1,729,060 research outputs found
Warren, Selena. Selena Warren interview, May 31, 2005.
This interview is part of a series of interviews collected by The Baccalieu Trail Heritage Corporation. This interview is with Selena Warren of Winterton, NL. The interviewer is Linda Cooper. The camera was operated by Kelly Snow. The video was edited by Darrell Barrett
Interview with Selena Alvarado
The interviewee is named Selena Alvarado, a history student at UTRGV. She has been a manger at Buffalo Wings and Rings on North 10th for about year and half now. She will provide us with a manager’s perspective and discuss her personal experience with COVID-19 and how this virus has affected her life since it started.https://scholarworks.utrgv.edu/chapsoralhistories/1119/thumbnail.jp
Non-degree Recital: Joseph Donohue and Selena Sanchez, percussion
Joe Donohue is a Sophomore pursuing a Bachelor of Music in Performance. Selena Sanchez is a Junior pursuing a Bachelor of Music in Music Education. Mr. Donohue and Ms. Sanchez study percussion with John Lawless.https://digitalcommons.kennesaw.edu/musicprograms/1062/thumbnail.jp
Dalla parte della poesia (appunti di un poeta critico di poesia), traduzione di Selena Simonatti
L'autore riflette sulle potenzialità "artistiche" della critica volta all'interpretazione della poesia
Performing History & Land in Vancouver\u27s Stanley Park — with Selena Couture
Selena Couture is a settler scholar and Assistant Professor at the University of Alberta, in Edmonton/ Treaty 6 territory and Métis Region No.4. Her projects engage with theatrical and cultural performances including speech acts, place naming, Indigenous language revitalization and phenomenological spatial orientations. Through these elements she explores relationships to land: deconstructing conceptions of settler colonial whiteness and possession while foregrounding the maintenance of Indigenous places through performance. Publications include, Against the Current and Into the Light: Performing History and Land in Coast Salish Territories and Vancouver\u27s Stanley Park (McGill-Queen\u27s UP Indigenous and Northern Series, 2020) and On this Patch of Grass: City Parks and Occupied Lands (Fernwood 2018).She holds a SSHRC Insight Development Grant, "Decolonizing Performative Reenactments of History" which engages with the historical narratives created in rural BC, taking into account the lack of treaties to govern settler access to the land; the continuously present Indigenous protection of unceded territories despite settler colonial extraction; and the unique relation to the lands expressed through Indigenous languages.She is also a co-director of the Ecologies research cluster in the SSHRC Partnership Grant "Hemispheric Encounters: Developing Transborder Research-Creation Practices," (2020-2027) led by Dr. Laura Levin of York University. The project is developing a network across the Americas of organizations, artists, activists and scholars actively working in and with hemispheric performance to share strategies and resources. Her research in this project focuses on human and environmental effects of transnational resource extraction, as well as site-based performance strategies of refusal that address urban, environmental, and spatial politics.Her research practice responds to the growing crisis of global warming, develops a wider collaborative network and expands efforts to create responsible relations with Indigenous people, lands and all other-than-human beings.Resources:— Against the Current and Into the Light: https://www.mqup.ca/against-the-current-and-into-the-light-products-9780773559219.php — UBC\u27s First Nations and Endangered Languages Program: https://fnel.arts.ubc.ca/— Inventing Stanley Park by Sean Kheraj: https://www.ubcpress.ca/inventing-stanley-park— The Archive and the Repertoire by Diana Taylor: https://www.dukeupress.edu/the-archive-and-the-repertoire— The Native Brotherhood of British Columbia: https://www.nativebrotherhood.ca/— Ashes on the Water: A Podplay Video: https://vimeo.com/27876873— The Road Forward by Marie Clemen
Selena schema: sharing space through stories about Selena Quintanilla Pérez
27 years after her murder, Selena Quintanilla Pérez, “The Queen of Tejano Music,” remains a prominent icon among Latinx communities in the U.S. and beyond. Deborah Paredez coined the term “Selenidad” to represent the continual acts of remembering Selena that open spaces for Latinxs to process, reimagine, and revolutionize “Latinidad”. Drawing from this vast corpus of memories, my article analyzes recent narratives about Selena. These artifacts of Selenidad include “Selena: The Series” (Netflix, 2020-2021), the podcast “Anything for Selena” (2021) hosted by María García, and Melissa Lozada-Oliva’s “novel in verse,” “Dreaming of You” (2021). Applying Paredez’s seminal theories and expanding my previous research on consuming Selena through makeup, I closely examine the narrative components of these newest stories that continue creating a shared cultural schema among her fans
'Sacar la nariz del brazo': un remedio autoplástico
This article analyzes the expression sacar la nariz del brazo that appears in Gongora’s El doc- tor Carlino, in Bernal Díaz del Castillo’s Historia ver- dadera de la conquista de la Nueva España and in Francisco López de Gómara’s Historia de la conquista de México. By observing the connexions of this lo- cution with the surgical techniques of rhinoplasty experimented in Europe during XV and XVI centuries, the author studies the implication of its cultural and historical roots and presents some hypotheses about its semantic oscillation
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