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Jeg er ikke rom 47 - jeg er Birgitta. En eksplorativ singlecase studie av musikkterapi som systemisk praksis i tidlig hodeskaderehabilitering
No full textSAMMENDRAG -
Denne eksplorative singlecase studien utforsker musikkterapi som systemisk praksis i arbeid med voksne hodeskadepasienter på sykehus. Studien springer ut i fra studentens egenpraksis, hvor pårørende og sykepleiere ble invitert inn som aktive deltakere i musikkterapien. Med en kvalitativ, hermeneutisk-fenomenologisk tilnærming og semistrukturerte intervjuer søker studien innsikt i hvordan en pasient, en pårørende og en sykepleier opplevde denne tilnærmingen i praksis.
Studien utforsker de psykososiale, emosjonelle og eksistensielle aspektene ved musikkterapien. Funnene viser blant annet at pasienten opplevde musikkterapien som livgivende, og at hun kom i kontakt med viktige aspekter ved sin egen identitet gjennom musikken. Musikkterapien ble beskrevet som en kontrast til store deler av sykehushverdagen, og tilbød et rogivende og poetisk rom. Det å dele dype og sårbare musikkopplevelser i fellesskap førte deltakerne nærmere hverandre, og ble en arena hvor helsepersonell kunne lære pasienten å kjenne på et mer personlig plan. Deltakerne opplevde musikkterapien som et tillitsfullt rom hvor de kunne delta på like vilkår, og pasientens aktørstatus ble fremtredende. Det drøftes hvorvidt de oppbyggende opplevelsene i musikkterapien kan ha ført til økt motivasjon i rehabiliteringsprosessen som helhet.
Nøkkelord: Musikkterapi, hodeskaderehabiliteirng, systemisk tilnærming, involvering av pårørende, relasjonelt perspektiv
Jeg er ikke rom 47 - jeg er Birgitta. En eksplorativ singlecase studie av musikkterapi som systemisk praksis i tidlig hodeskaderehabilitering
Full text linkNorges musikkhøgskole. Masteroppgave. MusikkterapiSAMMENDRAG -
Denne eksplorative singlecase studien utforsker musikkterapi som systemisk praksis i arbeid med voksne hodeskadepasienter på sykehus. Studien springer ut i fra studentens egenpraksis, hvor pårørende og sykepleiere ble invitert inn som aktive deltakere i musikkterapien. Med en kvalitativ, hermeneutisk-fenomenologisk tilnærming og semistrukturerte intervjuer søker studien innsikt i hvordan en pasient, en pårørende og en sykepleier opplevde denne tilnærmingen i praksis.
Studien utforsker de psykososiale, emosjonelle og eksistensielle aspektene ved musikkterapien. Funnene viser blant annet at pasienten opplevde musikkterapien som livgivende, og at hun kom i kontakt med viktige aspekter ved sin egen identitet gjennom musikken. Musikkterapien ble beskrevet som en kontrast til store deler av sykehushverdagen, og tilbød et rogivende og poetisk rom. Det å dele dype og sårbare musikkopplevelser i fellesskap førte deltakerne nærmere hverandre, og ble en arena hvor helsepersonell kunne lære pasienten å kjenne på et mer personlig plan. Deltakerne opplevde musikkterapien som et tillitsfullt rom hvor de kunne delta på like vilkår, og pasientens aktørstatus ble fremtredende. Det drøftes hvorvidt de oppbyggende opplevelsene i musikkterapien kan ha ført til økt motivasjon i rehabiliteringsprosessen som helhet.
Nøkkelord: Musikkterapi, hodeskaderehabiliteirng, systemisk tilnærming, involvering av pårørende, relasjonelt perspektiv.ABSTRACT -
This study explores music therapy as a systemic practice in early brain injury rehabilitation. It emerged from the students practice in an intermediary ward for neurological rehabilitation, where family members and nurses were invited to participate in the music therapy sessions. With a qualitative, hermeneutic-phenomenological approach and semi-structured interviews the study explores how a patient, her partner, and a nurse experienced this approach.
The findings show that the patient got strong experiences of being alive, and that she came in contact with important aspects of her identity. The music therapy is described as a contrast to distressing aspects in the hospital environment, offering a poetic room for rest. Sharing deep musical experiences with each other brought the participants closer together, and also facilitated an arena for nurses to get to know the patient on a more personal level. The music therapy was experienced as a space where the participants could participate on equal terms, and the patients agency status becomes apparent. It is discussed how a resource-oriented focus may have led to increased motivation and energy that is important for the rehabilitation process as a whole.
Keywords: Music therapy, head injury rehabilitation, systemic, family, nurses, relational
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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