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O surrealismo será aquilo que a nossa atitude ditar
Get PDFIn the context of centenary of Jorge de Sena, dissemination and criticism of poetry and the arts, the general objective of this brief reflection intends to recompose the history of the controversy generated with the publication of “Surrealism, with regard to an exhibition and some related publications”, at Nova Seara, in 1949, among other texts by Jorge de Sena, emphasizing a certain state of awareness about the avant-garde artistic movements, more specifically, surrealism, at that time
Histórias de amor, o livro censurado de José Cardoso Pires
Get PDFThe alienation and violence so often manifested in José Cardoso Pires’ narrative appear associated with an environment of suffocation, motivated by a social structure that constantly threatens freedom, dignity and, in many cases, the lives of human beings. It is true that the Portuguese are beings full of history. There have always been those who lived in the shadow of Power, among various inquisitions, whose eyes – a thousand – always included bureaucrats on duty, putting at risk the freedom and rights of men, in a state of exception, this “point of imbalance between public law and private fact”, according to Giorgio Agamben (State of exception, 2004, p. 11), tending “increasingly to present itself as a dominant government paradigm in contemporary politics.” Two books of short narratives come to the public when neorealism is in full force, at a time when the Salazarist Estado Novo exercises its power of repression and censorship – Os Caminheiros (1949) and Histórias de Amor (1952) – the latter taken out of circulation by censorship on August 26 of the same year of its publication. With the publication of the volume Jogos de Azar, in 1963, stories from the two books were made public. In 2008, ten years after the death of its author, the second edition of Histórias de amor would be released, including the previously censored excerpts. It is with this book that I intend to pay homage to the author of O Delfim, twenty-five years after his death.A alienação e a violência que tantas vezes se manifestam na narrativa de José Cardoso Pires surgem associadas a um ambiente de asfixia, motivado por uma estrutura social que ameaça constantemente a liberdade, a dignidade e, em muitos casos, a vida de seres humanos. É certo que os portugueses são seres carregados de História. Sempre houve quem vivesse à sombra do Poder, entre inquisições várias, cujos olhos – mil – sempre contaram com burocratas de plantão, pondo em risco a liberdade e o direito dos homens, em estado de exceção, esse “ponto de desequilíbrio entre direito público e fato privado”, segundo Giorgio Agambem (Estado de exceção, 2004, p. 11), tendendo “cada vez mais a se apresentar como paradigma de governo dominante na política contemporânea.” Dois livros de narrativas breves vêm a público em plena vigência do neorrealismo, no momento em que o Estado Novo salazarista exerce o seu poder de repressão e de Censura – Os Caminheiros (1949) e Histórias de Amor (1952) – este tirado de circulação pela censura em 26 de agosto do mesmo ano de sua publicação. Com a publicação do volume Jogos de Azar, em 1963, vêm a público contos dos dois livros. Em 2008, dez anos depois da morte de seu autor, sairia a segunda edição das Histórias de amor, em que se incluem os trechos censurados. É com este livro que pretendo homenagear o autor d’ O Delfim, vinte e cinco anos depois de sua morte
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
“O crime do Padre Amaro” e uma leitura do destino de Amélia
Get PDFO presente trabalho visa observar o papel da personagem Amélia do romance O Crime do Padre Amado (1875, 1876, 1880) para pensar como ela é de alguma forma um produto da sociedade oitocentista decadente de Portugal. Em meio a uma crise política, econômica e social, criou-se um sistema para manter as estruturas de poder as mulheres eram criadas em moldes religiosos para serem boas esposas e boas mães, sem uma educação que estimulasse seu pensamento crítico. Em meio a essa sociedade, Amélia, ao ser conduzida a sucumbir ao pecado, sofre com as consequências de seus atos, enquanto Amaro sai impune
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
A Casa-Museu Fernando Namora
Get PDFTestimony of the House Museum Fernando Namora, special for Metamorfoses 16(1).Depoimento da Casa-Museu Fernando Namora especial para a Metamorfoses 16(1)
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