1,721,077 research outputs found
Two-phase free boundary problems for parabolic operators: smoothness of the front
Full text linkWe continue to develop the regularity theory of general
two-phase free boundary problems for parabolic operators. In \cite{FS} we establish the optimal (lipschitz) regularity of a viscosity solution under the assumptions that the free boundary is locally a flat Lipschitz graph and a nondegeneracy condition holds. Here, on one side we improve this result by removing the nondegeneracy assumption, on the other side we prove the smoothness of the front. The proof relies in a crucial way on a local stability result stating that, for a certain class of operators, under small perturbations of the coefficients flat free boundaries remain close and flat
On two phase free boundary problems governed by elliptic equations with distributed sources
Full text linkWe present some recent progress on the analysis of two-phase free boundary problems governed by elliptic operators, with non-zero right hand side. We also discuss on several open questions, object of future investigations
Two-phase problems with distributed sources: regularity of the free boundary
Full text linkWe investigate the regularity of the free boundary for a general class of two-phase free boundary problems with nonzero right-hand side. We prove that Lipschitz or flat free boundaries are C1,γ. In particular, viscosity solutions are indeed classical
Boundary Estimates for Certain Degenerate and Singular Parabolic Equations
Full text linkWe study the boundary behavior of non-negative solutions to a class of degenerate/singular parabolic equations, whose prototype is the parabolic p-Laplace equation. Assuming that such solutions continuously vanish on some distinguished part of the lateral part S-T of a Lipschitz cylinder, we prove Carleson-type estimates, and deduce some consequences under additional assumptions on the equation or the domain. We then prove analogous estimates for non-negative solutions to a class of degenerate/singular parabolic equations of porous medium type
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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