personality reflects in the way they see the given topic, how they acquire and organise tracks. It researches how the author does or does not arrive to a project that feels alive. This work does not try to encapsulate the entirety of that concept, but it shows some possible ways of approaching such a task. It shows some parts of the process that are beneficial and some that are slowing it or stopping it altogether. The other questions it seeks to answer are, how to find a strong personality among authors, and how does this personality do in the environment of the media that is vital for the work of an author but it also positively and negatively impacts said work. It makes use of five case studies from which there are shown the processes of making documentaries of five authors at different times of their "artistic development". The proverbial spotlight is pointed at the differences in motivation, conscious or less conscious work with sound materials etc.
This work is also focused on the role of the dramaturgist and their effect on the author and the final state of the author's work. Who is and who the dramaturgist can be in the context of a radio documentary. Are there rigid lines dramaturgist should not cross? Or are there just vague guidelines that can be different with each autor and/or project
The Open-ended Play
No full textIn the prologue Adam Rut writes about an effort to hold of direction like an open-ended play.In the first part he describes the primary starting-point. Within the second part, in relation to theme he contemplates about comments, that he got from his pedagogues during three years of his Bachelor studies.In the third part he describes process of rehearsals and tries to find impulses and experiences, that is possible to exploit for the next cooperation with author, dramaturgist, scenographer as well and especially with actors so that the play will be still open-ended. In the fourth part he writes about viewers, doubts of directors and about the fact what is within our powers
A PROBABILISTIC APPROACH TO IDENTIFY THE REPRESENTATIVE RUT CURVE FOR A BITUMINOUS MIXTURE SPECIMEN USED IN A DRY WHEEL TRACKING TEST
No full textRutting is considered as a highly significant failure in bituminous pavements. Wheel tracking tests are widely used laboratory simulation tests to characterize the rutting resistance of bituminous mixtures. Considerable variation is observed in the accumulated rut depth at different locations along the wheel traverse and the representative rut curve obtained from different methodologies also shows significant variations. A probabilistic approach was adopted to analyze this scatter in the rut depth at a specific number of wheel passes and reliability based rut curves were developed. Weibull and lognormal distributions are better at characterizing the scatter in the accumulated rut depths at various locations than the normal distribution. The results from the probabilistic rut data for two different binders and two different bituminous mixtures tested at six different temperatures at specific number of wheel passes showed that different representative rut curves have different percentages of reliability. This work provides a rationale for choosing a representative rut curve from different methodologies.The presentation of the authors' names and (or) special characters in the title of the pdf file of the accepted manuscript may differ slightly from what is displayed on the item page. The information in the pdf file of the accepted manuscript reflects the original submission by the author
Encuentros críticos: una reflexión sobre las literaturas desde el Ecuador (a propósito del XII Encuentro sobre Literatura Ecuatoriana Alfonso Carrasco Vintimilla) [De La Escena Contemporánea]
No full textAt the closing of the twelfth Alfonso Carrasco Vintimilla Literary Encounter in Cuenca, Rut Román proposes a reflection on the false problems and real challenges of contemporary literary criticism. The false problems are those derived from the extreme reactions between the optimistic glare and apocalyptic panic for technology. The changes that mass culture and Cybernetics bring to the field of literature and literary criticism revolve around the place of reading-writing and not in their substantial background. The real challenge of literary criticism in Ecuador, according to the author, is not only to include writers and critics of the ancient cultures of the country, but to develop a critical ad hoc apparatus able to review and enhance the literariness in these texts. The Latin Americanist critic who lives and works in Latin America can see the literary phenomenon, exempt from certain paternalistic and exoticizing looks of cultural analysis from other latitudes.Al cierre de la decimosegunda edición del Encuentro sobre Literatura Alfonso Carrasco Vintimilla en Cuenca, Rut Román propone una reflexión sobre los falsos problemas y los desafíos reales de la crítica literaria contemporánea. Los falsos problemas son aquellos que se derivan de las reacciones extremadas entre el deslumbramiento optimista y el pánico apocalíptico por la tecnología. Los cambios que la cultura de masas y la comunicación cibernética traen al campo de la literatura y la crítica literaria giran en torno al lugar de la escritura-lectura y no en cuanto a su fondo sustancial. El verdadero desafío de la crítica literaria en el Ecuador, según la autora, es no solo incluir a escritores y críticos de las culturas ancestrales del país, sino desarrollar un aparato crítico ad hoc capaz de revisar y valorizar la literaturidad en esos textos. El crítico latinoamericanista que vive y trabaja en Latinoamérica puede observar el fenómeno literario, exento de ciertas miradas paternalistas y exotizantes del análisis cultural desde otras latitudes
El libro de Rut, algunos rasgos narrativos
No full textThe book of Ruth is a splendid and narrative jewel with a simple and eloquent language, it presents a fascinating tale of human feelings where God’s revelation happens surprisingly. The Biblical text has been approached by the author through two different methods of biblical studies: the narrative and the feminist contextual approach. According to the first, we get access to ways of comprehension to typical features of the God of Israel which appear proclaimed and shown through the experiences of a Moabite woman. This information provides the frame for a new reading following a feminist contextual approach. El libro de Rut es una espléndida joya narrativa que a través de un lenguaje sencillo y elocuente, presenta un entramado fascinante de sentimientos humanos donde acontece de modo sorprendente la revelación de Dios. El texto bíblico se ha abordado desde dos métodos de estudio de la Palabra de Dios: el narrativo y el acercamiento contextual feminista. Gracias al primero obtenemos unas claves de comprensión y de comunicación del relato, en el que se manifiestan importantes rasgos típicos del Dios de Israel quien se dice y muestra a través de las vivencias de una mujer moabita. Estos datos sirven de soporte para el acercamiento feminista que nos ofrecerá una lectura del libro en clave de mujer
Perwujudan Kasih Setia Allah Terhadap Kesetiaan Rut
No full textShintia Maria Kapojos, Hengki Wijaya, This paper aims to explain the manifestation of God\u27s loyal love for Ruth who is faithful to her father-in-law, Naomi. The method used is the interpretation of the Old Testament narrative. Through this paper, the author will focus on Ruth\u27s loyalty to Naomi as a manifestation of God\u27s allegiance to man. This Old Testament narrative addresses explicitly the theme of Ruth\u27s loyal love for Naomi and its theological and practical implications for believers to manifest God\u27s loving kindness to others. Shintia Maria Kapojos, Hengki Wijaya, Tulisan ini bertujuan untuk menjelaskan perwujudan kasih setia Allah kepada Rut yang setia kepada mertuanya, Naomi. Metode yang digunakan adalah penafsiran narasi Perjanjian Lama. Melalui tulisan ini, penulis akan fokus kepada kesetiaan Ruth kepada Naomi sebagai manifestasi kesetiaan Allah kepada manusia. Narasi Perjanjian Lama ini secara khusus membahas tema kasih setia Ruth kepada Naomi dan implikasi teologis dan praktisnya bagi orang percaya untuk memanifestasikan kasih setia Tuhan kepada orang lain
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