1,722,584 research outputs found

    Dr. and Mrs. John S. Gibson

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    Dr. & Mrs. John S. Gibson, b&w. Back reads: Dr. & Mrs. John S. Gibson property of William Wallace, grandson of the Rev. John Gibson .https://mds.marshall.edu/william_wallace_photograph_collection/1072/thumbnail.jp

    Hugh S. Gibson, retired diplomat

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    Hugh S. Gibson recently retired from the United States ambassadorship to Belgium. Since retiring, Mr. Gibson has devoted his time to lecturing and writing. He is in Fort Worth, Texas for a lecture and to get some Texas sunshine. Mr. Gibson is sitting on a couch, reading a magazine. He is dressed in a three piece, double breasted pinstripe suit. Published in the Fort Worth Star-Telegram morning edition, February 8, 1940.https://mavmatrix.uta.edu/specialcollections_startelegram1940s/1785/thumbnail.jp

    Kasson S. Gibson

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    KASSON S. GIBSON NBS: 1916 ‑ 1955 Birth: January 7, 1890, Afton, New York Death: January 5, 1979, Rockville, Maryland Education: Cornell University: BA, 1912; PhD (Physics), 1916 Principal fields: Spectrometry; visibility of radiant energy Positions held at NBS: Chief, Colorimetry and Spectrophotometry Section Chief, Photometry and Colorimetry Section Assistant Chief, Optics Division Assistant Chief, Electricity and Optics Division Assistant Chief, Optics and Metrology Division Honors: Elected to Phi Beta Kappa and Sigma Xi Memberships: American Physical Society (Fellow) Illuminating Engineering Society (Fellow) American Association for the Advancement of Science (Fellow) Optical Society of America (President) American Oil Chemists Society International Commission on Illumination (U.S. National Committee; Secretariat Director of Technical Committee on Colorimetry and Artificial Daylight) Philosophical Society of Washington Washington Academy of Sciences Publications: Author of 100 papers and reviews dealing with spectrophotometry, colorimetry, luminous efficiency of radiation, and optical filters; Associate Editor of Journal of the Optical Society of America. Early work on luminous effeciency curve adopted in 1924 by the the International Commission on Illumination remains the objective definition of light

    Letter From Hattie S. Gibson to Eartha White

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    Correspondence: Handwritten letter from Hattie S. Gibson, Worcester, Massachusetts, to Eartha White, Jacksonville, Florida. Date: June 28, 193

    JOHN S. GiBSON: DICTIONARY OF INTERNATIONAL HUMAN RIGHTS LAW

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    Recenze publikace - JOHN S. GiBSON: DICTIONARY OF INTERNATIONAL HUMAN RIGHTS LAWTHE SCARECROW PRESS, INC., LANDHAM, MD.,& LONDON 1996, 225 S

    Book Review: Ceramic Makers\u27 Marks by Erica S. Gibson

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    Ceramic Makers\u27 Marks, by Erica S. Gibson, 2010, Guides to Historical Artifacts, Left Coast Press, 147 pages, 253 black-and-white illustrations, indexes, 89.00(cloth),89.00 (cloth), 24.95 (paper)

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Walter S. Gibson. Figures of Speech. Picturing Proverbs in Renaissance Netherlands. (Berkeley, California 2010) – (Wolfgang Mieder)

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    Figures of Speech. Picturing Proverbs in Renaissance Netherlands. By Walter S. Gibson. Berkeley, California: University of California Press, 2010. Pp. 236. With 81 illustrations

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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