1,720,996 research outputs found
Toward a Phenomenology of Running a Book Exhibit
Acquisitions editor Scot Danforth offers a humorous examination of the phenomenon of the book exhibit and provides valuable advice and tales of caution for others responsible for attending book fairs. </jats:p
Deconstructing Disability: A Philosophy for Inclusion
This article offers derrida's deconstruction as a philosophy and practical strategy that challenges the assumed, factual nature of "disability" as a construct explaining human differences. The appeal of deconstruction lies in the contradictory philosophy currently articulated by the inclusion movement, a philosophy that simultaneously supports the disability construct as objective reality while calling for students "with disabilities" to be placed in educational settings designed for students considered nondisabled. This article proposes deconstruction as one coherent philosophical orientation for inclusion, an approach that critiques the political and moral hierarchy of ability and disability. A deconstructionist critique of disability is explained and demonstrated. Practical suggestions for the utilization of deconstruction by special educators are outlined.Peer Reviewedhttp://deepblue.lib.umich.edu/bitstream/2027.42/68721/2/10.1177_074193259701800605.pd
The reasonable adjustments duty for higher education in England and Wales
In the UK in 2001, the Special Educational Needs and Disability Act extended Part 4 of the Disability Discrimination Act 1995 to cover Higher Education. Since then, the number of students in higher education who have declared a disability has grown. This chapter will discuss the problematic concept of what is considered 'reasonable' when it comes to making adjustments to meet the needs of students with disabilities, and examine how this duty has affected teaching and learning methods and the experiences of students to date. Finally, the chapter will consider how the soon to be implemented Disability Equality Duty will impact on teaching and learning in higher education from December 2006
Book Review: Vital Questions Facing Disability Studies in Education
Editors: Scot Danforth and Susan L. Gabel
Reviewer: Steven E. Brown, Ph.D.
Publisher: New York: Peter Lang, 2006
Paperback, ISBN: 978-0-8204-7824-0, 383 pages
Cost: $36.95 US
Dean\u27s Cabinet, 5083
Dean\u27s Cabinet, College of Education: Dr. Helene Sherman, Associate Dean; Dr. Scot Danforth, Dr. Matthew Keefer, Dr. Clark Hickman, Dr. Carole Murphy, Dr. Therese Cristiani, Dr. Charles Schmitz, Dean Dr. Kathleen Haywood, Associate Dean 5083https://irl.umsl.edu/photo/6083/thumbnail.jp
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Learning From Samuel A. Kirk's 16 Versions of Learning Disability: A Rejoinder to Mather and Morris
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