231 research outputs found
Nick Salvato, Obstruction
Full text linkNick Salvato, Obstruction Durham: Duke UP, 2016. Pp263. ISBN 978-0-8223-6098-8 Theodora D. Patrona The Oxford dictionary online defines obstruction, as “a thing that impedes or prevents passage or progress; an obstacle or blockage.” Nick Salvato’s eponymous book, multilayered and thought-provoking, is an original study of five phenomena that while they ‘torment’ scholars and impede inquiry, for the author “they may, if properly directed, be conducive to critical work and valuable, more broad..
Correction to: A cell-cycle signature classifier for pan-cancer analysis
No full textIn the original published version, the list of authors was incomplete. Theodora A. Constantin was missing, and Neha Tabassum and Theodora A. Constantin share first authorship. The correct author list is given above. The original article has been corrected. DOI to original article: https://doi.org/10.1038/s41388-020-01426-
Citizenship, identity and immigration in the European Union: between past and future (paperback edition)
No full textEuropean citizenship, identity and immigration are constitutive issues facing the European polity and have important consequences for domestic political systems. There has been a great deal published about citizenship within the setting of the nation-state and comparative immigration policies, but relatively little has been written on their theorisation in a post-national, post-statist context, such as the EU, and on alternative European institutional designs.Now available in paperback, this volume blends normative political theory with European integration, and develops an original theoretical framework for European Union citizenship, identity and immigration as well as a set of policy proposals for institutional reform. Challenging the conventionally held views in these areas, the author argues that a constructive model of European citizenship and identity is vital to the construction of a democratic, heterogeneous and inclusive European polity.Contents:Introduction1. European identity2. The institutional construction of European identity3. New horizons, old constraints and the Amsterdam compromise4. In search of a theory5. Constructive citizenship in the European Union6. Schengenland and its alternative7. European identity in praxis: From the land ethic to an ethic of dwellingConclusionInde
Children of Drama: An Arts-Based Educational Action Research Project Applied to a Group of In-Service Educators
Full text linkChildren of Drama is an arts-based educational action research project with five drama pedagogy actions, launched in 2019 at the University of Gävle, Sweden. It aimed to explore drama pedagogy’s personal and professional impacts on a group of in-service educators using Winnicott’s potential space theory. The results revealed that participants enriched their teaching method toolbox with drama pedagogical techniques and theories, fostering self-exploration and motivation to use drama in the classroom. Notably, the qualities of the drama pedagogical instructor and environment enhanced safety, inspiration, and engagement. This study contributes to research in drama pedagogy and educators’ arts-based professional development
A Kanon on Saint Nicholas by Manuel Philes
No full textThe author presents the editio princeps of a unique piece of hymnography by the well- known late Byzantine poet Manuel Philes, who composed the kanon on St Nicholas in thanksgiving for the end of a long period of misfortunes in his life. The edition is preceded by a detailed study of the various aspects of the text, including its manuscript tradition, date, reasons for its composition, and metre, and is accompanied by an apparatus fontium.REB 62 2004 p. 197-213
Theodora Antonopoulou, A Kanon on Saint Nicholas by Manuel Philes. — L'auteur présente l'editio princeps d'une pièce hymnographique unique, composée par Manuel Philès, le poète byzantin bien connu, qui a également composé le canon dédié à Saint Nicolas, dans lequel le poète remercie le saint pour donné fin à une longue période de sa vie pleine de mésavantures. L'édition est précédée de l'étude détaillée de différents aspects concernant ce texte, y compris ceux de la tradition manuscrite, de la date de sa rédaction, des raisons qui ont poussé Philès à composer ce canon et du mètre de celui-ci ; elle est accompagnée d'un apparat de sources.Antonopoulou Theodora. A Kanon on Saint Nicholas by Manuel Philes. In: Revue des études byzantines, tome 62, 2004. pp. 197-213
The typist's remains: Theodora Bosanquet in recent fiction
No full textSecretary; suffragist; incisive critic and parodist of Henry James; witness to and recorder of his death bed dictations; writer of one of the best memoirs about James; tireless psychical researcher who channeled a marvelously verbose James after his death, Theodora Bosanquet was a novel waiting to happen. This article analyzes Bosanquet's recent appearances in Michiel Heyns's The Typewriter's Tale (2005), Cynthia Ozick's "Dictation" (2008) and David Lodge's Author, Author (2004) to consider the ways in which the boom in novelizing James might be seen as intimately bound up with the compelling figure of the turn-of-the-century secretary
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The typist's remains: Theodora Bosanquet in recent fiction
No full textSecretary; suffragist; incisive critic and parodist of Henry James; witness to and recorder of his death bed dictations; writer of one of the best memoirs about James; tireless psychical researcher who channeled a marvelously verbose James after his death, Theodora Bosanquet was a novel waiting to happen. This article analyzes Bosanquet's recent appearances in Michiel Heyns's The Typewriter's Tale (2005), Cynthia Ozick's "Dictation" (2008) and David Lodge's Author, Author (2004) to consider the ways in which the boom in novelizing James might be seen as intimately bound up with the compelling figure of the turn-of-the-century secretary
Beyond deviant : Theodora as the other in Byzantine imperial historiography
No full textEarly Byzantine historiography offers two contradictory portrayals of Theodora (Crowned Empress 427-458 CE). Whereas in Procopius' Wars of Justinian and Buildings she appears to be a courageous and influential empress, in his later work, Secret History, she is represented as a deviant female figure. Procopius' narrative of Theodora is overall disapproving of her character and actions. He discusses her early years as a 'shameless' performer and a prostitute, brought up in the social margins of Constantinople; Similarly, during her reign, he describes her exercise of power over the palace and her subjects as cruel and violent, driven by premeditated self-interest. In this chapter, I aim to discuss Theodora's portrayal by Procopius as a sociologically deviant female; it is a systematic study of what the author considers to be social norm violations that are subject to social sanction. I will specifically concentrate on Theodora's depiction as a sexually deviant young performer. I will then focus upon actions of cruelty and violence in her political and social career as an Empress. I will show how the paradigm of Theodora, in Procopius' Secret History, can be read as both making visible coercive social, political and religious power structures, as well as, disenfranchising femininity in early Byzantium.</p
Beyond Deviant : Theodora as the Other in Byzantine Imperial Historiography
No full textEarly Byzantine historiography offers two contradictory portrayals of Theodora (Crowned Empress 427-458 CE). Whereas in Procopius’ Wars of Justinian and Buildings she appears to be a courageous and influential empress, in his later work, Secret History, she is represented as a deviant female figure. Procopius’ narrative of Theodora is overall disapproving of her character and actions. He discusses her early years as a ‘shameless’ performer and a prostitute, brought up in the social margins of Constantinople; Similarly, during her reign, he describes her exercise of power over the palace and her subjects as cruel and violent, driven by premeditated self-interest. In this chapter, I aim to discuss Theodora’s portrayal by Procopius as a sociologically deviant female; it is a systematic study of what the author considers to be social norm violations that are subject to social sanction. I will specifically concentrate on Theodora’s depiction as a sexually deviant young performer. I will then focus upon actions of cruelty and violence in her political and social career as an Empress. I will show how the paradigm of Theodora, in Procopius’ Secret History, can be read as both making visible coercive social, political and religious power structures, as well as, disenfranchising femininity in early Byzantium.</p
Correction to: Attitudes of Health and Mental Health Professionals, and Police Staff towards Mentally Ill Offenders in Greece (Community Mental Health Journal, (2024), 10.1007/s10597-024-01432-x)
No full textThe original version of this article unfortunately contained error in author names. The given name and family name was swapped for all the authors and published incorrectly as. Martinaki Sophia · Sakellariou Efthymia-Maria · Ntelidaki Veatriki · Karachaliou Evangelia · Athanasiadis Kimonas · Gkontolia Asimina · Tsiapla Theodora · Tzavara Chara · Chantzinikolaou Fotios. The correct author group should be as follows: Sophia Martinaki · Efthymia-Maria Sakellariou · Veatriki Ntelidaki · Evangelia Karachaliou · Kimonas Athanasiadis · Asimina Gkontolia · Theodora Tsiapla · Chara Tzavara · Fotios Chantzinikolaou. The original article has been corrected. © The Author(s), under exclusive licence to Springer Science+Business Media, LLC, part of Springer Nature 2025
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