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    Killing Art, Killing History: Evaluating Institutional Responses to Far-Right Vandalism

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    This poster evaluates institutional responses to two instances of iconoclasm, the 2018 vandalism of Barnett Newman's Broken Obelisk, and the 2024 beheading of Shahzia Sikander's The Witness. Both statues faced far-right opposition due to their politically charged symbolism--one honoring Dr. Martin Luther King Jr., the other addressing the underrepresentation of women in the justice system. The responses from institutions, namely the Rothko Chapel and the University of Houston, ultimately reinforced the far-right agenda and alienated their communities by prioritizing the status quo over meaningful engagement with the issues at hand. Drawing on Victor Turner's concept of the social drama and the theories of iconoclasm and cultural memory, the poster critiques the institutions' failure to address these acts of vandalism as opportunities for structural change. The university's response to protests against The Witness and the subsequent violent beheading tended to reproduce the status quo while not coming to the defense of artistic expression. Similarly, the Rothko Chapel's treatment of Broken Obelisk illustrated a reluctance to confront the deeper social fissures revealed by the vandalism. By neglecting the potential for cultural innovation and dialogue that vandalism could spark, both institutions allowed the far-right to shape the narrative, thus missing an opportunity for societal reflection and transformation.Comparative Cultural Studies, Department ofHonors Colleg

    Everyday Sustainability

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    Honorable Mention, 2019 Michelle Z. Rosaldo Prize presented by the Association for Feminist AnthropologyWinner of the 2018 Gloria E. Anzaldúa Book Prize presented by the National Women's Studies AssociationWinner of the 2018 Global Development Studies Book Award presented by the Global Development Studies Section of the International Studies AssociationEveryday Sustainability takes readers to ground zero of market-based sustainability initiatives—Darjeeling, India—where Fair Trade ostensibly promises gender justice to minority Nepali women engaged in organic tea production. These women tea farmers and plantation workers have distinct entrepreneurial strategies and everyday practices of social justice that at times dovetail with and at other times rub against the tenets of the emerging global morality market. The author questions why women beneficiaries of transnational justice-making projects remain skeptical about the potential for economic and social empowerment through Fair Trade while simultaneously seeking to use the movement to give voice to their situated demands for mobility, economic advancement, and community level social justice

    Everyday Sustainability: Gender Justice and Fair Trade Tea in Darjeeling

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    Everyday Sustainability takes readers to ground zero of market-based sustainability initiatives—Darjeeling, India—where Fair Trade ostensibly promises gender justice to minority Nepali women engaged in organic tea production. These women tea farmers and plantation workers have distinct entrepreneurial strategies and everyday practices of social justice that at times dovetail with and at other times rub against the tenets of the emerging global morality market. The author questions why women beneficiaries of transnational justice-making projects remain skeptical about the potential for economic and social empowerment through Fair Trade while simultaneously seeking to use the movement to give voice to their situated demands for mobility, economic advancement, and community level social justice.https://digitalcommons.kennesaw.edu/facbooks2017/1011/thumbnail.jp

    Everyday Sustainability

    No full text
    Honorable Mention, 2019 Michelle Z. Rosaldo Prize presented by the Association for Feminist AnthropologyWinner of the 2018 Gloria E. Anzaldúa Book Prize presented by the National Women's Studies AssociationWinner of the 2018 Global Development Studies Book Award presented by the Global Development Studies Section of the International Studies AssociationEveryday Sustainability takes readers to ground zero of market-based sustainability initiatives—Darjeeling, India—where Fair Trade ostensibly promises gender justice to minority Nepali women engaged in organic tea production. These women tea farmers and plantation workers have distinct entrepreneurial strategies and everyday practices of social justice that at times dovetail with and at other times rub against the tenets of the emerging global morality market. The author questions why women beneficiaries of transnational justice-making projects remain skeptical about the potential for economic and social empowerment through Fair Trade while simultaneously seeking to use the movement to give voice to their situated demands for mobility, economic advancement, and community level social justice

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Gender Justice and Fair Trade Tea in Darjeeling

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    Everyday Sustainability takes readers to ground zero of market-based sustainability initiatives—Darjeeling, India—where Fair Trade ostensibly promises gender justice to minority Nepali women engaged in organic tea production. These women tea farmers and plantation workers have distinct entrepreneurial strategies and everyday practices of social justice that at times dovetail with and at other times rub against the tenets of the emerging global morality market. The author questions why women beneficiaries of transnational justice-making projects remain skeptical about the potential for economic and social empowerment through Fair Trade while simultaneously seeking to use the movement to give voice to their situated demands for mobility, economic advancement, and community level social justice.SUNY Press has collaborated with Knowledge Unlatched to unlock KU Select titles. The Knowledge Unlatched titles have been made open access through libraries coming together to crowd fund the publication cost. Each monograph has been released as open access making the eBook freely available to readers worldwide. Discover more about the Knowledge Unlatched program here: https://knowledgeunlatched.org/.AMSUNY PressN/

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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