1,721,030 research outputs found
Prime riflessioni sulla sentenza del Tribunale “RT France” sulle misure restrittive contro le attività di disinformazione russe
No full textIl rispetto dei valori comuni nell'azione esterna e nel procedimento di adozione delle misure restrittive
No full textEnsuring Respect for International Humanitarian Law Through Labelling Requirements: OJE and Vignoble Psagot
No full textInge Govaere and Sara Poli (eds.), EU Management of Global Emergencies: Legal Framework for Combating Threats and Crises, Leiden and Boston, Brill Nijhoff, 2014, pp. 422.
No full textReview of the following book: Inge Govaere and Sara Poli (eds.), EU Management of Global Emergencies: Legal Framework for Combating Threats and Crises, Leiden and Boston, Brill Nijhoff, 2014, pp. 422
La politica commerciale comune
No full text1. La politica commerciale comune tra azione esterna dell’UE e mercato interno. – 2. L’unione doganale tra gli Stati membri e il commercio con gli Stati terzi. – 3. Il regime comune degli scambi coi Paesi terzi. – 4. L’ambito materiale della competenza dell’UE nella politica commerciale e il suo ampliamento a nuovi settori. – 5. La dimensione bilaterale e multilaterale della politica commerciale dell’UE: gli accordi con i Paesi terzi e la partecipazione all’OMC. – 6. Procedura e forma di stipulazione degli accordi commerciali dell’UE. – 7. La protezione del mercato interno dell’UE con le misure di difesa commerciale
La politica di cooperazione allo sviluppo, l’aiuto umanitario e la cooperazione economica, finanziaria e tecnica con i Paesi terzi
No full textLe tre forme di assistenza dell’Unione europea in favore di Paesi terzi, la cooperazione allo sviluppo, la cooperazione economica, finanziaria e tecnica e l’aiuto umanitario, trovano la propria disciplina nel Titolo III della Parte quinta del TFUE relativa all’azione esterna dell’Unione europea.
Si tratta di politiche in principio diverse ed eterogenee tra loro, che tuttavia talvolta assumono contorni talmente sfumati da non consentire di delineare in maniera chiara e univoca il confine tra le diverse forme di assistenza alle quali possono dar vita
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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