37 research outputs found
Advantages and Uses of MIMO Radar Networks in the Automotive World
No full textAuthor Sergio López Fernández, MEngDissertation Johannes Kepler Universität Linz 202
Advantages and Uses of MIMO Radar Networks in the Automotive World
No full textAuthor Sergio López Fernández, MEngDissertation Johannes Kepler Universität Linz 202
The Revenge of the Idyllic
No full textEnglish translation of an essay by the contemporary Argentine author Sergio Chejfec on his encounter with 1950s Caracas, Venezuela through a set of vintage postcards
De sombras y umbrales: ansiedad geográfica en Boca de lobo
No full textThis work examines the relationship between geography, the body, memory and aesthetics in the representation of urban poverty and the global economic processes of neoliberalism in the novel Boca de lobo (2000) by Argentine author Sergio Chejfec
Incorrect Spelling of Author Name
No full textIn the Article titled “Robotic resection of mediastinal left vagus neurofibroma” published on June 12, 2022, in the Early Access issue of Monaldi Archives for Chest Disease, an author name was misspelled. In the byline, the fifth author, “Sergio Nicola Fortiparri” should have been “Sergio Nicola Forti Parri.” This article was corrected online.
Reference
Brandolini J, Ambrosi F, Bertoglio P, et al. Robotic resection of mediastinal left vagus neurofibroma. Monaldi Arch Chest Dis 2023;93:2248. https://doi.org/10.4081/monaldi.2022.2248
Response to \u22Money is in the Eye of the Beholder\u22
No full textBeginning with the editor\u27s discussion of an episode of Project Runway and its relationship to contemporary theories of affect in art, my response to Todd Cronan\u27s piece questions his application of affect theory in the particular instance of the episode he discusses and then draws it together with a discussion of the novel Baroni: A Journey, by Argentine author Sergio Chejfec, to explore critiques of the economic logic of neoliberalism through aesthetic objects
Библиотека „Серхио Питол“ в лицето на главния библиотекар Хуан В. Лабахос Хименес пред сп. „Библиосфера“ = Library „Sergio Pitol“, represented by the Head Librarian Juan V. Labajos Jiménez before the „Bibliosphere“ e-journal
No full textThe Head Librarian of the Servantes Institute Library „Sergio Pitol“, Mr. Juan V. Labajos Jiménez was interviewed after his exchange visit to the New Bulgarian University Library. The Library of the Spanish Cultural Institute is named after the Mexican author Sergio Pitol, awarded Cervantes Prize in 2005. Library collections comprise of books, films and music materials from Spanish and Latin American authors, reference and teaching materials for the acquisition of Spanish language. Titles in Catalan, Galician and Basque could be found within the Library holdings. The network of Servantes Institute Libraries gives access to a rich online collection of reference materials – directories, bibliographies, dictionaries, encyclopaedias, news feeds, etc
Visualizing a State of Debt: Sergio Chejfec’s Art of Landscapes and Loans
No full textThis paper examines two novels by the Argentine author Sergio Chejfec: Boca de lobo (2000) and La experiencia dramática (2012). By examining their relationship to Jorge Luis Borges\u27 short story \u22El Zahir,\u22 I examine the ways in which the structures and obligations of loans and debt (or contemporary forms of abstract money more generally) are materialized into understandable and interpretable aesthetic forms in the novel. I suggest that Chejfec\u27s interest in literary form and economic form in these novels present key complications to the concept of posthegemony as it is elaborated by John Beasley-Murray
Mito e historia en El grito de la serpiente, de Sergio Arrau
No full textThe aim of this work is to analyze the play El grito de la serpiente (The Cry of the Serpent) written by the Chilean-Peruvian author Sergio Arrau. Its main goal is to show the relationship between the playwright and Tupac Amaru II, leader of the first Latin-American movement of independence. The text will be treated as a questioning of historical narratives.El presente artículo propone un análisis de la pieza El grito de la serpiente del autor teatral chileno-peruano Sergio Arrau. Se pretende exponer una lectura de la relación que el dramaturgo establece con el Túpac Amaru II, personaje precursor de la independencia latinoamericana. El texto dramático será abordado como un cuestionamiento respecto de las narrativas que buscan dar cuenta de la historia
Una ficción del espacio: caminata y decadencia en El aire de Sergio Chejfec
No full text© 2016, Springer Science+Business Media Dordrecht. This article analyzes the novel El aire (1992) by the Argentine author Sergio Chejfec through the motif of the walk. Particularly, it investigates how this work establishes a dialogue with other models of urban walks, such as the nineteenth-century flâneur and its more recent avatars. From a contemporary perspective, Chejfec confronts this figure with a dystopic version of the city of Buenos Aires, that completely undermines the feeling of control and liberty that has been traditionally associated with flânerie. Furthermore, the novel focuses on the destructive effect of the media on the protagonist’s understanding of this new reality. This way, El aire can be read as a “fiction of space”, that, as is the case of several other works written by Chejfec, problematizes the spatial dimension of the narrated world and its perception through the figure of walking.status: Publishe
