630 research outputs found
Letter from Matilde M. de Soto and Maria Lydia Sanchez de Roman, Deputies of the Costa Rican Legislative Assembly, to Geraldine Ferraro
No full textLetter from Matilde M. de Soto and Maria Lydia Sanchez de Roman, Deputies of the Costa Rican Legislative Assembly, to Geraldine Ferraro. Letter has handwritten notes and includes a Library of Congress translation.https://ir.lawnet.fordham.edu/vice_presidential_campaign_correspondence_1984_international/1344/thumbnail.jp
Telegram from Matilde M. de Soto and Maria Lydia Sanchez de Roman, Deputies of the Costa Rican Legislative Assembly, to Geraldine Ferraro
No full textTelegram from Matilde M. de Soto and Maria Lydia Sanchez de Roman, Deputies of the Costa Rican Legislative Assembly, to Geraldine Ferraro. Telegram includes Library of Congress translation.https://ir.lawnet.fordham.edu/vice_presidential_campaign_correspondence_1984_international/1345/thumbnail.jp
Matilde Serao in Sweden. A Voice of "The New Italy"
No full textThis chapter examines the contemporary reception of Matilde Serao's works in Swedish newspapers from 1885 to the first years of the twentieth century. This analysis provides a historical background for understanding why Serao's masterpiece Il paese di cuccagna (1891) was translated in Swedish as early as 1892. In fact, Serao was already known to the Swedish public through the activity of C.D. af Wirsén, an important conservative critic who reviewed her original work and contributed to establishing Serao's reputation as a major contemporary author. Furthermore, examination of recently digitalized Swedish newspapers shows that Serao's short stories were published on at least twenty occasions from 1888 to 1897. These anonymous translations can be attributed with a high degree of probability to the pen of Ellen Lundberg-Nyblom, the translator of Il paese di cuccagna. Swedish reviewers greeted Serao as a master of vivid description and an insightful painter of human passions. At the same time, the fact that Serao, being a woman, was professionally active as a journalist and a newspaper editor attracted attention of Swedish media, transforming the Neapolitan author into a public figure known to a broader audience.Ce chapitre traite de la réception des œuvres de Matilde Serao dans les journaux suédois, de 1885 aux premières années du xxe siècle. Avant la traduction de son chef-d’œuvre Il paese di Cuccagna (1891) dès 1892, Serao était déjà connue en Suède grâce au critique C.D. af Wirsén, qui l’a présentée comme une autrice contemporaine de premier plan. Les traductions anonymes des nouvelles de Serao, publiées entre 1888 et 1897 et attribuées ici à Ellen Lundberg-Nyblom, ont joué un rôle tout aussi important.</p
Mourning and memory. The Dock, by Matilde Sánchez
No full textEn el presente artículo, procuro analizar la textualidad de El Dock de la autora Matilde Sánchez, allí donde los fragmentos y restos de la memoria y el olvido van trazando la configuración de la subjetividad. En este caso, la narradora en primera persona da cuenta de una amistad entre dos mujeres que se ha interrumpido. Se trata, luego de varios años, de recobrar aquellas supervivencias donde los motivos de índole privado se cruzan con la esfera pública y política.In this article I try to analyze the textuality of El Dock, by the argentinian author Matilde Sanchez, where memory and oblivion trace the fragments and remains of a subjetivity. In this case, the first person narration tells of a friendship between two women, which has been interrupted. It is a question, after several years, of restoring those survivals where the motives of a private nature intersect with the history and politics of the country, in a determined context. And it seeks to read the figure of an experience that the narrator registers and recovers to return to the friend form an absence and a silence that seemed unappealable.Fil: Fernández, Nancy Patricia. Universidad Nacional de Mar del Plata. Facultad de Humanidades. Departamento de Letras. Centro de Letras Hispanoamericanas; Argentina. Universidad Nacional de Mar del Plata. Facultad de Humanidades. Departamento de Letras; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mar del Plata; Argentin
Duelo y memoria. El Dock, de Matilde Sánchez
No full textIn this article I try to analyze the textuality of El Dock, by the argentinian author Matilde Sanchez, where memory and oblivion trace the fragments and remains of a subjetivity. In this case, the first person narration tells of a friendship between two women, which has been interrupted. It is a question, after several years, of restoring those survivals where the motives of a private nature intersect with the history and politics of the country, in a determined context. And it seeks to read the figure of an experience that the narrator registers and recovers to return to the friend form an absence and a silence that seemed unappealable.
En el presente artículo, procuro analizar la textualidad de El Dock, de la autora argentina Matilde Sánchez, allí donde los fragmentos y restos de la memoria y el olvido van trazando la configuración de la subjetivividad. En este caso, la narración en primera persona da cuenta de una amistad entre dos mujeres que se ha interrumpido. Se trata, luego de varios años, de recobrar aquellas supervivencias donde los motivos de índole privado se cruzan con la historia y la política del país en un contexto determinado. Y se busca leer la cifra de una experiencia, tan íntima como política, que la narradora inscribe y recupera para rescatar a la amiga de una ausencia y un silencio que parecían inapelables.
Mourning and memory. The Dock, by Matilde Sánchez
No full textEn el presente artículo, procuro analizar la textualidad de El Dock de la autora Matilde Sánchez, allí donde los fragmentos y restos de la memoria y el olvido van trazando la configuración de la subjetividad. En este caso, la narradora en primera persona da cuenta de una amistad entre dos mujeres que se ha interrumpido. Se trata, luego de varios años, de recobrar aquellas supervivencias donde los motivos de índole privado se cruzan con la esfera pública y política.In this article I try to analyze the textuality of El Dock, by the argentinian author Matilde Sanchez, where memory and oblivion trace the fragments and remains of a subjetivity. In this case, the first person narration tells of a friendship between two women, which has been interrupted. It is a question, after several years, of restoring those survivals where the motives of a private nature intersect with the history and politics of the country, in a determined context. And it seeks to read the figure of an experience that the narrator registers and recovers to return to the friend form an absence and a silence that seemed unappealable.Fil: Fernández, Nancy Patricia. Universidad Nacional de Mar del Plata. Facultad de Humanidades. Departamento de Letras. Centro de Letras Hispanoamericanas; Argentina. Universidad Nacional de Mar del Plata. Facultad de Humanidades. Departamento de Letras; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Mar del Plata; Argentin
Matilde Espinosa o la Metáfora de la Poesía
No full textThe work written by the Colombian poet Matilde Espinosa de Pérez de serves to be
known and recognized by the literary review, so according to this, the article below is a study
about two of her last works: The dark land and The town gets into dark. This paper analyses the
poetic conception of the female author, the a esthetic connection of her work with her passing
within everyday life as a mother, woman and female writer and, the standing she considers
among pain, life and death as elements that constitutes her poetic ar
MMSE Precoding for Downlink Coordinated Base Station Transmission
No full textIn a Coordinated Base Station Transmission scenario for the downlink, we propose a precoding scheme based on a MMSE criterion to manage the inter-user interference. In order to allocate the transmitted power to each user's signal, we set up an iterative procedure based on a modified waterfllling distribution, which approaches the optimal performance with a viable complexity with respect to the numerical optimization. A further simplification may be introduced, giving a simple iterative waterfilling scheme, at the expense of some performance loss. The performance is illustrated obtaining the achievable rates for different antenna configurations and different kinds of power constraints. A comparison with a Block-Diagonalization approach shows the advantage of MMSE, in particular at low SNR
La pertenencia rota (Viaje y regreso en Matilde Sánchez)
No full textThis article sets out to expose two central issues based on a story by Matilde Sánchez. The first one concerns literature as a space where legacies acquire form, become current and renew themselves. The second one refers to the return as an experience that erases the possibility of belonging and demands a critical distance from notions of origin and home. In this sense, the article reviews the functioning of the economy of travel: the capital it generates, the losses and profitsm the assets and yield.Este artigo propõe a leitura de uma relato de Matilde Sanchez para mostrar dois asuntos centrais. O primeiro, relacionado com a literatura como espaço onde os legados adquirem forma, se atualizam e se renovam; o segundo, referido ao regresso como experiência que cancela a possibilidade de pertencer e que exige problematizar as noções de origem e de casa. Neste sentido, o artigo revisa como funciona a economia de viagem, qual capital gera, quais perdas e ganhos, qual patrimônio e que tipo de rentabilidade.Este artículo propone la lectura de un relato de Matilde Sánchez para mostrar dos asuntos centrales. El primero, relacionado con la literatura como espacio donde los legados adquieren una forma, se actualizan y renuevan; el segundo, referido al regreso como experiencia que cancela la posibilidad de pertenecer y que exige problematizar las nociones de origen y de casa. En este sentido, el artículo revisa cómo funciona la economía del viaje, qué capital genera, qué perdidas y ganancias, qué patrimonio y qué tipo de rentabilidad
Yoroppa, tokuni Itaria ni okeru Encho no juyo ni tsuite
No full textThe essay analyzes the reception of San'yutei Encho, in Europe and in Italy, starting from the fundamental role of Lafcadio Hearn to the most recent translation in Italian, "The Peony Lantern", of the author of the essay. After the stages of presentation of Encho in Europe, the author of the essay points out that in the case of Italy, the contemporary Italian ghosts literature prepared a fertile ground to receive Encho in Italy
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