1,720,968 research outputs found

    Hands Tied

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    Another Screen together with ICI Berlin presents two rarely exhibited films on hands and their place in relation to fate, work, pleasure, touch, and surveillance: Maria Lassnig’s Palmistry (1974) and Ayesha Hameed’s A Rough History (of the destruction of fingerprints) (2015). These two short films are accompanied by a transcribed roundtable discussion, which includes a number of voices: Rachel Aumiller, Sam Dolbear, Nadine El-Enany, Amelia Groom, Clio Nicastro, Daniella Shreir, Anja Sunhyun Michaelsen, and M. Ty. Hands Tied is programmed as part of Sam Dolbear’s ICI project ‘Cosmic Reductions: Palms, Fate, Body, Character’, which has a newsletter available for subscription here. Further documentation on another-screen.co

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Unseen City:The Psychic Lives of the Urban Poor

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    In this talk, Ankhi Mukherjee will discuss the genesis of the idea animating Unseen City, an experimental and interdisciplinary work drawing on her collaboration with public sector mental health trusts and hospitals, psychiatrists, psychoanalysts, and social workers in six global cities. Starting with Sigmund Freud’s Budapest speech on free clinics in 1918, which ushered an international mental health cooperative movement, she looks at the afterlife of this idealist moment in initiatives worldwide that offer psychoanalytically oriented psychotherapy in the community. She will also discuss the use of literary and cultural texts in the book, arguing that a humanistic and imaginative engagement with the psychic lives of the dispossessed is key to an adapted psychoanalysis for the poor. Ankhi Mukherjee is Professor of English and World Literatures at the University of Oxford and a Fellow of Wadham College. Her most recent book, Unseen City: The Psychic Lives of the Urban Poor (2021), has won Columbia University’s Robert S. Liebert Award for “outstanding scholarship in the field of applied psychoanalysis.” Mukherjee’s second monograph, What Is a Classic? Postcolonial Rewriting and Invention of the Canon (2014), was awarded the British Academy Prize in English Literature. Her other publications include Aesthetic Hysteria: The Great Neurosis in Victorian Melodrama and Contemporary Fiction (2007), and the collections of essays she has edited, namely A Concise Companion to Psychoanalysis, Literature, and Culture (with Laura Marcus, 2015) and After Lacan (2018). Mukherjee has published in peer-reviewed journals including PMLA, Contemporary Literature, MLQ, Parallax, and the Cambridge Journal of Postcolonial Literary Inquiry, and sits on the editorial boards of several international journals. She has been a postdoctoral research fellow of the British Academy (2003-2006), a visiting fellow at the Humanities Research Centre at the Australian National University (2015), and the John Hinkley (Visiting) Professor at Johns Hopkins University (2019). She was faculty at Harvard University’s Institute of World Literature (IWL) in summer 2023. At present, Mukherjee is writing A Very Short Introduction to Postcolonial Literature in the widely circulated VSI series (2023). A volume she has co-edited with Ato Quayson, titled Decolonizing the English Literary Curriculum will be published later this year

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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