1,888 research outputs found
VERDAD Y AUTENTICIDAD EN FALKE DE FEDERICO VEGAS
No full textLa novela Falke recrea parte de un acontecimiento histórico, político y social de Venezuela: la invasión que llevó a cabo Román Delgado Chalbaud en 1929 con la intención de derrocar la dictadura de Juan V. Gómez. Usando este episodio como pretexto, la novela se torna una especie de investigación sobre la vida y obra de uno de los participantes de aquella aventura, Rafael Vegas. Así, se deja entrever en las primeras páginas de la novela, Falke materializa una necesidad narrativa (contar un episodio histórico que halla su justificación en la ficción con base en el enigma juvenil que intenta descifrar un joven sobre un barco llamado Falke. Mediante este trabajo me propongo analizar las estrategias usadas en la novela para autentificarla y hacerla verosímil.ABSTRACTThe novel Falke is based on true politic and social historic events: the invasion of Venezuela leadered by Roman Delgado Chalbaud, on August 11th, 1929, for overthrowing Juan Vicente Gómez´s dictatorship. Based on this plot, the author narrates the life and work of one of the main character of this adventure: Rafael Vegas. Thus, from the beginning of the novel a narrative need is materialized by the author interest in relating the fictional justification of a juvenile enigma about a young man who is traveling on the ship Falke. In this essay I attempt to analyze the literary strategies that led this novel to be read as a credible and authentic story
Patterns in Language and Linguistics: New Perspectives on a Ubiquitous Concept Topics in English linguistics ;, 104./ Ruth Moehlig-Falke, Beatrix Busse.
No full textIn English.Despite its importance for language and cognition, the theoretical concept of »pattern« has received little attention in linguistics so far. The articles in this volume demonstrate the multifariousness of linguistic patterns in lexicology, corpus linguistics, sociolinguistics, text linguistics, pragmatics, construction grammar, phonology and language acquisition and develop new perspectives on »pattern« as a linguistic concept.Busse, Beatrix / Möhlig-Falke, Ruth -- Möhlig-Falke, Ruth / Busse, Beatrix -- Stubbs, Michael -- Lancashire, Ian -- McEnery, Tony / Brezina, Vaclav -- Closs Traugott, Elizabeth -- Petré, Peter -- Michaelis, Laura A. -- Kabak, Barış -- Zettersten, Martin -- Frontmatter -- Contents -- List of tables and figures -- List of contributors -- Patterns in linguistics: This volume, its aims and its contributions / From term to concept and vice versa: Pattern(s) in language and linguistics / How to do things with intertextual patterns: On Umberto Eco's The Name of the Rose / Word-entry patterns in Early Modern English dictionaries / Collocations and colligations: Visualizing lexicogrammar / Constructional pattern-development in language change / How constructions are born. The role of patterns in the constructionalization of be going to INF / Constructions are patterns and so are fixed expressions / A dynamic equational approach to sound patterns in language change and secondlanguage acquisition: The (un)stability of English dental fricatives illustrated / Learning by predicting: How predictive processing informs language development / Index1 online resource (IX, 296 p.)
Falke-group stoneware from the Palace of the Dukes of Ilok in Ilok
No full textU članku se predstavlja nalaz visoke cilindrične čaše iz Iloka
(Újlak) koji pripada Falke-skupini kamenjače, proizvedenoj u 15.
stoljeću na krajnjem istoku Saske, na području povijesnih Lužica.
Čaša iz Iloka predstavlja europski najjužniji nalaz Falke-skupine
kamenjače. Nakon pregleda dosadašnjih spoznaja o Falke-skupini
kamenjače, o njenoj dataciji i podrijetlu radionice, iločki nalaz
uspoređuje se s ostalim europskim nalazima. Čaša je, svakako,
bila inventarom viteške dvorane vojvode Lovre Iločkoga, a vjerojatno
je pripadala još njegovu ocu Nikoli, graditelju palače Iločkih
(Újlaki) u Iloku. Postavlja se pitanje jesu li ovaj luksuzni nalaz
stolne keramike vojvode Iločki naslijedili još od svojih predaka.The article presents the find of a tall cylindrical beaker from Ilok
(Újlak) belonging to the Falke group of stoneware, produced in
the 15th century in the far east of Saxony, in the area of historical
Lusatia. It represents the southernmost known example of
Falke-group stoneware in Europe. After a review of previous
knowledge of Falke-group stoneware, its dating and the origin
of the workshop, the Ilok find is compared with other European
finds. The beaker was certainly in the inventory of the knight’s
hall of Duke Lawrence of Ilok, and it had probably already belonged
to his father, Nicholas of Ilok, the builder of the Újlaki
palace in Ilok. The question arises as to whether the Dukes of
Ilok inherited this luxurious specimen of table stoneware from
their ancestors
Defying Revolution in Venezuela: Biography as Utopic Discourse in Federico Vegas's <i>Falke</i>
No full textFor French philosopher Lois Marin, utopic discourse represents a supplementary alternative to the historical contradictions that produce a cultural artifact. Instead of creating a synthesis between two opposites, utopics offers the simulacrum of a solution made of personal narratives and exotic descriptions. This definition applies only partially to Falke (2004), the first novel of Federico Vegas, a popular author of historical fiction in Venezuela. Falke reconstructs the role of Rafael Vegas (1908–1973), a well-known educational reformer and philanthropist, in the 1929 Falke expedition. The novel narrates the tragedy of a failed military invasion and follows the journey of the protagonist through Los Llanos. It also intimates his personal transformation, suggesting that his ulterior consecration to teaching can be interpreted as utopia. However, the actual and unprecedented contributions of the main character to society are not included within the novel. As utopic discourse, Rafael Vegas's life is projected as a placeholder that the reader is called upon to fill in order to understand the utopian characteristics of the novel. At the same time, Falke—although anchored in Gomecismo—offers personal agency and autonomy as alternatives to the contradictions between Chavismo and the opposition in the years between 1999 and 2004.</jats:p
American Studies in Norway: Historic Ideals and Contemporary Challenges
No full text Because of its particular history of institutionalization, American studies in Norway has come to fill a unique role in higher education, one that requires broader recognition to secure the field a stable future. In this article, Falke connects the past of American studies in Norway to its present by focusing on three founding moments. These three are: the establishment of the Fulbright Program, which she uses to discuss shifts in funding American studies; the creation of the professorship of American studies in Oslo, which clarifies differences in the goals of British and American studies; and the initiation of the Salzburg Seminar, which reveals the field´s interdisciplinary core. The article closes with three generalizations about the landscape of American studies teaching in Norway today related to America as a political imaginary, internationalization within American studies as a discipline, and the presumed relationship between American literature and lived experience of the culture
Die Fledermaus
No full textA denevér : operett három felvonásbanCD1, I. felvonás:1.Nyitány +2.Bevezetés (Nr.1) +3.Jelenet (Rosalinda, Alfréd) +4.Tercett (Nr.2) (Eisenstein, Rosalinda, Dr. Blind) +5.Jelenet (Eisenstein, Dr. Blind, Rosalinda, Adél, Dr. Falke) +6.Duett (Nr.3) (Dr. Falke, Eisenstein) +7.Jelenet (Rosalinda, Dr. Falke, Eisenstein) +8.Tercett (Nr.4) (Rosalinda, Eisenstein, Adél) +9.Jelenet (Rosalinda, Alfréd) +10.Finálé (Nr.5) (Alfréd, Rosalinda, Frank) +II. felvonás:11.Bevezetés (Nr.6) (Kórus) +12.Jelenet (Dr. Falke, Orlofsky, Adél, Ida, Inas, Eisenstein) +13.Kuplé (Nr.7) (Orlofsky) +14.Jelenet (Eisenstein, Orlofsky, Dr. Falke, Adél, Ida) +15.Együttes és kuplé (Nr.8) (Orlofsky, Dr. Falke, Adél, Eisenstein, Kórus
On Clare´s Translation of Perception into Poetry
No full textThis chapter explores the perceptual acts modelled by John Clare’s poetry, especially in encounters with the more-than-human world. Rather than foregrounding the ways a perceiving ego shapes a landscape, Clare details situations and perspectives readers can imaginatively enter and emphasizes the ways that the situations themselves invite receptivity. He normalizes ecologically attuned modes of perception by presenting them as enabled by the places, plants, and animals his speakers encounter more than the speakers themselves. Focusing on poems that place speakers among or beneath birds and weeds, including ‘To an Insignificant Flower’, ‘The Fens’, and some shorter bird poems, Falke describes the poetic means through which Clare encourages epistemological humility and other-directedness. She then articulates a mode of reading Clare’s poetry based on these same perceptual habits
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