1,721,522 research outputs found
Cronache di S. Gallo
No full textEdizione del testo, commento filologico e prima traduzione italiana delle Cronache dell'abbazia di S. Gallo (sino al XIII secolo). L'abbazia di San Gallo, ora sita nella Confederazione Elvetica, è uno dei più importanti centri culturali del Medioevo
Wenxin Duihua. A dialogue on the literary mind/The core of writing. Ediz. inglese e cinese
No full textAn encounter of knowledges, cultures, literary experiences and scientific approaches, from East and West, took the shape of this multifarious and bilingual collection of papers, entitled Wenxin Duihua 文心對話: A Dialogue on The Literary Mind / The Core of Writing. This work is meant to represent a first stage in an ongoing process of confrontation, in the domain of the Chinese literary and aesthetic tradition indelibly marked by the milestone of Wenxin Diaolong 文心雕龍. The six Chinese and European authors of this work shared their research and perspectives, enriched the literary and aesthetic landscape with deep reflections and original connections, and enhanced a polyphonic dialogue stemming from Liu Xie's heritage and reaching universal themes, like the essence of writing and the strong relationship between signs and images. Their contributions, crystallized in Wenxin Duihua 文心對話: A Dialogue on The Literary Mind / The Core of Writing, reveal the enormous potential of a multicultural approach, as well as the immeasurable profoundness of the wen 文
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Compilación y prólogo de Gastón S. Gallo, Simurg, 2018, 224 pp.
No full textReseña de Arlt, Roberto. El bandido en el bosque de ladrillo. Compilación y prólogo de Gastón S. Gallo, Simurg, 2018, 224 pp
Re-canonizing the Shanhaijing in the world (literature) : the myth, the play and the comic book
No full textIn 1989, Gao Xingjian 高行健 – a Chinese-born artist (1940), French citizen (1997) and Nobel Prize for Literature (2000) – gave birth to the Shanhaijing zhuan 山海經傳 (Of Mountains and Seas), a tragicomedy in three acts. As the title evokes, the lyrical drama is inspired to the ancient mythology of the Shanhaijing 山海經 (The Classic of Mountains and Seas), an encyclopaedic cosmography compiled from the Warring States period to the Western Han dynasty (4th-1st century BC). By creating this play, the Nobel Laureate re-codified a Chinese canonical work into a contemporary play. After that, an American comic book based on Gao tragicomedy appeared, Guideways through Mountains and Seas. Based on the assumption that the three works are genealogically related, the paper describes the changes taking place through the process of transposition, by focusing on the macro- and micro-textual profiles. Thus, it re-discusses the canon and the dynamics canonicity, by revealing how translation and intertextuality both ensue from the canonization of literature (and world literature) and empower its circulation and consecration beyond frontiers
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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