1,721,036 research outputs found

    Girls and Cultural Consumption: ‘Typical Girls’, ‘Fangirls’ and the Value of Femininity

    No full text
    In recent years feminist commentators, girls’ studies scholars, parents and guardians have discussed the choices offered to girls with both hope and despair. It seems it is either a great time or a dire time to be a girl. Following the success of twitter campaigns such as #lettoysbetoys, toy aisles across Britain are being ‘de-gendered’, and the success of girls’ engineering toys such as GoldieBlox show the increasing range of roles girls now have access to. However, despite these successes writers such as Orenstein (2012) (amongst countless other online commentators) have expressed dismay at the increased ‘pinkification’ of girls’ cultural lives (even GoldieBlox foregrounds pink and princesses for example). From this perspective, the chasm between what boys can be and what girls can be is as wide as ever

    ‘Honour is everything for Muslims’? Vendetta Song, Filmic Representation, Religious Identity and Gender Politics in Turkey

    No full text
    Although feminism and feminist media studies have, for some time, recognised the plurality inherent in the concept of Woman (as cut across by, for example, ethnicity, class, sexuality and more recently age), it has also been the case that those popular and academic conceptions of post-feminism have privileged the white heterosexual woman. In this regard, the ongoing discussion of difference (in this respect religion, nationality and gender politics) remains crucial in interrogating what the ‘politics of being a woman’ means across different national and political contexts. In all parts of the world women are tortured and murdered in the name of ‘honour’; the practice of female genital mutilation in the name of tradition takes lives; attempts to ban abortion continue; women’s bodies are sold and women are abused within everyday contexts. Different cultures, religious practices, and traditions impose different meanings on the idea of womanhood. The politics of being a woman shifts from one practice, one culture, and one nation to another within a global context. This chapter contributes to the related discussions by focusing on religion and gender politics in Turkey in the context of filmic representation. Films and women’s cultural production makes these issues visible and allows them to travel across the world. Women’s (and at times men’s) identities and bodies are violated in reality

    Going Beyond Counting First Authors in Author Co-citation Analysis

    Full text link
    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    ‘A Place for Talking about Female Stars’: Exploring Versatility, Femininity and ‘Fantasy’ in Mother-Daughter Talk on Film Stars

    No full text
    ‘Now I ask you, what teenager wouldn’t love to have a feminist mother standing over her shoulder while she watches TV, pointing out how the show perpetuates stereotypes about girls being narcissistic twits obsessed only with personal relationships? (Douglas, 2010: 7)

    The Politics of Being a Woman: Feminism, Media and 21st Century Popular Culture

    No full text
    What does it mean to be a woman in the 21st century? The feminist movement has a long and rich history, but is its time now passed? This edited collection is driven by the question, why is feminism viewed by some (we would add a majority) as outdated, no longer necessary and having achieved its goals, and what role have the media played in this

    ‘I’m a Free Bitch Baby’, a ‘Material Girl’: Interrogating Audience Interpretations of the Postfeminist Performances of Lady Gaga and Madonna

    No full text
    In postfeminist society it is suggested that women have ‘made it’; that emancipation has been achieved. Machin and Thornborrow (2006: 187) refer to contemporary representation of women to articulate this premise, arguing that in western societies, compared to 40 years ago, discourses perpetuated by the media represent women as having personal and sexual autonomy. I argue that, despite offering women a greater extent of cultural visibility, contemporary representations of female identity are still highly regulated. Similarly, much of the existing literature that challenges the ideals of postfeminism presents women as cultural dupes, seduced by an attractive mediated guise of liberation (Coppock et al., 1995; Rojek, 2001; Taylor, 1985; Wykes and Gunter, 2005). While it is vital to understand what the cultural industry does to people, interrogating the images and ideals they present us with, I argue that it is equally important to acknowledge what different people do with the products of the cultural industry. As indicated throughout the collection, this book addresses the question of what it means to be a woman in the 21st century, and this chapter acknowledges the everyday actions of women as sites of vital political action, interrogating how they rationalise the complex images of ‘liberated’ postfeminist women offered to them
    corecore