2,755 research outputs found
Keynote: Jon Gertner
No full textThe symposium will start on the evening of April 16 with a keynote address by Jon Gertner. Jon is a journalist, historian, and feature writer for The New York Times Magazine
as well as the author of the NYTimes bestseller, The Idea Factory. His address will focus on the issue of intellectual property and the ethical questions around the huge amount of human-generated content that large language models use as they are developed
Jon Mirande eta ironia
No full textLa ironía es un elemento que ha ido siempre unido a la poesía, y especialmente a la poesía moderna.Tras un pequeño repaso a esta en diferentes épocas, se pasa a describir las tres diferentes ironías de Jon Mirande: la intelectual, la social y la filosófica. Todo ello acompañado de ejemplosIrony is an element that has always been united to poetry, and especially to modern poetry. After a small revision of irony in different eras, the author then describes the three different ironies of Jon Mirande: intellectual, social and philosophical irony. All this illustrated with example
Jon Pineda, 32nd Annual ODU Literary Festival
No full textJon Pineda is the author of The Translator\u27s Diary, winner of the Green Rose Prize for Poetry, and BIrthmark, winner of the Crab Orchard Award Series in Poetry Open Competition. His memoir, Sleep in Me, is forthcoming in 2010 from the University of Nebraska Press. He teaches in the low-residency MFA program at Queens University of Charlotte
Interview with Jon Baskin--May 15, 2015
No full textJon Baskin is co-founder and editor of The Point magazine in Chicago. He is also a graduate student at the University of Chicago's Committee on Social Thought and the author of many essays and works of criticism for venues such as The Los Angeles Review of Books, The Nation, n+1, The New York Observer, BookForum, Salon, and The Point. Earlier in his career he was a fact checker for various magazines, including Popular Science, Inc Magazine, The Atlantic Monthly, and n+1. The interview was conducted at the office of The Point in Chicago on May 15, 2015.1_izzia9z
Jon Sands, 41st Annual ODU Literary Festival
No full textJon Sands is the author of The New Clean (2011), as well as the co-host of The Poetry Gods podcast. His work has been published widely, and anthologized in The Best American Poetry. He’s a youth mentor with Urban Word-NYC, and teaches creative writing for adults at Bailey House in East Harlem (an HIV/AIDS service center). He’s a recent MFA graduate in fiction from Brooklyn College, where his work won the Himan Brown Award for short stories, and he has represented New York City multiple times at the National Poetry Slam. He lives in Brookly
Essay piece by Jon Hawkins on an altercation that broke out in Portland\u27s Old
No full textEssay piece by Jon Hawkins on an altercation that broke out in Portland\u27s Old Port on Dec. 31 that was characterized by police as a riot. The author, who was the disc jockey at an Old Port pub that night and witnessed the incident, claims the 12 people arrested were reacting to excessive force being used by the police department
Kepentingan Amerika Serikat dalam Proses Denuklirisasi Korea Utara. BY AUTHOR: Javira Ardiani Bima Jon Nanda Zulkifli Harza
No full textKepentingan Amerika Serikat dalam Proses Denuklirisasi Korea Utara. BY AUTHOR: Javira Ardiani Bima Jon Nanda Zulkifli Harz
Academic Convocation, Jon Meacham, 5 September 2018
No full textPresidential historian and author Jon Meacham addresses cadets during Academic Convocation on September 5, 2018 in Cameron Hall.More images of this event available
The Public Sphere in the Nordic Model
No full textFive institutional fields were pinpointed as the main components of a public sphere in the introductory chapter (Engelstad, Larsen, Rogstad & Steen-Johnsen, this volume). They vary significantly in their institutional structure as well as the distribution of power. These variations to a large extent determine how the public sphere as a whole will function. In the present chapter each of the fields are briefly presented, in order to show some of their specificities, while at the same time pointing to their links to politics and political regulation.
Even though material from Norway is the most prominent in this book, Norwegian society is part of a broader type of social formation. A broader focus on Nordic societies accentuates that the constellation of institutions in one country is not the product of purely random historical processes, but represent more stable institutional clusters. To the degree that there are central commonalities between the Nordic countries also when it comes to the shape of the public sphere, it makes sense to talk of a Nordic model in this respect, not only in the politico-economic sphere, as is most common.
There have been and still are controversies over the fruitfulness of the concept of a Nordic model. Hence, the chapter is introduced by a brief discussion of alternative ways of conceiving a ‘model’. Moreover, the discussion is informed by two important works: Comparing Media Systems (Hallin & Mancini, 2004) and The Media Welfare State (Syvertsen, Enli, Mjøs & Moe, 2014). Even though these works are limited to the media field, and thus cover only part of the topic treated here, they give valuable impulses to the understanding of the public sphere as a whole
Author variants in the Poetry of Jon Juaristi
No full textABSTRACT: In the present work we propose to systematize all the author’s variants introduced by Jon Juaristi in the new edition of his collected poems, entitled Derrotero. Before doing so, we examined the different examples of the rewriting of fourteen poems by Juaristi from their initial publication in a magazine until becoming part of one of his books. Specifically, the changes introduced by the poet in fourteen poems are analysed: two of Arte de marear, two of Los paisajes domésticos, two of Tiempo desapacible, three of Prosas (en verso) and five of Renta antigua. Both the variants inserted in these texts and in the new edition of his collected poetry allow us to conclude that Jon Juaristi only modifies, in most cases, questions of detail in order to improve syllabic computation, make sense more precise in some passage, to smooth over some slightly remote cultural reference, or to smooth out a conceptual sprain of difficult interpretation.KEY WORDS: Jon Juaristi; textual criticism; author’s variants; metrics.RESUMEN: En el presente trabajo nos proponemos sistematizar todas las variantes de autor introducidas por Jon Juaristi en la edición en prensa de sus poesías reunidas, titulada Derrotero. Antes de ello, examinamos los distintos ejemplos de reescritura de catorce poemas de Juaristi desde su inicial publicación en revista hasta que, con las oportunas modificaciones, pasaron a formar parte de alguno de sus libros. En concreto, se analizan los cambios introducidos por el poeta en dos poemas de Arte de marear, dos de Los paisajes domésticos, dos de Tiempo desapacible, tres de Prosas (en verso) y cinco de Renta antigua. Tanto las variantes insertas en estos textos como en la nueva edición de la poesía reunida del poeta nos permiten concluir que Jon Juaristi solo modifica, en la inmensa mayoría de los casos, cuestiones de detalle con objeto de mejorar el cómputo silábico, hacer más preciso el sentido de algún pasaje, allanar alguna referencia cultural levemente remota o suavizar un esguince conceptista de interpretación costosa.PALABRAS CLAVE: Jon Juaristi; crítica textual; variantes de autor; métrica
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