109,306 research outputs found
07 Rasch (Robert Schumann (1810-1856) Klaviertrio g-Moll op. 110) [04:01] (KUG KD 52)
No full textStück: Klaviertrio g-Moll op. 110
Komposition: Robert Schumann
Interpret*innen: Meteor Trio
Album: Kammermusik Gabriel Fauré & Robert Schumann (KUG KD 52, 1 CD)
Format: mp
Finite difference time domain simulation of the Earth-ionosphere resonant cavity: Schumann resonances
No full textThis paper presents a numerical approach to study the electrical properties of the Earth's atmosphere. The finite-difference time-domain (FDTD) technique is applied to model the Earth's atmosphere in order to determine Schumann resonant frequencies of the Earth. Three-dimensional spherical coordinates are employed and the conductivity profile of the atmosphere versus height is introduced. Periodic boundary conditions are implemented in order to exploit the symmetry in rotation of the Earth and decrease computational requirements dramatically. For the first time, very accurate FDTD results are obtained, not only for the fundamental mode but also for higher order modes of Schumann resonances. The proposed method constitutes a useful tool to obtain Schumann resonant frequencies, therefore to validate electrical models for the terrestrial atmosphere, or atmospheres of other celestial bodies.This paper presents a numerical approach to study the electrical properties of the Earth's atmosphere. The finite-difference time-domain (FDTD) technique is applied to model the Earth's atmosphere in order to determine Schumann resonant frequencies of the Earth. Three-dimensional spherical coordinates are employed and the conductivity profile of the atmosphere versus height is introduced. Periodic boundary conditions are implemented in order to exploit the symmetry in rotation of the Earth and decrease computational requirements dramatically. For the first time, very accurate FDTD results are obtained, not only for the fundamental mode but also for higher order modes of Schumann resonances. The proposed method constitutes a useful tool to obtain Schumann resonant frequencies, therefore to validate electrical models for the terrestrial atmosphere, or atmospheres of other celestial bodie
Boris Bloch, Preliminaries Phase II, 5th Van Cliburn Competition (1977)
No full textPiano sonata no. 14 in C minor, K. 457. Adagio / Mozart -- Piano sonata no. 2 in G minor, op. 22. So rasch wie möglich / R. Schumann -- Piano sonata no. 2 in G minor, op. 22. Andantino / R. Schumann -- Piano sonata no. 2 in G minor, op. 22. Scherzo / R. Schumann -- Four pieces for piano, op. 4 / Prokofiev
06 Ziemlich langsam (Robert Schumann (1810-1856) Klaviertrio g-Moll op. 110) [06:05] (KUG KD 52)
No full textStück: Klaviertrio g-Moll op. 110
Komposition: Robert Schumann
Interpret*innen: Meteor Trio
Album: Kammermusik Gabriel Fauré & Robert Schumann (KUG KD 52, 1 CD)
Format: mp
08 Kräftig, mit Humor (Robert Schumann (1810-1856) Klaviertrio g-Moll op. 110) [07:13] (KUG KD 52)
No full textStück: Klaviertrio g-Moll op. 110
Komposition: Robert Schumann
Interpret*innen: Meteor Trio
Album: Kammermusik Gabriel Fauré & Robert Schumann (KUG KD 52, 1 CD)
Format: mp
05 Bewegt, doch nicht zu rasch (Robert Schumann (1810-1856) Klaviertrio g-Moll op. 110) [09:15] (KUG KD 52)
No full textStück: Klaviertrio g-Moll op. 110
Komposition: Robert Schumann
Interpret*innen: Meteor Trio
Album: Kammermusik Gabriel Fauré & Robert Schumann (KUG KD 52, 1 CD)
Format: mp
Panayis Lyras and Michael Korstick, Preliminaries Phase II (Selections), 6th Van Cliburn Competition (1981)
No full textPiano sonata no. 2 in G minor, op. 22. So rasch wie möglich / R. Schumann (Lyras) -- Piano sonata no. 2 in G minor, op. 22. Andantino / R. Schumann (Lyras) (PARTIAL) -- Piano sonata no. 13 in B-flat major, K. 333. Allegro / Mozart (Korstick) -- Piano sonata no. 2 in B-flat minor, op. 36. Allegro molto / Rachmaninoff (Korstick)
Robert Schumann - Sonata g minor Op. 22
No full textThis thesis is focused on Sonata g minor by Robert Schumann. The main attention is engaged on the analysis of the sonata and of its individual parts. The question of interpretation problems, which the pianists may encounter, is mentioned too. The situation of the music world during the beginning of the eighteenth century, is described in the part Schumann and Sonata, as well as the development of sonata form before Schumann. However, the facts from Robert Schumann?s life are not being mentioned here, since the basic knowledge of them is assumed. In case of the reader?s interest in the matter, there is a large amount of bibliography on the topic. Graphs, which represent the formal structure of individual parts, and score extracts, where the motives being analyzed are highlighted, are appended to the thesis
Alexander Mndoyants, Semi-finals, 5th Van Cliburn Competition (1977)
No full textKeyboard sonata in G major, K. 470 / Scarlatti -- Keyboard sonata in D minor, K. 32 / Scarlatti -- Keyboard sonata in G major, K. 125 / Scarlatti -- Novelletten, op. 21. No. 8 in F-sharp minor / R. Schumann -- Ballade, op. 46 / Barber -- Pictures at an exhibition / Mussorgsky -- Piano quintet in E-flat major, op. 44. Allegro brillante / R. Schumann
Ralph Votapek, Semi-finals (Part 2), 1st Van Cliburn Competition (1962)
No full textPiano sonata no. 2 in G minor, op. 50. Slow, with nobility / MacDowell -- Fantasie in C major, op. 17 / R. Schumann
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