117 research outputs found
Βιβλιοκρισία:S. RONCHEY, Hypatia. The True Story. English translation by Nicolò Sassi. With the collaboration of Giulia Maria Paoletti, Berlin - Boston: De Gruyter 2021
Full text linkΒιβλιοκρισία: S. Ronchey, Hypatia. The True Story. English translation by Nicolò Sassi. With the collaboration of Giulia Maria Paoletti, Berlin - Boston: De Gruyter 2021Βιβλιοκρισία:S. RONCHEY, Hypatia. The True Story. English translation by Nicolò Sassi. With the collaboration of Giulia Maria Paoletti, Berlin - Boston: De Gruyter 202
ByzRev 04.2022.009: Silvia Ronchey, Hypatia. The True Story. : English translation by Nicolò Sassi, with the collaboration of Giulia Maria Paoletti. Berlin – Boston: De Gruyter 2021.
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Silvia Ronchey, Hypatia. The True Story. English translation by Nicolò Sassi, with the collaboration of Giulia Maria Paoletti. Berlin – Boston: De Gruyter 2021. XV, 268 pp. – ISBN 978-3-11-071757-0 (€ 79.95)
 
The radical right in Europe, between slogans and voting behavior. IHS Political Science Series No. 123, July 2011
Full text linkThe paper analyzes the radical right‘s attitudes toward the EU focusing in particular on the level of congruence between the programmatic statements of the central office and the voting behavior of their MEPs. It shows that although radical right parties represent a source of opposition to the EU, within the EP they express their dissent making use of the rules of the game, voting with the opposition more than the other forces do, but voting almost as much with the majority. The party public office in the EP is inserted in the legislative process and even more collusive with the other parties of both sides of the political spectrum than the Eurosceptical rhetoric and statements of central office makes the public believe
Nicolò Machiavelli: a ordem e a violencia
No full textNicolò Machiavelli (1469-1527), the well-known Florentine thinker, has not rarely been the object of sharp distortions. This article, assuming that the above mentioned author introduced the conception of State into political thought, tries to examine briefly the relation between politics and power in his work. This leads us to the question of the use of violence in the political ground, a topic of great interest nowadays.A obra de Nicolò Machiavelli (1.469 - 1.527), pensador florentino bastante conhecido, não raras vezes tem sido alvo de grosseiras distorsões. O presente artigo, partindo do pressuposto de que o citado autor introduziu a noção de Estado no pensamento político, procura examinar, sem se deter em minúcias, a relação entre a política e a força em seus textos. Isso nos remete ao uso da violência no plano político, assunto bastante pertinente, nos dias atuais. 
AVERTIMENTI SOPRA LE REGOLE TOSCANE DI NICOLÒ TANI: TRADIZIONE E GRAMMATICOGRAFIA
Full text linkIl presente contributo si propone di fornire un inquadramento storico e grammaticografico degli Avertimenti sopra le regole Toscane di Nicolò Tani, al fine di individuare, oltre ai tratti conformi alla tradizione delle grammatiche del primo Cinquecento, le peculiarità, le originalità e le innovazioni dell’opera. Per la prima volta questa grammatica viene analizzata in maniera organica sia nel suo insieme, sia nelle sue parti. Partendo, infatti, dalle limitate informazioni biografiche di Nicolò Tani, si passa all’analisi della tradizione testuale dell’opera, agli intenti dell’autore e alla dedica da costui redatta proponendo un prospetto completo della grammatica. Nell’analizzare nello specifico gli aspetti linguistici, ci si sofferma sulle parti del discorso, sulla morfologia verbale e sull’aderenza alla terminologia propria della grammatica latina, operando un costante confronto con le soluzioni adottate dai grammatici coevi all’autore, per meglio evidenziare gli elementi di continuità e le innovazioni proposte da Tani. Il raffronto con le altre opere è portato avanti anche inerentemente alle considerazioni sulle citazioni autoriali. Circa queste ultime, è stato effettuato uno spoglio, identificando all’interno della grammatica i passi tratti dal canone letterario, i quali sono poi schedati al fine di determinare quante siano le citazioni per ogni opera, da quali componimenti o prose è stato tratto il maggior numero di esemplificazioni e le modalità attraverso le quali Nicolò Tani cita gli autori.
Nicolò Tani’s “Avertimenti sopra le regole toscane”: tradition and grammarography
This contribution aims to provide a historical and grammatical overview of Nicolò Tani's Avertimenti sopra le regole Toscane, in order to identify, in addition to the features conforming to the tradition of early sixteenth-century grammars, the peculiarities, originalities and innovations of the work. For the first time this grammar is analyzed organically both as a whole and in its parts. Starting, in fact, from the limited biographical information of Nicolò Tani, we move on to the analysis of the textual tradition of the work, to the author's intentions, to the dedication he drafted by proposing a complete overview of the grammar. In specifically analyzing the linguistic aspects, we focus on the parts of speech, verbal morphology and adherence to the terminology of Latin grammar, making a constant comparison with the solutions adopted by grammarians coeval with the author, in order to highlight the elements of continuity and the innovations proposed by Tani. The comparison with the other works is also carried out with regard to considerations on authorial quotations. Concerning the latter, a perusal has been carried out, identifying within the grammar the passages taken from the literary canon, which are then filed in order to determine how many quotations there are for each work, from which compositions or proses the greatest number of exemplifications have been taken, and the ways through which Nicolò Tani quotes authors
Il mito della Commedia dell’arte e la finzione del teatro
Full text linkIn this interview, musicologist and cultural historian Nicolò Palazzetti engages with actor and author Gian Marco Pellecchia to explore the history and contemporary relevance of the Commedia dell’arte. The aesthetic and poetic examination of Pellecchia’s successful show, Comœdia, performed since 2013, serves as a pretext to reflect on the myth of the Commedia dell’arte. This reflection encompasses a set of acting techniques, dramaturgical and narrative resources, and a method of positioning oneself within historical and media contexts. The discussion of the Commedia dell’arte thus becomes a means of rethinking theatrical fiction and, in certain respects, reinterpreting our contemporary era.In quest’intervista, il musicologo e storico della cultura Nicolò Palazzetti dialoga con l’attore e autore Gian Marco Pellecchia attorno alla storia e alla contemporaneità della Commedia dell’arte. L’analisi estetica e poetica del fortunato spettacolo Comœdia, scritto e interpretato da Pellecchia a partire dal 2013, diventa quasi un pretesto per riflettere sul mito della Commedia dell’arte, in quanto insieme di tecniche attoriali, risorse drammaturgiche e narrative, maniera di porsi rispetto ai contesti storici e mediali. La riflessione attorno alla Commedia dell’arte diventa allora un modo per ripensare la finzione del teatro e, per certi versi, rileggere il nostro tempo
Mystical Union as Acknowledgment: Pseudo-Dionysius’ Account of <i>Henosis</i>
No full textFor Pseudo-Dionysius, mystical union is not a process of transition to a higher state of being, but the unveiling of a hidden state of grace, realized when the soul has been purified through negations; for man and God are constantly united.</p
Godwin Mushayabasa, Translation Technique in the Peshitta to Ezekiel 1-24: A Frame Semantics Approach. Studia Semitica Neerlandica, Volume: 63
No full textIntertextuality, Isiac Features, and the Shaping of the Sacred Feminine in Trimorphic Protennoia (NHC XIII, 1)
Full text linkThe aim of this paper is to bring to light through intertextual analysis some dimensions of continuity between the Hellenistic and Imperial theology of Isis and the figure of the Sacred Feminine as it appears in the Trimorphic Protennoia (NHC XIII 1). Instead of attempting to establish a diachronic (=historical) relationship of dependence between sources (e.g., borrowing, allusion, influence), this study establishes correspondences that can be traced on the literary level. Through a reception-oriented analysis, it will be possible to show the continuity between the Isiac religion and the late ancient mysticism of the Trimorphic Protennoia. A late ancient reader would have experienced the Nag Hammadi text in dialogue with Isiac traditions, and this literary dialogue with the Isiac religion would have nurtured and shaped their understanding of the sacred feminine described in the Trimorphic Protennoia
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