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    Diskursus Gerakan Salamullah Lia Eden

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    Indonesia has been overcrowded by spiritual movements which provide a quest for spiritual satisfaction. Among all spiritual movement in Indonesia, Salamullah was a few leads by a woman. Lia Eden, her original name is Lia Aminuddin, took a significant role in the new spiritual movement in Indonesia. Interestingly, in patriarchal culture as in Indonesia, Lia Eden has successfully gained followers from both sexes. The question then arises, what kind of pedagogical method she used to gain followers? How Salamullah treat followers from different sexes? Are there any differences? This paper is aim to answer those questions based on spirituality, pedagogy, and Salamullah as a counter-public movement. The narration of Salamullah movement will be started from its history which then continued by the pedagogical approach used by Salamullah, and the next narration will examine the position of Salamullah as a counter-public movement. [Telah sejak lama gerakan spiritual meramaikan kontestasi agama di Negara Indonesia. masifnya gerakan spiritual di Indonesia tidak terlepas dari upaya untuk memenuhi kepuasan secara spiritual. Menariknya, dari sekian banyak gerakan spiritual yang berkembang di Indonesia, terdapat Salamullah yang dipimpin oleh seorang perempuan. Lia Aminuddin, atau yang lebih dikenal dengan Lia Eden memiliki peran yang sangat signifikan dalam gerakan spiritual di Indonesia sebagai salah satu pendobrak sistem keagamaan yang telah lama dikuasai oleh kekuasaan patriarki. Terlebih lagi, Lia Eden dapat menarik pengikut dari kedua gender, laki-laki maupun perempuan. Pertanyaan yang muncul kemudian adalah narasi apa yang ia gunakan untuk menarik para pengikut? Bagaimana Salamullah memperlakukan pengikut dari gender yang berbeda? Apakah mereka diperlakukan dengan sama? Makalah ini mencoba menjawabnya melalui tema spiritualitas, narasi, dan gerakan Salamullah sebagai suatu counter-public. Penjelasan akan diawali dengan sejarah singkat Salamullah yang dilanjutkan dengan penjabaran narasi yang digunakan oleh Lia Eden, serta diakhiri dengan analisis gerakan Salamullah sebagai suatu counter-public.

    Du messianisme au dépassement de la « religion». La voie de Salamullah dans l’Indonésie du XXIe siècle

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    In 1997, Lia Aminuddin, head of the Salamullah community and former presenter of a TV programme about floral arrangement, announced that she had received a revelation : Jibril (the archangel Gabriel in the Koran) was speaking to her, relaying God's messages. Although her following has been limited, its impact has been amplified by modern internet techniques. She was put on trial in 2006 together with the group's Muslim intellectual, Abdul Rahman, whom she considers to be the reincarnation of Muhammad and also the Imam Mahdi, so says the revelation. This paper analyzes Lia's teachings and the group's religious and political actions in their context. Salamullah, later named Eden, cannot be dissociated from the Archipelago's history, neither from influence of the large Reformist organization Muhammadiyah, nor from the post-Soeharto transition, with its ruptures and shocks, following 32 years of political immobilism. Salamullah may have started as a Sufi-like movement, with its magical curing practices, but it has evolved into a messianic group highly concerned with the nation's future. Just as small messianic movements were often "safety valves" (soupapes) to Dutch oppression in the 19th and early 20th century, Salamullah/ Eden seems to function as a "safety valve" in view of a rigidification of religious norms, which have translated into religionrelated violence in Indonesia at the dawn of the 21th century.Feillard Andrée. Du messianisme au dépassement de la « religion». La voie de Salamullah dans l’Indonésie du XXIe siècle. In: Archipel, volume 76, 2008. pp. 65-98

    Archangel Gabriel Online : The Salamullah Movement in Indonesia and Globalisation

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    This article treats the organization and ideology of the Salamullah-movement in Indonesia, a New Religious Movement established in the post-Suharto era. A characteristic feature of the movement is its extensive usage of new technology in the dissemination of its religious ideas

    Jejak-jejak Komunitas Perenial, Eden Salamullah

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    viii, 286 hlm.; 21 cm

    AL 'ANASIR AL DAKHILIYYAH FI AL RIWAYAH SALAMULLAH 'ALA 'AINAIK LI MUHAMMAD AL SALIM: DIRASAH TAHLILIYYAH BUNYAWIYYAH LI ROBERT STANTON

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    Penelitian ini berjudul “al-‘Anashir ad-Dakhiliyyah fii ar-Riwayah Salamullah ‘Ala ‘Ainaik li Muhammad Al-Salim (Dirasah Tahliliyyah Binyawiyyah li Robert Stanton)”. Tujuan penelitian ini berangkat dari rumusan masalah, yaitu untuk mengetahui unsur-unsur instrinsik dan keterkaitan antarunsur yang ada dalam novel Salamullah ‘Ala ‘Ainaik karya Muhammad Al-Salim. Metode yang digunakan dalam penelitian ini adalah metode analisis deskriptif, yang dilakukan dengan cara mendeskripsikan fakta-fakta yang kemudian disusul dengan analisis berdasarkan teori strukturalisme Robert Stanton. Penelitian ini menyimpulkan bahwa novel Salamullah 'Ala' Ainaik merupakan sebuah novel romantisme yang mengangkat tema tentang kesialan hidup yang dialami oleh Ghassan selaku tokoh utama. Mengenai fakta cerita yang terdiri dari alur, tokoh, dan latar yang muncul dalam novel tersebut adalah 1) alur yang digunakan oleh pengarang adalah alur campuran yang terbagi ke dalam tiga bagian, yaitu bagian awal, tengah, dan akhir dan melalui beberapa tahapan. 2) terdapat 22 tokoh dalam novel tersebut yang terdiri dari tokoh utama dan tokoh tambahan. Adapun tokoh utamanya adalah Ghassan dan Sarah. 3) terdapat tiga latar dalam novel tersebut, yaitu latar tempat, latar waktu, dan latar sosial. Novel Salamullah 'Ala 'Ainaik diceritakan menggunakan sudut pandang orang pertamautama. Adapun gaya bahasa yang digunakan adalah bahasa Arab formal dengan kalimat-kalimat deskriptif, detail, dan banyak menggunakan kata kiasan atau majas sehingga memunculkan berbagai tone, seperti sedih, romantis, marah, khawatir, dan bahagia. Beberapa simbol yang ditampilkan untuk mewakili isi pikiran dan emosional pengarang yaitu warna warni, putih, mawar, dan neraka. Adapun ironi yang muncul dalam novel tersebut adalah ironi dramatis, yang mana sesuatu yang diharapkan tidak sesuai dengan kenyataan yang terjadi sebenarnya. Penelitian ini juga menyimpulkan bahwa adanya hubungan atau keterkaitan antarunsur yang menjadikan karya Muhammad Al-Salim mampu mencapai keselarasan makna yang menyeluruh dan membentuk rangkaian cerita yang baik, menarik, dan menakjubkan

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods
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