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Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Pemaknaan lafazh Tartil dalam tafsir Al-Qurthubi, tafsir Ibn Katsir dan tafsir Sayyid Quthb : Studi perbandingan terhadap ayat-ayat yang berkaitan dengan lafazh Tartil dalam Al-Qur'an
Get PDFINDONESIA :
Al-Qur’ãn merupakan pokok dari sumber hukum Islam yang paling utama sekaligus berfungsi sebagai rambu-rambu dalam menjalankan kehidupan bagi manusia yang tidak akan menjadikan tersesat dan hilang arah apabila berpegang teguh padanya. Oleh sebab itu telah menjadi suatu kewajiban agar umat muslim senantiasa mendalami pemahamannya terhadap isi dan makna yang termaktub di dalam al-Qur’ãn. Agar dapat mengetahui dan memahami isi serta makna yang terkandung didalamnya, tentunya kita dituntut untuk mampu membacanya secara tartîl, yaitu perlahan dengan disertai penerapan ilmu tajwid yang berlaku, sehingga pembacaan al-Qur’an secara tartîl ini dapat membantu dalam memahami isi al-Qur’an.
Penelitian ini menggunakan metode deskriptif analisis komparatif yaitu pemaparan secara terperinci terkait dengan perbandingan interpretasi antara Al-Qurthubî, Ibn Katsîr dan Sayyid Quthb terhadap ayat-ayat yang berkaitan dengan lafazh Tartîl pada surat al-Muzzammil ayat 4 dan surat al-Furqân ayat 32.
Hasil temuan dari penelitian ini menyebutkan bahwa makna Tartîl dalam surat al-Muzzammil ayat 4 menurut al-Qurthubi adalah bacaan perlahan disertai dengan merenungkan makna yang terkandung didalamnya, al-Qurthubi menghukumi makruh terhadap bacaan al-Qur’an yang dilagukan. Sedangkan menurut Ibn Katsîr, Tartil dimaknai sebagai bacaan al-Qur’an yang tidak tergesa-gesa, sehingga dapat membantu dalam memahami isi al-Qur’ãn serta dianjurkan menghiasi bacaan dengan lagu dan suara yang indah. Adapun pendapat Sayyid Quthb, Tartil adalah pemahaman makna dari apa yang dibaca dengan tetap menjaga bacaan dari panjang pendeknya, bukan dengan berlebih-lebihan dalam menyanyikannya dan menyenandungkannya. Kemudian makna Tartil dalam surat al-Furqân ayat 32 menurut al-Qurthubi adalah bacaan yang teratur dan benar. Sedangkan menurut Ibn Katsîr adalah menjelaskan dengan sejelas-jelasnya, dan adapun menurut Sayyid Quthb adalah suatu bacaan yang berkesinambungan dan berturut-turut secara teratur. Adapun yang menjadi sebab-sebab perbedaan dalam penafsiran makna lafazh Tartîl dari ketiga mufassir ini adalah adanya perbedaan pendekatan penafsiran dari aspek pemahaman hadits, aspek fiqih dan aspek Adab al-Ijtima’I (sosial kemasyarakatan).
Adapun kesimpulan dalam penelitian ini, bahwa makna lafazh Tartîl adalah membaca al-Qur’an dengan perlahan, tidak tergesa-gesa disertai pemahaman terhadap makna ayat yang dibaca dengan bacaan yang teratur, jelas dan berturut-turut. Dalam hal ini, peneliti berpendapat bahwa diperbolehkan untuk menghiasi bacaan al-Qur’an dengan dilagukan selama tetap menerapkan kaidah tajwid yang berlaku.
ENGLISH :
The Qur'an is the main source of Islamic law as well as functions as signs in carrying out life for humans who will not get lost and lose direction if they stick to it. Therefore, it has become an obligation for Muslims to always deepen their understanding of the contents and meanings contained in the Qur'an. In order to know and understand the content and meaning contained therein, of course we are required to be able to read it Tartîl, that is slowly accompanied by the application of applicable tajwid science, so that this Tartîl reading of the Qur'an can help in understanding the contents of the Qur'an.
This study uses a descriptive comparative analysis method, which is a detailed explanation related to the comparison of interpretations between Al-Qurthubî, Ibn Katsr and Sayyid Qutb of verses related to lafazh Tartîl in Surah al-Muzzammil verse 4 and Surah al-Furqân verse 32.
The findings of this study state that the meaning of Tartîl in Surah al-Muzzammil verse 4 according to al-Qurtubi is slow reading accompanied by contemplating the meaning contained in it, al-Qurtubi condemns makruh to the reading of the sung Al-Qur'an. Meanwhile, according to Ibn Katsîr, Tartîl is interpreted as an unhurried reading of the Qur'an, so that it can help in understanding the contents of the Qur'an and it is recommended to decorate the reading with beautiful songs and sounds. As for Sayyid Qutb's opinion, Tartîl is understanding the meaning of what is read while keeping the reading short, not excessive in singing it and humming it. Then the meaning of Tartîl in Surah al-Furqân verse 32 according to al-Qurtubi is regular and correct reading. Meanwhile, according to Ibn Katsîr is to explain as clearly as possible, and according to Sayyid Qutb is a continuous and successive reading on a regular basis. As for the causes of differences in the interpretation of the meaning of Lafazh Tartîl from these three commentators, there are differences in interpretive approaches from aspects of hadith, aspects of fiqh and aspects of Adab al-Ijtima'I (social society).
The conclusion in this study is that the meaning of lafazh tartîl is reading the Qur'an slowly, not in a hurry accompanied by an understanding of the meaning of the verse that is read with regular, clear and successive readings. In this case, the researcher argues that it is permissible to decorate the reading of the Qur'an by singing it as long as it applies the applicable tajwid rules.
القرآن هو المصدر الرئيسي للشريعة الإسلامية بالإضافة إلى وظائفه كعلامات في تنفيذ الحياة للبشر الذين لن يضيعوا ويفقدوا الاتجاه إذا التزموا به. لذلك ، أصبح من واجب المسلمين دائمًا تعميق فهمهم لمحتويات ومعاني القرآن. من أجل معرفة وفهم المحتوى والمعنى الوارد فيه ، نحن مطالبون بالطبع أن نكون قادرين على قراءته ترتيل ، الذي يصاحبه ببطء تطبيق علم التجويد القابل للتطبيق ، بحيث يمكن أن تساعد قراءة ترتيل للقرآن في فهم محتويات القرآن.
تستخدم هذه الدراسة أسلوب التحليل الوصفي المقارن ، وهو شرح تفصيلي يتعلق بمقارنة التفسيرات بين القرطبي وابن كثير وسيد قطب للآيات المتعلقة بلفظ ترتيل في سورة المزمل الآية 4 وسورة الفرقان الآية 32. .
تشير نتائج هذه الدراسة إلى أن معنى ترتيل في سورة المزمل آية 4 عند القرطبي قراءة بطيئة مصحوبة بالتأمل في المعنى الوارد فيها ، ويدين القرطبي المكروه بقراءة سورة القران. ا. وفي الوقت نفسه ، وفقًا لابن كثير ، يتم تفسير ترتيل على أنه قراءة متقطعة للقرآن ، بحيث تساعد في فهم محتويات القرآن ، ويوصى بتزيين القراءة بأغاني وأصوات جميلة. أما رأي سيد قطب ، فإن ترتيل هو فهم معنى ما يقرأ مع الإبقاء على القراءة قصيرة ، وعدم المبالغة في غنائها وأزيزها. ثم أن معنى ترتيل في سورة الفرقان الآية 32 عند القرطبي قراءة منتظمة وصحيحة. وفي الوقت نفسه ، وفقًا لابن كثير ، هو الشرح بأكبر قدر ممكن من الوضوح ، ووفقًا لسيد قطب هي قراءة مستمرة ومتتالية على أساس منتظم. أما فيما يتعلق بأسباب الاختلاف في تفسير معنى "لفظ ترتيل" عن هؤلاء المفسرين الثلاثة ، فهناك اختلافات في المداخل التفسيرية من جوانب الحديث ، وأوجه الفقه ، وجوانب "المجتمع الاجتماعي".
والخلاصة في هذه الدراسة أن معنى ترتيل لافزة هو قراءة القرآن ببطء ، وليس في عجلة من أمره مصحوباً بفهم لمعنى الآية التي تُقرأ بقراءات منتظمة وواضحة ومتتالية. وفي هذه الحالة ، يرى الباحث أنه يجوز تزيين تلاوة القرآن بالغناء ما دامت تطبق أحكام التجويد المعمول بها
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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