17,802 research outputs found
Yu Takeuchi
No full textYu Takeuchi is serving for JAXA since 2007 and currently working as Associate Senior Administrator at Management and Integration Department of Human Spaceflight Technology Directorate. He is also working as Researcher at the Institute of Space Law of Keio University. He received LL.M. degree from the Institute of Air and Space Law of McGill University in 2015. His main interest is in international space law inter alia the legal aspects of space traffic management and sustainable space development. He is a member of the Air Law Institute of Japan, Japanese Society of International Law, and the International Institute of Space Law (IISL).
Main Works Published in English
- “Toward the International Regime for Space Traffic Management -What to Fix the Current International Regulations-”, (November 5, 2014). Space Traffic Management Conference, Paper 23 (http://commons.erau.edu/stm/2014/wednesday/23).
- “Regulatory Regime for Tomorrow’s Suborbital Space Flights: Point-to-point International Flights”, 56th Colloquium on the Law of Outer Space, 2013.
- “Space Traffic Management as a Guiding Principle of the International Regime of Sustainable Space Activities,” 4 Journal of East Asia and International Law, 2011
- “Japanese Perspective on Legal Issues of Commercial Human Spaceflight” (co-author), 53rd Colloquium on the Law of Outer Space, 2011
- “Legal Points at Issue about NEO Threat Response and International Cooperation” (co-author), 28th International Symposium on Space Technology and Science, 2011
- “From Guideline to International Treaty for Rule of Law concerning Mitigation of Space Debris?” (co-author), 52nd Colloquium on the Law of Outer Space, 2010
Main Works Published in Japanese (title translated into English)
- “What is Space Traffic Management”, Vol. 46, No.9, Journal of the Japanese Institute of International Business Law, 2018.
- Soichiro Kozuka & Masahiko Sato eds., Introduction of Space Law for Entrepreneur (2nd. Ed.), Yuhikaku, 2018. (co-authored)
-“Challenges to International Space Law for Managing Space Traffic”, 55 Kuho (Air Law), 2014.
-“Legal Points as Issues of NEO Threat Response and International Cooperation” (co-author), 3 Spaceguard Research, Japan Spaceguard Association, 2011https://commons.erau.edu/stm-images/1121/thumbnail.jp
Writing a Wikipedia Article on Cultural Competence in Health Care
No full textThis article describes how librarians created a Wikipedia article on cultural competence in health care to support the medical school’s curriculum. Wikipedia, often considered not as reliable as scholarly articles, continues to be popular. Rutgers librarians conducted a Wikipedia project to improve its content to benefit students. The importance of cultural competency in health care is widely recognized due to increasingly diverse patient populations. Medical schools integrate cultural competency in curricula to train students to be culturally competent. Therefore, this topic was chosen for the Wikipedia Project. It is hoped that health sciences librarians and educators will benefit from their experience
On the Pre-Anniversary Biographies of M. Yu. Lermontov
No full textСтатья поступила в редакцию 03.10.2014 г.В статье дан обзор жизнеописаний М. Ю. Лермонтова, изданных накануне юбилея поэта. В центре внимания — своеобразие интерпретаций ключевых событий творческого и жизненного пути классика. Охарактеризована манера письма и индивидуальный стиль биографов. Обозначена проблема отсутствия научной биографии М. Ю. Лермонтова.The article reviews a number of M. Yu. Lermontov’s biographies published on the eve of the poet’s upcoming birthday anniversary. The author focuses on the interpretations of the key events of the classic’s artistic journey and life. The author characterizes the biographers’ individual manner and style emphasizing the absence of a scholarly biography of M. Yu. Lermontov
“Brothers” and the Reception of Yu Hua in France
No full textInternational audienceAfter an overall presentation of the situation of Yu Hua’s work in France, we shall focus on the reception of his novel Xiongdi, which received an unprecedented media coverage. In less than one year, from the end of March 2008, when the book came out, to the end of January 2009, the book has been reviewed more than fifty times in newspapers, radio or television programs as well as Internet sites, either briefly, or at length, and sometimes along with an interview of the author. A critical success, which has resulted in the author winning the prestigious « prix Courrier international » (a prize awarded by the weekly journal Courrier International) and was coupled with a tremendous commercial success, the book gaining a large audience among the general readers but also, it must be stressed, among the economists, who acclaimed Yu Hua as « a vigilant scrutinizer of Chinese reality »
Correction to: Long-term changes in rainfed olive production, rainfall and farmer’s income in Bailén (Jaén, Spain) (Euro-Mediterranean Journal for Environmental Integration, (2021), 6, 2, (58), 10.1007/s41207-021-00268-1)
No full textThe article Long‐term changes in rainfed olive production, rainfall and farmer’s income in Bailén (Jaén, Spain), written by Jesús Rodrigo‐Comino, José María Senciales‐Gonzalez, Yang Yu, Luca Salvati, Antonio Gimenez‐Morera and Artemi Cerdà, was originally published electronically on the publisher’s internet portal on 18 June 2021 without open access. With the author(s)’ decision to opt for Open Choice the copyright of the article changed on 3 July 2021 to © The Author(s) 2021 and the article is forthwith distributed under a Creative Commons Attribution 4.0 International License, which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence, and indicate if changes were made. The images or other third party material in this article are included in the article’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the article’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. To view a copy of this licence, visit http:// creat iveco mmons. org/ licen ses/ by/4.0. The original article has been corrected
The Dunhuang Manuscript Version of a Synopsis of the Yu zhu jinggang bore jing xuan yan and Its Author
No full text110009359848The present paper investigates a synoptic text, surviving only in Dunhuang manuscript fragments (Stein Nos 8044, 8166, and 9723 衾all part of the same scroll), dealing with the Yu zhu jingang bore jing xuan yan御註金剛般若經宣演, the work of Daoyin 道氤(668-740), a scholar-monk active during the Kaiyuan開元era.My examination of the content and form of the extant fragments leads me to conclude that this must be a synopsis compiled on the basis of the Jingang ying, a commentary to the Yu zhu jingang bore jing xuan yan. We know from Yitianʼs 義天Xin bian zhu zong jiao zang zong lu 新編諸宗教藏總録that a synoptic text called Yu zhu jingang bore jing xuan yan ke 御註金剛般若經宣演科, in two scrolls, was composed by Quanming 詮明, a scholar-monk who lived under the Liao 遼Dynasty. The text, however, has not been indentified so far. My investigation raises the possibility that the author of the above Dunhuang manuscript fragments might be no other than Quanming. These materials thus become very important sources not only for our understanding of the influence exerted by the Yu zhu jingang bore jing xuan yan ke and the Jingang ying on later Chinese Buddhism but also for the study of Quanmingʼs work and thought.departmental bulletin pape
«Time with Dislocated Joints» (on Literary Ideologemes in Yu. Polyakov's Prose)
No full textThe principles and means for embodiment the writer's idea to outline ideology of the epoch in the literary text are the subject of research. Recognizing the need to combine the literary and linguistic analysis of the literary prose, the author of article analyzes language forms from the point of view of the peculiarities of conveying the ideological content by them. Ideologemes in the well-known modern writer Yu. Polyakov's prose are considered to be “the minimized meanings”, markers, reference points by which the reader can form an opinion on the “spirit of the age”, described in works, and at the same time understand the writer's sarcastic interpretation of the events of the epoch. The author focuses on the means like the way of semantic actualization, the repetition of negative pronouns and particles, filling the text with abbreviations. It is emphasized that abbreviations in the novels by Yu. Polyakov have not only the nominative function, but expose an essence of dominating ideology, express a condition of inspirituality. According to the author, the abbreviation process is revealed in the novels as a morbid speech mutation caused by the epoch. The peculiarities of Yu. Polyakov's image of the epoch ideological component are compared with typical methods and features of the literary narration which are found in the works by V. Dyogtev, V. Shukshin, M. Saltykov-SchedrinПредметом исследования являются принципы и средства воплощения замысла писателя, поставившего перед собой задачу очертить идеологию эпохи в художественном тексте. Признавая необходимость сопряжения литературоведческого и лингвистического анализа художественной прозы, автор статьи анализирует языковые формы с точки зрения особенностей передачи ими идеологического содержания. Идеологемы в прозе известного современного писателя Ю. Полякова рассматриваются как «свернутые смыслы», указатели, ориентиры, по которым читатель может составить представление о «духе времени», описываемого в произведениях, и одновременно понять саркастическую трактовку событий эпохи писателем. Автор останавливается на таких средствах, как прием семантической актуализации, нагнетание отрицательных местоимений и частиц, насыщенность текста сложносокращенными словами. Подчеркивается, что аббревиатуры в повестях Ю. Полякова не ограничены номинативной функцией, они изобличают суть господствующей идеологии, передают состояние бездуховности. По мнению автора статьи, процесс аббревиации раскрывается в повестях как нездоровая речевая мутация, обусловленная эпохой. Особенности изображения Ю. Поляковым идеологической составляющей времени сопоставляются с характерными приемами и чертами художественного повествования, которые обнаруживаются в произведениях В. Дёгтева, В. Шукшина, М. Салтыкова-Щедрин
«Time with Dislocated Joints» (on Literary Ideologemes in Yu. Polyakov's Prose)
No full textThe principles and means for embodiment the writer's idea to outline ideology of the epoch in the literary text are the subject of research. Recognizing the need to combine the literary and linguistic analysis of the literary prose, the author of article analyzes language forms from the point of view of the peculiarities of conveying the ideological content by them. Ideologemes in the well-known modern writer Yu. Polyakov's prose are considered to be “the minimized meanings”, markers, reference points by which the reader can form an opinion on the “spirit of the age”, described in works, and at the same time understand the writer's sarcastic interpretation of the events of the epoch. The author focuses on the means like the way of semantic actualization, the repetition of negative pronouns and particles, filling the text with abbreviations. It is emphasized that abbreviations in the novels by Yu. Polyakov have not only the nominative function, but expose an essence of dominating ideology, express a condition of inspirituality. According to the author, the abbreviation process is revealed in the novels as a morbid speech mutation caused by the epoch. The peculiarities of Yu. Polyakov's image of the epoch ideological component are compared with typical methods and features of the literary narration which are found in the works by V. Dyogtev, V. Shukshin, M. Saltykov-SchedrinПредметом исследования являются принципы и средства воплощения замысла писателя, поставившего перед собой задачу очертить идеологию эпохи в художественном тексте. Признавая необходимость сопряжения литературоведческого и лингвистического анализа художественной прозы, автор статьи анализирует языковые формы с точки зрения особенностей передачи ими идеологического содержания. Идеологемы в прозе известного современного писателя Ю. Полякова рассматриваются как «свернутые смыслы», указатели, ориентиры, по которым читатель может составить представление о «духе времени», описываемого в произведениях, и одновременно понять саркастическую трактовку событий эпохи писателем. Автор останавливается на таких средствах, как прием семантической актуализации, нагнетание отрицательных местоимений и частиц, насыщенность текста сложносокращенными словами. Подчеркивается, что аббревиатуры в повестях Ю. Полякова не ограничены номинативной функцией, они изобличают суть господствующей идеологии, передают состояние бездуховности. По мнению автора статьи, процесс аббревиации раскрывается в повестях как нездоровая речевая мутация, обусловленная эпохой. Особенности изображения Ю. Поляковым идеологической составляющей времени сопоставляются с характерными приемами и чертами художественного повествования, которые обнаруживаются в произведениях В. Дёгтева, В. Шукшина, М. Салтыкова-Щедрин
YU YU HAKUSHO FIRST EPISODE: A semiotic narrative analysis
No full textThis paper aims to analyze the meanings and feelings represented by semiotic elements available in the first episode of the anime Yu Yu Hakusho. The theoretical approach adopted is the Semiotic Cultural Psychology (SCP) in which considers human beings as meaning makers in the world through the mediation of signs. In this paper we consider signs from the Peirce perspective as the representation of objects in the real world and divided into symbols, indexes and icons. From SCP we considered how these signs can represent mediation by pleromatization and schematization in order to understand meanings and feelings represented by field-like signs and point-like signs. In the excerpt from this article, we selected the first episode of the anime Yu Yu Hakusho to understand how meanings and feelings are regulated through existing complexes of signs during the narrative. To achieve this, we cataloged the main semiotic elements of the episode, classifying them as point-like signs or field-like signs. Subsequently, we analyzed which of these signs were part of a semiotic hybrid complex (pleromatization/field-like signs/hyper-generalization) regulating feelings related to the narrative and which expressed constructed and shared meanings (schematization/point-like signs/generalization). In the results, we found that semiotic elements can be considered as narrative devices to involve the viewer in the story based on the intentionality of the author. In the Yu Yu Hakusho first episode, the intentionality is based in the presentation of the character Yusuke and the creation of feelings related to him. In this sense, in order to present who Yusuke is, point-like signs were identified representing some characteristic about him. In the second part of the episode, there was a predominance of field-like signs in order to create some feelings about Yusuke based on the empathy constructed in the first part of the narrative. Then, as related in the literature, mediations by schematization and pleromatization acted all the time in order to relate cognitive elements (meanings constructed about Yusuke) and effective elements (feelings to be felt for Yusuke)
Yu. M. Lotman and Contemporary Narratology
No full textThe paper reconstructs the influence of the semiotic studies of Yu. Lotman on the formation of the problems and the research apparatus of modern (“post-classical”) multimedia narratology, associated with the names of J. Genette, P. Ricoeur, W. Schmid and others. In particular, the author discusses the emergence of scientific interest in the film narrative, which has also had a significant impact on literary narratology, enriching it with the constructive concept of the “narrative image”. The article focuses on Lotman’s storytelling research, especially the concept of “plot-driven texts” of culture in their opposition to “plotless texts”. Particular importance is attached to the distinction between plot and myth, which continued O. M. Freidenberg’s investigations into the origin of narration. Lotman’s pioneering role in mastering the scientific categories of “narrative worldview” and “narrative event” is described. The author reveals the place of Lotman's research heritage in the comprehension of narrative practices as a tool for mental appropriation of life, accumulation and retranslation of event experience, as well as in the birth and development of the modern project of historical narratology
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