102 research outputs found
Sonata
No full textSonata (2013)
Composition and film installation
Filmed on location in the Non-Catholic Cemetery, Rome, 5 May 2013
Supported by Creative Scotland Visual Arts Award £10,000
Sonata is a composition for piano, cello and violin based upon the speech, poems and letters of three poets buried in the Non-Catholic Cemetery: the English Romantic poets John Keats (1795-1821) and Percy Bysshe Shelley (1792-1822) and the US Beat Poet, Gregory Corso (1930-2001).
The composition is in three movements:
I - Lift Me Up For I Am Dying
The first movement is an evolution of the composition, Lift Me Up For I Am Dying based upon the last spoken words of Keats. Lift Me Up For I Am Dying was commissioned by the Swiss Institute in Rome (2010) and formed the basis for Duet, an audio installation at the Rothko Chapel, Houston, 14-15 May 2013.
II - Adonais - Adagio
The second movement is based upon lines from Shelley’s long poem of lament, Adonais, An Elegy on the Death of John Keats, Author of Endymion, Hyperion, etc. (1821). Shelley, who had also lived in the house on Piazza di Spagna in which Keats died, considered Adonais to be among his best compositions. When Shelley drowned in the Bay of Spezia he was found with a volume of Keats’ poems in his shirt pocket.
III - Letters from Rome
The final movement is based upon three letters written by Corso upon a visit to the graves of Keats and Shelley in the Non-Catholic Cemetery on the anniversary of Keats’ birthday in 1958. Corso’s letters were addressed to his fellow beat poets: Phillip Whalen, Allen Ginsburg, and Lawrence Ferlinghetti. Corso’s ashes were buried at the foot of Shelley’s grave in the Non-Catholic Cemetery on 5 May 2001.
Sonata performed by Da Vinci Trio:
Violin: Tony Moffat, Leader of the Orchestra of Scottish Opera
Cello: Robert Irvine, Head of Chamber Music at the Royal Conservatoire, Scotland
Piano: Mario Montore, Leader of the Avos Quartet, Rome
Filming was preceded by a public recital introduced by Adam Szymczyk, Director of Kunsthalle Basel.
With thanks to:
Amanda Thursfield, Director
THE NON-CATHOLIC CEMETERY IN ROME,
via Caio Cestio, 6, 00153, Roma
Ross Birrell, Duet, Keats-Shelley House,
Piazza di Spagna, 26, 13 May - 6 September 2013
First exhibited in Ross Birrell and David Harding, Winter Line, Kunsthalle Basel, 17 Jan - 23 Ma3 2014.
Performed by DaVinci Trio at Museumsnacht, Kunsthalle Basel, 17 Jan 2014
Expression of the androgen receptor and its association with disease outcome in breast cancer
No full textAbstractMurphy N, Bianco-Miotto T, Ricciardelli C, Ruiz AI, Segara D, McNeil CM, Crea P, Henshall SM, Birrell SN, Butler LM, Sutherland RL, Tilley WD
Abstract P4-16-02: An open labelled longitudinal evaluation of a subcutaneous combination of testosterone and anastrozole in pre-menopausal women with high volumetric mammographic breast density
No full textAbstract
This abstract was withdrawn by the authors.</jats:p
Book review: Comparing devolved governance
No full text"Comparing Devolved Governance." Derek Birrell. Palgrave Macmillan. May 2012. --- In Comparing Devolved Governance, Derek Birrell compares the separate governments and legislatures of Scotland, Wales and Northern Ireland. Akash Paun finds that the author comprehensively and successfully describes and compares the three political systems that are too often discussed separately. However, the book does not quite amount to more than the sum of its (many and good) parts, and was frustrating for what it did not do, such as make the case for why the question of asymmetry is so important. This is nonetheless a useful and thorough reference work for students and researchers of devolution
Expression of the androgen receptor and an androgen-responsive protein, apolipoprotein D, in human breast cancer
No full textLittle is known regarding the activity and function of the androgen receptor (AR) in human breast cancer. In the present study AR was evaluated in untreated primary breast cancers using antisera to the amino- and carboxy-termini of the receptor and quantitated using colour video image analysis. A strong correlation between tissue concentration and percentage AR-positive cells was observed for each antiserum. However, comparison of percentage positive cells using the amino- and carboxy-terminal AR antisera in individual breast cancer specimens revealed a subset of tumours with discordantly increased staining for the carboxy terminus. These findings suggest the presence of amino-terminal-truncated AR in a proportion of breast cancer cells or presence of AR mutations or associated protein alterations that affect binding of the amino-terminal AR antiserum. Immunohistochemical expression of the androgen-regulated glycoprotein, apolipoprotein D (apo-D), was also evaluated in the breast cancer specimens. Focal positivity of apo-D staining, which did not always co-localise with AR-positive cells, was observed within breast tumours. Furthermore, no correlation was evident between percentage positive cells stained for AR and apo-D in breast cancer specimens. These findings indicate that, although apo-D expression is androgen regulated in human breast cancer cell lines in vitro, its expression in primary breast cancers may be regulated by other factors. The expression of AR in primary breast cancers also suggests that the receptor may be involved in tumour responsiveness or in abnormal responses to endocrine therapies.R.E. Hall, J.O. Aspinall, D.J. Horsfall, S.N. Birrell, J.M. Bentel, R.L. Sutherland and W.D. Tille
More Than Just Boxes and Lines on a Page: Stories from a Special Collections Department Reorganization
No full textThis article was originally published in Library Leadership and Management . The version of record is available at: https://doi.org/10.5860/llm.v37i4.7585. Copyright (c) 2024 Lori BirrellInterested in leveraging a reorganization to bring about sustained and meaningful organizational and cultural change, the author developed a multi-step process anchored by three decision-making drivers that guided the work. These drivers helped the author articulate to herself and the department the “why” behind the reorganization and to keep focused on those drivers during even the messiest parts of the process. The case study presented here describes the author’s process and lessons learned
Inscription in Later Essays, 1917-1920
No full textPossible owners inscription, "Augustine Birrell / March 10th 1921 / Dies dolorosa - 1915." The reverse of the page includes a handwritten list of other works by the author and some annotations are included in the text. If it is the same Augustine Birrell, he was Chief Secretary for Ireland (1907-1916). The "Dies dolorosa - 1915" might refer to the troubles he experienced that year with World War I, the Irish uprisings and the death of his wife Eleanor. He resigned in 1916 after criticisms of his response to the Irish uprisings.Edward's 'Canons of criticism'.--An eighteenth-century Hippocrates [William Heberden]--'Hermes' Harris.--The journeys of John Howard.--'The learned Mrs. Carter.'--The Abbé Edgeworth.--A casual causerie.--Index
Austin Dobson 1840-1921
The Fugitive Self: Authorship and Subjectivity in Contemporary Art and Experimental Documentary
No full textThis thesis identifies and theoretically articulates strategies of ‘fugitive authorship’ in the work of The Otolith Group, Ursula Biemann, and Hito Steyerl. I argue that within the work of such contemporary artists, all of whom work with experimental documentary, a renegotiation of the author-self has emerged in response to new frontiers of crisis in the twenty-first century, including new crises of the human within an emergent post-human paradigm. Drawing on histories of the essay film, feminist and postcolonial counter-cinemas, and feminist Posthumanist theory, this thesis demonstrates how these artists actively revolt against the documentary’s claims to authorial authority by moving towards a radical aesthetics of fugitivity. Vacillating between presence and absence, knowledge and doubt, clarity and opacity, they become fugitive by performing a ‘flight’ from the author-self while simultaneously remaining accountable to their socio-historical location. Working with the theories of Karen Barad and Rosi Braidotti in particular, this thesis identifies a new form of authorship, fugitive authorship, at the centre of emergent forms of experimental documentary in contemporary art that meet the complexities of the contemporary condition. As a theoretical model, fugitive authorship provides a new critical language to account for recent authorial practices that continue to push against prevailing ideas of the author, the human subject, and the documentary form in contemporary art. As we stand on the threshold of unknown post-human, more-than-human, and beyond-human futures, the fugitive author challenges the most basic assumptions we hold about the self. In doing so, it projects communal futures for human and non-human subjects alike
Diptera Wing Photos
No full textThese are macro-scale photos of insect wings taken using a DSLR camera by the author of this post from the collection at Landcare Research, Auckland, New Zealand
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