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    'The Eolian Harp' by Samuel Taylor Coleridge

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    Poem by Samuel Taylor Coleridge that eulogises the sounds emitted from aeolian device

    SAMUEL TAYLOR COLERIDGE

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    Letter from Samuel Taylor Coleridge to James Augustus Hessey, [1822-25]

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    Letter from Samuel Taylor Coleridge to his publisher, James Augustus Hessey. The watermark of the paper reads \u27Cowan 1822\u27. The letter discusses the publication of Coleridge\u27s Aids to Reflection in the Formation of a Manly Character, which was first published in 1825. The letter is not published in either The Collected Letters of Samuel Taylor Coleridge or The Unpublished letters of Samuel Taylor Coleridge (both edited by Earl Leslie Griggs). Cf. references to Seneca in the letter to entry no. 5089 in The Notebooks of Samuel Taylor Coleridge (ed. Coburn and Christensen).https://scholarworks.umt.edu/whicker/1018/thumbnail.jp

    Fordítás és fiziológia: Samuel Taylor Coleridge és Szabó Lőrinc Regéjében

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    Mezei Gábor, Fordítás és fiziológia: Samuel Taylor Coleridge és Szabó Lőrinc Regéjében ALFÖLD 2015:(8) pp. 90-104

    Collected Letters of Samuel Taylor Coleridge

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    Manuscript written by John Rogers Pitman on Thomas DeQunicey, Samuel Taylor Coleridge and Charles Lloyd

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    Holograph manuscript written by John Rogers Pitman on Thomas DeQunicey, Samuel Taylor Coleridge and Charles Lloyd. Transcription included

    Spellbinding: a review of Mariner: A Voyage with Samuel Taylor Coleridge by Malcolm Guite

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    This essay reviews Malcom Guite\u27s book Mariner: A Voyage with Samuel Taylor Coleridge for the website Mere Orthodoxy

    'Old Men - and Women - May be Permitted to Speak Long': Samuel Taylor Coleridge and the Voice of Experience

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    This article explores the complications involved in speaking from a position of seniority and experience in the life and work of Samuel Taylor Coleridge. It goes beyond the familiar caricatures of Coleridge as a garrulous old man, perpetuated by the likes of J. B. Priestley and Max Beerbohm, to address his self-consciousness in securing a listener, drawing comparisons and contrasts with the ‘Old Maid’ Miss Bates in Jane Austen's Emma. The article then pursues the theme of listening to elderly voices in verse from different periods of Coleridge's career including ‘The Old Man of the Alps’, ‘Youth and Age’ and ‘An Old Man's Sigh’. It argues that the biological affects of ageing on the voice often need to be understood as adjustments or compensatory behaviours arising from specific social situations

    Trevor H. Levere, Poetry realized in nature : Samuel Taylor Coleridge and early nineteenth-century science

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    Trevor H. Levere, Poetry realized in nature : Samuel Taylor Coleridge and early nineteenth-century science. In: Revue d'histoire des sciences, tome 37, n°2, 1984. pp. 175-176
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