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Kienhorst (Hans) & Schepers (Kees), eds. Het Wiesbadense Handschrift. Hs. Wiesbaden, Hessisches Hauptstaatsarchiv, 3004 B 10.
No full textDraux Roland. Kienhorst (Hans) & Schepers (Kees), eds. Het Wiesbadense Handschrift. Hs. Wiesbaden, Hessisches Hauptstaatsarchiv, 3004 B 10.. In: Revue belge de philologie et d'histoire, tome 88, fasc. 4, 2010. Histoire médiévale, moderne et contemporaine. pp. 1370-1371
Innerlijke vertroosting. Het begrippenpaar solacium/consolacio in De imitacione Christi
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The Genesis of Glossa Tripartita super Cantica
No full textThis article establishes the genesis of Glossa tripartita super Cántica, a vast anonymous Franciscan commentary to the Song of Songs, dating from the late thirteenth to the early fourteenth century. Three versions of this text are known. The oldest and shortest is found in MS Assist, Sacro Convento di San Francesco, 354. Successive extended versions occur in three fifteenth-century manuscripts.
The different versions fo the text reflect several working stages of the author/compiler. It can be proved that the text in MS Assisi was a work in progress : it has elements of the successive versions.
The nucleus of the text is a scholastic framework of diuisiones and distinc- tiones, probably resulting from an academic course. Over a period fo more than a decade the author extended this nucleus by compiling from several texts, mainly compilations. Three of these source texts are identifiable : Cantuariensis, Glossa super Canticum Canticorum ; Iohannes Russel, super Cántica ; the Utrecht compilation.
The study of the genesis of Glossa tripartita super Cántica presents an opportunity to see an author at work.L'article établit la genèse de la Glossa tripartita super Cántica, un important commentaire franciscain anonyme au Cantique des Cantiques, datant de la fin du XIIIe ou du début du XIVe siècle. Trois versions sont connues. La plus ancienne et la plus courte se trouve dans le ms. Assise, Sacro Convento di San Francesco 354 (Bibl. Comunale 354). Des versions postérieures plus développées apparaissent dans trois mss du XVe siècle.
Les différentes versions reflètent plusieurs étapes dans le travail de l'auteur- compilateur. Une étude codicologique extensive du ms. d'Assise, combinée avec la collation des différentes versions, prouve que le texte de ce ms. était évolutif : il comporte des éléments des versions successives.
Le noyau du texte est un cadre scolastique de diuisiones et distinctiones, probablement issu d'un cours. Sur une période de plus d'une décennie, l'auteur développa ce noyau en compilant d'autres textes, surtout des compilations, dont trois sont identifiables : Cantuariensis, Glossa super Canticum Canticorum ; Johannes Russel, Super Cántica ; la Compilation d'Utrecht.Schepers Kees. The Genesis of Glossa Tripartita super Cantica. In: Revue d'histoire des textes, bulletin n°29 (1999), 2000. pp. 85-139
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Het Haagse prekenhandschrift 133 H 13. Exponent van een zestiende-eeuwse Gelders mystieke Renaissance met Europese uitstraling.
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Het hele plaatje zien. De toevoeging van tekeningen in de codex Wiesbaden, Hessisches Hauptstaatsarchiv, 3004 B 10
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