3,224 research outputs found
Tomasz z Akwinu. Portret - recenzja
Get PDFRecenzja: Denys Turner, Tomasz z Akwinu. Portret, tłum. Michał Romanek, Poznań–Warszawa, ss. 355 (Dominikańska Biblioteka Teologii
Doświadczenie a teologia : studium przemian i rozwoju scientia fidei Josepha Ratzingera na podstawie Opera omnia
Get PDFThe studies in this dissertation were interested to analyse the impact of Joseph Ratzinger's
personal experience on his theological thought. The research proved possible thanks to the publication
of J. Ratzinger’s Opera omnia in Polish. They essentially covered four areas of the theological
creativity of the author in question, i.e. the issues of truth, God, Jesus Christ and the Church. The
studies are contained in five chapters of this dissertation: I. Quaestio veritatis, II. Quaestio Dei, III.
Quaestio Christi; IV. Quaestio Ecclesiae I - Concilium, V. Quaestio Ecclesiae II - Communio. The
structure of each chapter consists in three elements that set out the detailed order of research, namely:
the first part is the historical-existential context, which is a summary and description of Joseph
Ratzinger's life experience. In the second, most extensive part of each chapter, entitled
"Developmental line", a detailed study of the theologian's writings within a given quaestio has been
carried out, taking into account the impact of previously considered experiences. In the third part,
entitled "Continuity and breakthrough", conclusions were formulated containing characteristics of
transformation and development of theological thought in relation to the area studied
Językowe sposoby wyrażania ekspresji. Tomasz Raczek o dziennikarzach
No full textIn the first part of the text entitled Linguistic methods of expressing emotions. Tomasz Raczek about journalist, the author presents Tomasz Raczek’s writing, in particular his feature articles, where the columnist refers to the contemporary social life from the perspective of film and television criticism. In the subsequent parts of the text, the author describes selected components of the history of feature articles and presents some definitions of a feature article, and then focuses on the linguistic aspects of a subjective way of expressing the emotions and feelings accompanying the description of mass media personalities. The author pays a special attention to the techniques used by Raczek, for example putting things very close together in order to show a contrast, using metaphors and anglicisms to describe media personalities. In the last part of the text, the author juxtaposes the previously described techniques of the columnist, sums up the discussions on the linguistic methods of expressing emotions and feelings in Tomasz Raczek’s feature articles
50 Years After Wittgenstein’s Vienna. On Wittgenstein, Toulmin and Philosophy. Tomasz Zarębski in Conversation With Allan Janik
Get PDFIn this interview, Tomasz Zarębski speaks with Allan Janik, co-author of Wittgenstein’s Vienna (1973, with Stephen Toulmin), on the occasion of the 50th anniversary of the publication of this pathbreaking book. The conversation concerns the circumstances, motivations and reasons for his undertaking the work on the book, as well as its reception and place in Wittgenstein scholarship. A large part of the discussion refers to his perspective of Wittgenstein, Toulmin’s philosophical writings, and Janik’s own vision of philosophy. The interview took place in Innsbruck on 23rd and 25th August 2023
More, fully, intense. Emigration according to Tomasz Łychowski
No full textThe aim of the article is to describe the way in which Tomasz Łychowski defines the phenomenon of emigration in his poems from the volume Spojrzenia (Glances, 2016). Emigration is not only regarded from different perspectives here, but the author also plays with the traditional image of an emigrant. In his poetry Tomasz Łychowski promotes the idea of unity in multiplicity and the value of diversity
Ku nieśmiertelnej sławie – Tomasz Zamoyski w oracjach pogrzebowych
Get PDFTomasz Zamoyski died on the 8th of January 1638 (born on the 1st of April 1594). The text is a presentation and analysis of four, conceptual and funeral orations, which were written by: Stanisław Szałapski SJ, Bartłomiej Sylwiusz SJ, Marek Korona and Mikołaj Ławrynowicz. The first part of the article is a presentation of conceptual structure of orations and as well as analysis of titles and role of mottos from Bible. The second part of article describes Tomasz Zamoyski’s glowing effigy. Author uses rhetorical scheme laudatio personae, which was constructed from circumstances inner (family stock, ancestors, birth, education, attributes of body and soul, actions) and external (family, friends, descendants, time of his life, types of death). Orators built the glowing effigy of Tomasz Zamoyski, and his life presents a humanistic model of human and citizen
Główne tezy teologii muzyki Josepha Ratzingera / Benedykta XVI
Get PDFIn this article are described fundamental ideas in cardinal Joseph Ratzinger’s/Pope Benedict XVI’s theology of music. We begin with a description of the context ofRatzinger’s theology of music which is the faith expressed in the liturgy. The biblical and patristic sources of his theological thought are described subsequently. In the next
section the theological-systematic basis (christological, pneumatological and eschatological)
of Ratzinger’s musical-theological thought is studied. In the last part is described his theological aesthetic and its application in the liturgy and sacred music. Finally, spiritual and pastoral suggestions for sacred music and pastoral ministry are also presented
Biblijne i systematyczne źródła teologii muzyki Josepha Ratzingera / Benedykta XVI
Get PDFW artykule opisano podstawowe idee w teologii muzyki kard. Josepha Ratzingera / papieża Benedykta XVI. Zaczyna się on od opisu kontekstu teologii Ratzingera, która jest wiarą wyrażoną w liturgii, a następnie biblijnych i patrystycznych źródeł jego myśli teologicznej. W następnych podrozdziałach badane są podstawy teologiczno-systemowe (chrystologiczne, pneumatyczne i eschatologiczne) myśli muzyczno-teologicznej Ratzingera. In this article there are described fundamental ideas in cardinal Joseph Ratzinger's / pope Benedict XVI's theology of music. We begin with a description of the context of Ratzinger's theology of music which is the faith expressed in the liturgy. The biblical and patristic sources of his theological thought will be described subsequently. In the next section the theological-systematic basis (christological, pneumatological and eschatological) of Ratzinger's musical-theological thought is studied
The Main Ideas in the Theology of Music of Joseph Ratzinger/ Benedict XVI
No full textJoseph Ratzinger w swojej myśli teologiczno-liturgicznej podejmuje próbę poszukiwania równowagi między wyrażoną w sprawowanej liturgii wiarą a sztuką, do której zalicza się muzyka. Pragnie tak zintegrować tę rzeczywistość, aby przede wszystkim zwrócić uwagę na prymat Boga, któremu człowiek – uczestnik sprawowanego kultu – winien jest cześć i chwałę. Sztuka, w tym muzyka, jak twierdzi bawarski teolog, stanowią wewnętrzny wymóg samego chrześcijaństwa (są z chrześcijaństwem organicznie, nierozerwalnie złączone). Wszelka twórczość muzyczna, która pragnie służyć sprawie kultu, powinna czerpać swoją inspirację właśnie z liturgii. W tak rozumianej teologii muzyki zawiera się także jej egzystencjalne zakorzenienie wyrażone w starożytnej maksymie: lex orandi – lex credendi – lex vivendi. Owo lex vivendi (czyli życie chrześcijanina zgodne z wiarą wyrażającą się w modlitwie) jest w myśli J. Ratzingera niczym innym jak prawem naśladowania Jezusa Chrystusa. W niniejszym artykule przedstawiono główne tezy teologii muzyki Josepha Ratzingera/ papieża Benedykta XVI: jej biblijne i patrystyczne źródła oraz teologiczno-systematyczne (chrystologiczne, pneumatologiczne, eschatologiczne) podstawy. W ostatniej części opisano wypływające z podjętej refleksji konsekwencje i wskazówki natury teologiczno-estetycznej, liturgicznej i pastoralnej.In this article are described fundamental ideas in cardinal Joseph Ratzinger’s/Pope Benedict XVI’s theology of music. We begin with a description of the context of Ratzinger’s theology of music which is the faith expressed in the liturgy. The biblical and patristic sources of his theological thought are described subsequently. In the next section the theological-systematic basis (christological, pneumatological and eschatological) of Ratzinger’s musical-theological thought is studied. In the last part is described his theological aesthetic and its application in the liturgy and sacred music. Finally, spiritual and pastoral suggestions for sacred music and pastoral ministry are also presented
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