3,235 research outputs found
From Albania to Brazil: Ismail Kadaré's Broken april and its filmic adaptation, Walter Salles' Abril despedaçado
Full text linkDissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Letras/Inglês e Literatura Correspondente, Florianópolis, 2007The aim of the present study is to analyse how issues of Albanian national identity are portrayed in Ismail Kadaré's novel Broken April (Prilli i Thyer), and how such features have been appropriated and translated onto the screen into a Northeastern Brazilian context. I depart from the premise that, even though Brazilian elements are indeed shown in the film, the non existence of the Kanun in Brazil, and the use of narrative techniques different from the ones employed in the novel render the story of the blood feuds in the film more universal than the genuinely Albanian reality depicted in the novel. In sum, the appropriation transcends the Albanian reality into a universal context, showing, at the same time, elements which are typical of the Brazilian culture.O objetivo do presente estudo é analisar como questões sobre a identidade nacional Albanesa são retratadas no romance Abril Despedaçado (Prilli i Thyer), de Ismail Kadaré, e como tais questões foram apropriadas e traduzidas para a tela num contexto Nordestino-Brasileiro. O estudo parte do princípio que, embora elementos tipicamente Brasileiros sejam mostrados no filme, a não existência do Kanun no Brasil, e o uso de técnicas narrativas diferentes das empregadas no romance ajudam a deixar a história das brigas de família no filme com um aspecto mais universal do que a realidade genuinamente Albanesa representada na romance. Em suma, a apropriação transcende a realidade Albanesa para um contexto mais universal, sem deixar de mostrar também elementos típicos da cultura Brasileira
CHAERUL SALEH DALAM MEMPERJUANGKAN, MENGISI, DAN MEMPERTAHANKAN KEMERDEKAAN INDONESIA
Full text linkAbstrak
Chaerul Saleh Datuk Paduko Rajo atau lebih dikenal dengan nama Chaerul Saleh sebagai mahasiswa hukum mulai aktif dalam kegiatan pemuda. Golongan pemuda yang aktif mulai bergabung dengan gerakan pemuda dari asrama Menteng Raya 31 seperti Chaerul Saleh, Sukarni, A.M. Hanafi, dan Ismail. Chaerul Saleh menonjol dan menunjukkan pandangan perjuangannya bersifat nasionalis. Peristiwa Rengasdengklok menjadi awal perjuangan percepatan kemerdekaan Indonesia yang dipelopori oleh Chaerul Saleh, Wikana dan beberapa pemuda lainnya. Peran Chaerul Saleh, menjadi sangat menarik pada awal proklamasi kemerdekaan Republik Indonesia, karena Chaerul Saleh berperan penting dalam mewarnai perjuangan kemerdekaan Indonesia. Chaerul Saleh merupakan salah seorang tokoh pejuang yang memiliki peran dan ikut mewarnai perjalanan sejarah Indonesia menjelang proklamasi sampai masa akhir pemerintah orde lama. Pada tanggal 1-23 agustus 1944 untuk pertama kali tokoh pemuda Chaerul Saleh beserta kawan-kawan mewakili peran pemuda. Chaerul Saleh sebagai pemimpin pemuda berusaha mendesak agar Soekarno dan Hatta segera menyatakan kemerdekaan Indonesia. Awal pergerakan perhimpunan Indonesia Chaerul Saleh merupakan orang kepercayaan Soekarno yang paling dekat sehingga masuk dalam cabinet menjadi menteri urusan veteran.
Kata Kunci : Chaerul Saleh, gerakan pemud
Season two: The Kingdoms Episode 21: Ismail a.s
No full textNabi Ibrahim ‘alaihissalam ingin sekali memiliki keturunan yang saleh yang beribadah kepada allahsubhaanahu wa ta’ala dan membantu urusannya, istrinya yang bernama Sarah pun mengetahui apa yang diharapkan suaminya sedangkan dirinya mandul, maka Sarah memberikan budaknya yang bernama Hajar kepada Ibrahim agar suaminya memiliki anak darinya.
Selanjutnya, Hajar pun hamil dan melahirkan nabi Ismail yang akan menjadi seorang nabi. Setelah beberapa waktu dari kelahiran Ismail, Asubhaanahu wa ta’ala memerintahkan Ibrahim pergi membawa Hajar dan Ismail ke Mekah, maka nabi Ibrahim memenuhi perintah itu dan ia pun pergi membawa keduanya ke Mekah di dekat tempat yang nantinya akan dibangunkan Ka’ba
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Bicara Cendekiawan MAAC 2024 – Universiti di Malaysia: Cita-cita dan Hala Tuju
No full textAhli Panel:
PROF. EMERITUS DR. BARJOYAI BARDAI
Profesor Emeritus
Al-Madinah International University
PROF. DATUK TS.DR. AHMAD FAUZI ISMAIL
Naib Canselor
Universiti Teknologi Malaysia
PROF. DATO’ IR DR. MOHD SALEH JAAFAR
Pro Vice-Chancellor
UCSI University Bangladesh Branch Campus
Fellow, Akademi Profesor Malaysia (APM)
Moderator:
PROF. DR. NUARRUAL HILAL MD DAHLAN
Timbalan Presiden MAAC, sesi 2022-2024
Profesor, Pusat Pengajian Undang-undang, UU
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