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KALAM INSYAI THALABI DALAM KITAB ARBAIN NAWAWI
Tujuan dari penelitian adalah untuk memperoleh deskripsi yang jelas mengenai kalam inyai thalabi dalam kitab Arbain Nawawi. Penelitian ini merupakan penelitian kepustakaan. Adapun metode yang digunakan dalam penelitian ini adalah analisis deskriptif dengan teknik analisis isi. Sumber data dalam penelitian ini adalah seluruh isi hadits dalam kitab Arbain Nawawi.
Hasil dari penelitian ini adalah bahwa dalam kitab Arbain Nawawi terdiri dari 42 hadits dan terdapat kalam insyai thalabi yang berjumlah 110 redaksi yang terbagi terbagi menjadi lima macam yaitu amr, nahi, istifham, nida dan tamani. Kemudian dari lima bentuk tersebut terbagi lagi kedalam beberapa makna dan tujuan yang berbeda yaitu: amr 53 bentuk yang terdiri dari 11 makna haqiqi, 33 makna irsyad, 3 makna ibahah, 3 makna ta’jiz dan 2 makna takhyir. Dan untuk nahi terdapat 14 bentuk yang terbagi menjadi: 10 makna irsyad dan 4 untuk makna iltimas. Untuk istifham terdapat 7 redaksi yang terdiri dari 2 makna haqiqi, 2 makna ikhbar, 1 makna taqrir dan 2 makna ifham. Untuk bentuk nida terdapat 27 redaksi yang terbagi menjadi 24 makna haqiqi dan 3 makna doa. Dan 8 redaksi untuk bentuk tamani.
The purpose of the study was to obtain a clear description of the kalam inyai thalabi in the book of Arbain Nawawi. This research is a library research. The method used in this research is descriptive analysis with content analysis techniques. The source of data in this study is the entire content of the hadith in the book of Arbain Nawawi.
The results of this study are that the book of Arbain Nawawi consists of 42 hadiths and there are 110 editorials insyai thalabi which are divided into five types, namely amr, nahi, istifham, nida and tamani. Then the five forms are further divided into several different meanings and purposes, namely: amr 53 forms consisting of 11 haqiqi meanings, 33 irsyad meanings, 3 ibahah meanings, 3 ta'jiz meanings and 2 takhyir meanings. And for nahi there are 14 forms which are divided into: 10 meanings of irsyad and 4 for meanings of iltimas. For istifham there are 7 editorials consisting of 2 meanings of haqiqi, 2 meanings of ikhbar, 1 meaning of taqrir and 2 meanings of ifham. For the nida form, there are 27 editorials which are divided into 24 meanings of haqiqi and 3 meanings of dua. And 8 editors for the tamani form
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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