7,317 research outputs found
Rémy Belleau, La Reconnue. Texte édité et présenté par Magda Campanini
No full textEdition critique de la comédie de Rémy Belleau "La Reconnue", publiée pour la première fois en 1578; texte établi, présenté et annoté par Magda Campanini à l'intérieur du volume 7 de la IIe série de la collection "Théâtre français de la Renaissance" (676 pp.). Publiée posthume et centrée sur le thème de la reconnaissance, "La Reconnue", unique comédie de ce poète de la Pléiade, fut composée pendant la première guerre de religion, comme le témoignent les allusions à des faits historiques ainsi que l'évocation de la Réforme et son ancrage à l'intrigue de la pièce. Le rapport aux sources – en particulier, la "Casina" de Plaute – s’inscrit en profondeur dans l'articulation dramaturgique . L’élaboration personnelle et novatrice qu’en fait Belleau, aussi bien sur le plan thématique que sur le plan formel, donne naissance à une composition élégante et équilibrée, soutenue par un langage riche, vivant et expressif. Le texte, établi selon les normes de la collection du "Théâtre français de la Renaissance", est accompagné par des notes de nature linguistique, métrique, stylistique, historique et précédé par une riche introduction (p. 167-217)
Magda Fischer: Veröffentlichungen zur Bibliotheks-, Wissenschafts- und Bildungsgeschichte süddeutscher Klöster
No full textMagda Fischer: Zur Geschichte der Deutschordensbibliothek in Altshausen. Die Bücherschätze im Schloss Altshausen am Ende des 18. Jahrhunderts. In: ZWLG 47 (1988), S. 235-268. Magda Fischer: Süddeutsche Klosterbibliotheken zwischen Politik und Verwaltung zu Beginn des 19. Jahrhunderts. In: …und muss nun rauben lassen… Zur Auflösung schwäbischer Klosterbibliotheken, hrsg. von August Heuser (Hohenheimer Protokolle; 25), Stuttgart 1988, S. 9-42. Magda Fischer: Geschichtsbewusstsein und Geschichts..
SIMONE DE BEAUVOIR, UNA LECTURA TRANSMODERNA
No full textFraming it in her own memories and from a personal prism, Magda initially approaches the figure of Beauvoir considering the author in the autobiography of her work, and dwelling on her relationships and the tandem formed with Sartre. Once the person is considered, Magda turns to the author, entering into a discussion of "The Second Sex", and critically reviewing many of the positions adopted by Beauvoir in this work. Lastly, Magda analyzes the situation of a “transmodern feminism” examining its link with movements such as Existentialism and highlighting the challenges that still remain today regarding the conceptions that shape the image of women.Enmarcándola en sus propios recuerdos y desde un prisma personal, Magda se acerca inicialmente a la figura de Beauvoir considerando a la autora en lo autobiográfico de su obra, y deteniéndose en sus relaciones y en el tándem formado con Sartre. Una vez considerada la persona, Magda se vuelve hacia la autora adentrándose en una discusión de “El Segundo Sexo”, y repasando críticamente muchos de los posicionamientos adoptados por Beauvoir en esta obra. En último lugar, Magda analiza la situación de un “feminismo transmoderno” examinando su vinculación con movimientos como el Existencialismo y subrayando los retos que hoy en día siguen pendientes en torno a las concepciones que configuran la imagen de mujer.
Abstract
Framing it in her own memories and from a personal prism, Magda initially approaches the figure of Beauvoir considering the author in the autobiography of her work, and dwelling on her relationships and the tandem formed with Sartre. Once the person is considered, Magda turns to the author, entering into a discussion of "The Second Sex", and critically reviewing many of the positions adopted by Beauvoir in this work. Lastly, Magda analyzes the situation of a “transmodern feminism” examining its link with movements such as Existentialism and highlighting the challenges that still remain today regarding the conceptions that shape the image of women
Entretien avec Magda Carneci
No full textMagda Carneci est une auteure roumaine installée en France. Elle écrit en roumain et en français
Comics by Magda Dulčić
No full textOvaj diplomski rad se fokusira na analizu strip opusa, stvaralačkih faza i umjetničkog izraza Magde Dulčić (1965. – 2016. g.), te njen autorski značaj i podstrek u okvirima razvojne perspektive nacionalnog stripa. Na tragu invencija koje unosi grupa Novi kvadrat, a u suradnji s njihovim pripadnikom, Krešimirom Zimonićem, Magda Dulčić od 1985. g. kreira mnoštvo stripova za fanzine, omladinsku štampu, dnevne novine, strip magazine i dječje časopise. Njeni radovi objavljivani su na stranicama Lucifera, Kurir, Patka, Vidika, Poleta, Večernjeg lista, Flita, Comicona, Modre laste, Arkzina, Prvog izbora i Oblutka. Svojom autentičnom poetikom izraza se izdvaja kao jedna je od prvih relevantnih autorica na strip sceni. Prepoznali su to i njeni kolege, kritičari popularne kulture i povjesničari umjetnosti, stoga je 1988. godine nagrađena za strip inovaciju na 4. Salonu jugoslavenskog stripa u Vinkovcima. Iduća etapa u karijeri je kolaboracija sa suprugom Zvonkom Todorovskim, unutar multimedijalne grupe Divlje oko, gdje plasiraju stripove namijenjene galerijskom gledanju, a u izrazu Magda Dulčić pokazuje rezolutnu nadogradnju stila. Istovremeno, ostvaruje ciklus stripova za djecu u kojima pokazuje koherentan i jasan izričaj, suptilnih intervencija i eksperimenata. U posljednjim samostalnim stripovima, autorica ostvaruje djela lirskih, intimnih i intuitivnih preokupacija.This thesis focuses on the analysis of comics, creative phases and versatile artistic expression of Magda Dulčić (1965-2016), and her outstanding significance within the development of Croatian national comics. The multi-facetness of artistic interest is the main characteristic of Magda Dulčić as an artist, which makes her opus an intriguing subject for analysis. Following the inventions introduced by the group Novi kvadrat, and under the auspices of their member, Krešimir Zimonić, Magda Dulčić has been, since the early 1980's, creating many comics for fanzines, youth press, daily newspapers, comic magazines and children's magazines. Her comics can be found on the pages of Lucifer, Kurir, Patak, Vidici, Polet, Večernji list, Flit, Comicon, Modra lasta, Arkzin, Prvi izbor and Oblutak. The comics created by Magda Dulčić have an easily recognized style and characteristic formal elements. With her authentic poetics of expression, she stands out as one of the first relevant female authors on the comic art scene. Her colleagues, critics of popular culture and art historians also recognized this, so in 1988 she was awarded for comic innovation at the 4th Salon of Yugoslav Comics in Vinkovci. The next stage in her career was a collaboration with her husband, Zvonko Todorovski, within the multimedia group Divlje oko, where they created comics intended for gallery viewing. Regarding her expression, Magda Dulčić shows a more resolute change of style, thematically, visually and technically more complex. At the same time, she creates a cycle of comics for children in which she shows coherent and clear expressions, subtle interventions and experiments. In her latest independent comics, from 2010 until 2016, the author created works in which she displayed lyrical, intimate and intuitive preoccupations
Magda Bilá, A Forgotten Authoress
No full textBakalářská práce je zaměřena na básnířku, spisovatelku a malířku Magdu Bílou a její literární pozůstalost, která je uložena ve Státním okresním archivu v Jičíně. Magda Bílá je zapomenutá regionální spisovatelka, která pocházela z Nové Paky. Moje práce si klade za cíl zmapovat její život, literární a publicistickou dráhu pomocí dostupných archivních fondů a vydaných knih. V jejím osobním fondu jsou uloženy rukopisy, korespondence, poznámky, básně, úvahy a eseje, jichž jsem v této bakalářské práci využila. O životě či díle Magdy Bílé neexistují žádné kritické studie, proto jsou uvedené poznatky mojí vlastní hypotézou. Nedílnou součástí bádání je i prozkoumání možnosti využití její pozůstalosti jako pramene pro studium dějin každodennosti a dětství v novopackém regionu, k čemuž jsem použila i práce autorů, o kterých se Magda Bílá zmiňuje ve svých textech.The bachelor work is focused on a poetess, writer and artist Magda Bílá and her literary estate which is placed in State District Archives in Jičín. Magda Bílá is a forgotten regional authoress who came from Nová Paka. My work sets aim to chart her life, literary and journalistic career by the accessible archives funds and published books. In her personal fund there are the manuscripts, correspondence, notes, poems, reflections and essays which I have used in this bachelor work. Magda Bílá was also a talented artist and she was a member of Kruh výtvarných umělkyň.
There is no critical study about her life or work, so the mentioned results and findings in this research are my own hypothesis. The inseparable part of my research is an exploration of her estate as a source for studing history of everyday life and childhood in Nová Paka region. I am also working with the authors who were mentioned by Magda Bílá in her texts.Katedra literární kultury a slavistikyDokončená práce s úspěšnou obhajobo
Dalmy Magda könyve
No full texthttp://www.lib.unideb.huDebreceni Egyetem Egyetemi és Nemzeti KönyvtárAz előtérben balra mezőn ülő Pierrot-figura, lábaira nyitott könyvek dobálva, kissé hátrébb virágok között álló, s egy hosszú szárú virágot vizsgáló, az 1860-as évek divatja szerint öltözött leány alakja. Alul szalagon felirat: Dalmy Magda könyve.metszetHarangh
Magda Bošković
No full textIntimnom i toplom prikazu lika Magde Bošković, koji je s ljubavlju i opravdanim divljenjem dala njena mlađa sestra, redakcija je dodala još neke detaljnije podatke koji su interesantni za dopunjavanje njenog portreta. Magda se rodila 3. novembra 1914. godine u Osijeku, u građanskoj porodici, od roditelja koji su imali razumevanja za njen kultumi razvoj i, posle, za njenu političku delatnost. Osnovnu i srednju školu kao i Ekonomski fakultet završila je u Zagrebu. U višim razredima gimnazije prišla je cionističkom omladinskom pokretu, prvo kao član “Literarnih sastanaka”, posle “Hašomer hacaira”. U to vreme već se istakla svojim lirskim, iskrenim i nekonvencionalnim pesmama, od kojih se veći broj pojavio u omladinskim časopisima ”Mladost”, “Hanoar” i drugim. U tim pesmama Magda nije davala oduška samo svojim emocijama, nego je bila i govornik o dilemama i problemima svoje generacije i napredne omladine. U jevrejskim omladinskim krugovima bila je neobično voljena i cenjena a jednako tako i posle, među svojim partijskim drugovima. Pisala je katkad pod pseudonimom Noemi Edomit.To the intimate and warm portrayal of the character Magda Bosković, who was lovingly and justifiably admired by her younger sister, the editorial staff added some more detailed information that is interesting to complement her portrait. Magda was born on November 3, 1914, in Osijek, into a civic family. Her parents had an understanding of her cultural development and, subsequently, of her political activities. She finished primary and secondary school as well as Faculty of Economics in Zagreb. In the upper grades of high school, she joined the Zionist youth movement, first as a member of the "Literary Meetings", after the "Hashomer Hacair". At that time she had already distinguished herself with her lyrical, sincere and unconventional songs, most of which appeared in the youth magazines Mladost, Hanoar, and others. In these songs, Magda not only vented her emotions, but she was also a talker about the dilemmas and problems of her generation and youth. In Jewish youth circles, she was unusually loved and respected, and so was later, among her party comrades. She wrote occasionally under the pseudonym Noemi Edomit.Magda Bošković je pisala i pod pseudonimom Noemi Edomit
Awareness of the imminent end: Magda Isanos - 100 years after her birth
No full textIn 2016 is celebrating 100 years from the birth day of Magda Isanos, a Romanian lawyer, novelist, poet and publicist . The author proposes in article a brief biography related to the literary activity of the poet, novelist and journalist. It also presents Magda Isanos’s works in the collections of USARB Scientific Library
Magda Logomer Herucina
No full textU članku se analizira slučaj posljednjeg sudskog procesa za zločin vještičarenja i magije u Hrvatskoj, koji se vodio protiv Križevčanke Magde Logomer, zvane Herucina. Magda Logomer bila je križevačka građanka protiv koje je 1757. g. podignuta optužnica zbog zločina čaranja i magije. Za razliku od većine ostalih stradalih žena optuženih za vještičarenje, Magda Logomer imala je drugačiju sudbinu. Njezina presuda poslana je u Beč, pa potom na želju Marije Terezije i sama Magda Logomer, gdje je oslobođena svake optužbe i pod posebnom zaštitom vraćena u Križevce. Osim okolnosti njezinog dolaska u Beč, te samog procesa vođenog u Hrvatskoj, o životu Magde Logomer Herucine gotovo se ništa ne zna. U tekstu se autor podrobnije posvećuje slučaju Magde Logomer Herucine, ali i njezinoj osobi prije procesa te, prema raspoloživim podacima, i poslije povratka s oslobađajućom presudom u rodni grad.The case of “the last tried witch in Croatia”, Magda Logomer (otherwise known under the nickname Herucina), attracted scientific attention on the margins of research related to the cessation of the persecution of witches in Croatia. Outside of this special domain, the case was not especially interesting to scientists who studied the persecution of “witches” in Croatia. This remained the case until recently, when it again appeared on the margins of the issue of persecution and the relationship between authentic documents on the persecution of witches and popular literature. The name of the “witch” Herucina is mentioned in literature exclusively as part of the discussions on the cessation of the persecution of witches and the correspondence on this subject between senior officials of the Kingdom of Croatia and the Vienna Court, as well as in the report of the Queen’s doctor Van Swietem, which represents an important document repeatedly published in the Obzor newspaper containing a wealth of information for the research of the anatomy of such a procedure from a new perspective...
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