1,721,603 research outputs found
Les recherches sur le cerveau à la Société d'Anthropologie de Paris
No full textde Santa-Maria A.-S. Les recherches sur le cerveau à la Société d'Anthropologie de Paris. In: Bulletins et Mémoires de la Société d'anthropologie de Paris, VIII° Série. Tome 4, 1933. pp. 5-17
Espai públic i aparcament soterrat al voltant de l'Església de Santa Maria a Caldes de Montbui
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Espai públic i aparcament soterrat al voltant de l'Església de Santa Maria a Caldes de Montbui
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Un codice tardogotico fiorentino ritrovato
No full textIl corale tardomedievale inedito di Santa Maria a Monte viene qui presentato per la prima volta e inquadrato nel suo contesto di produzione e nel suo territorio, ricordando l'opera di penetrazione dei prodotti miniati della bottega dei monaci fiorentini di Santa Maria degli Angeli nel basso Valdarno intorno al 1400, e introducendo all'analisi stilistica e iconografica del codice, di cui sono esaminate le pagine più rilevanti
Interventi di consolidamento dell'edificio "ex salesiani" in via Santa Maria a Pisa
Get PDFNella presente tesi sono stati elaborati e strutturalmente verificati tutti gli interventi di consolidamento ritenuti necessari all'adeguamento funzionale e impiantistico dell'edificio "ex salesiani" in Via Santa Maria a Pis
The shrine of Santa Maria a Cigoli : female visionaries and clerical promoters
No full textDaniel Bornstein, The shrine of Santa Maria a Cigoli : female visionaries and clerical promoters, p. 219-228.
In the climate of religious excitement surrounding the Bianchi movement of 1399, the keepers of the Tuscan shrine of Santa Maria a Cigoli tried to attract a regional following for their shrine by manipulating a young visionary, a shepherd girl. Close examination of their efforts sheds new light on the means by which local cuits were promoted, the role of female visionaries in late medieval religion, and the relationship between such visionaries and representatives of the clergy. That relationship could be exploitative, as this case confirms. But as this case also makes clear, occasional instances of exploitation do not imply hostility or disjunction between clergy and laity. Rather, it suggests that many religious attitudes were widely shared among rich and poor, learned and illiterate, clerics and laymen, dwellers in town and countryside at the end of the Middle Ages.Bornstein Daniel. The shrine of Santa Maria a Cigoli : female visionaries and clerical promoters. In: Mélanges de l'Ecole française de Rome. Moyen-Age, Temps modernes, tome 98, n°1. 1986. pp. 219-228
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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