70,607 research outputs found
Thomas A. Schmidt : Alma Mater Award
Full text linkThomas A. Schmidt ’71 won the Alma Mater Award in 2017, his bio is archived here from the SNC website
Thomas Grisell letter to Thomas Rotch, 2nd mo 19th 1823
No full textThomas Grisell's letter reached the Rotch household several months before the unexpected death of Thomas Rotch in August, 1823. This is the last letter of the series and presumably the author learned of his friend's death before another letter was penned. 7.95" x 10" (20.2 by 25.5 cm
Thomas Schmidt-Lux – notice
Full text linkThomas Schmidt-Lux est collaborateur scientifique et enseignant à la chaire de sociologie de la culture de l’Université de Leipzig. Il a obtenu son doctorat en 2005 à l’Université de Leipzig et son habilitation en sociologie en 2016. En 2016/17 il est fellow au Käte Hamburger Kolleg « Recht als Kultur » de l’Université de Bonn. Ses axes de recherche sont la sociologie de l’auto-justice et de la violence, la sociologie des religions, la sociologie du droit et la sociologie de l’architecture. ..
A otobiografia de Thomas Bernhard: por uma Origem indecidível e redentora
Full text linkTese (doutorado)- Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2015.Esta tese tem como objetivo investigar o procedimento da escrita de si de Thomas Bernhard, sua Origem, a partir de uma ideia que ela mesma monta: entender os escritos de si como um exercício de escuta. Trata-se de um relato de vida do que se ouve e não do que realmente houve. Nem verdade, nem mentira, mas, ao mesmo tempo, verdade e mentira, ou seja, é falar de uma otobiografia que opera sorrateiramente no campo do indecidível, que não se deixa enclausurar em um gênero. Essa estranha instituição bernhardiana é aberta, livre, e não permite sua apreensão pelos discursos totalitários de fechamento. Ela toma forma, assim, de uma escritura de resistência. Deste estranho limbo indecidível surge o ator Thomas Bernhard [um falso mentiroso] e suas performances permeadas de exageros e repetições teatrais que apontam, deste modo, através de suas máscaras, para a desestabilização das representações. Esse é, sobretudo, um gesto político. No trabalho arqueológico proposto na presente tese o pulo original [Ursprung] a essa mesma Origem se revela redentor a partir do momento em que Thomas Bernhard decide contar a história dos vencidos.Abstract : This thesis aims to investigate the self-writing procedure by Thomas Bernhard, its Origin, from an idea that it presents to us: understanding self-writings as a listening exercise, it is a life story of what is heard rather than what really has happened. Neither truth nor lie, but at the same time, truth and lie, that is, talking about an otobiography operating surreptitiously in the field of the undecidable, which cannot be cloistered in a genre. This strange Bernhardian institution is open, free, does not allow its apprehension by the totalitarian speeches of enclosure, and thus being shaped as a writing of resistance. From this alien, undecidable limbo arises the actor Thomas Bernhard [a false liar] and his performances permeated with exaggerations and theatrical repetitions that link, thus, through their masks, to the destabilization of representations. This is, mainly, a political gesture. In the archaeological work proposed in the following thesis the primordial leap [Ursprung] to that same Origin is revealed redeeming from the moment Thomas Bernhard decides to tell the history of the vanquished
Dataset: Capacitive Electronic Metal-Support Interactions: Outer Surface Charging of Supported Catalyst Particles
No full textDataset supports:
Binninger, T., Schmidt, T. J., & Kramer, D. (2017). Capacitive Electronic Metal–Support Interactions: Outer Surface Charging of Supported Catalyst Particles. Physical Review B.
This dataset contains input files for Comsol and Vasp used to simulate capacity electronic metal-support interactions
Funded by EPSRC</span
Failed Censures: Ecclesiastical Regulation of Women’s Clothing in Late Medieval Italy
No full textChurchmen in the late thirteenth and early fourteenth centuries tried to regulate the costume of Italian women. These efforts failed, and regulation was largely left thereafter to civic authorities.The published version was published as Chapter 3 in Medieval Clothing and Textiles 5Izbicki, Thomas M. (2009), "Failed Censures: Ecclesiastical Regulation of Women’s Clothing in Late Medieval Italy" in Netherton, Robin and Owen-Crocker, Gale R., eds., Medieval Clothing and Textiles 5 (Boydell Press), 37-53ISBN: 9781843834519 (published book)Peer reviewe
Shirley Sarvis, Thomas T. Taylor, Carole Von Schmidt
No full textPhotograph of Shirley Sarvis, food writer; Thomas T. Taylor, President - Chain; Carole Von Schmidt, wine expert/writer, Hotel Utah, Salt Lake Cit
Western medieval legal manuscripts in the collections of the University of Pennsylvania
No full textWestern legal manuscripts of the Middle Ages in North American collections are among the least known to scholars. The University of Pennsylvania has a rich collection of these texts, several of which were in the collection of the historian Henry Charles Lea. Included are works of civil law and canon law, as well as collections of papal letters and guides to pastoral care. The descriptions of most of these manuscripts in the catalog of Norman P. Zacour and Rudolf Hirsch are perfunctory, sometimes erring or omitting valuable information. Other manuscripts were added in recent years in the Lawrence J. Schoenberg Collection. Much of this material is being added to the Franklin online catalog of the University’s libraries, but researchers frequently do not search these digital resources. This article provides more complete guidance to the University’s medieval legal manuscripts than any of the existing catalogs offers, whether in print or online. It also provides updated bibliographic information in print or online. Every manuscript has been examined by the author in situ. Among the important works represented in the collection is the Panormia (a work of canon law often attributed to Ivo of Chartres). Authors present include the curialist Thomas of Capua, canonists Petrus de Braco, William of Pagula, Bernardus Raimundi, Adam of Aldersbach, Raymond of Peñafort, and civil lawyers Baldus de Ubaldis, and Bartolus de Saxoferrato. Three of these manuscripts were owned in the past by Sir Thomas Phillipps
Forbidden Colors in the Regulation of Clerical Dress from the Fourth Lateran Council (1215) to the Time of Nicholas of Cusa (d. 1464)
No full textMedieval canon law attempted to distinguish clergy from the laity by restricting their dress choices. The article focuses on prohibition of wearing red or green on the street. Both colors were identified with the nobility.The published version was published as Chapter 7 in Medieval Clothing and Textiles 1Izbicki, Thomas M. (2005), "Forbidden Colors in the Regulation of Clerical Dress from the Fourth Lateran Council (1215) to the Time of Nicholas of Cusa (d. 1464)" in Netherton, Robin and Owen-Crocker, Gale R., eds., Medieval Clothing and Textiles 1 (Boydell Press),105-114ISBN: 9781843831235 (published book
Erfolgreiche Unternehmensstrategien : Chancen am Standort Deutschland nutzen statt Arbeitsplatzabbau und Produktionsverlagerung ; eine Veranstaltung der Friedrich-Ebert-Stiftung am 20. November 1997 in Ludwigsburg
No full text[den Tagungsbericht erstellte Thomas Schmidt]Electronic ed.: Bonn : FES Library, 200
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