1,720,982 research outputs found

    A fuzzy mdel for scene decomposition based on preattentive visual features

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    Feature detectors in the early preattentive stage of the Human Visual System (HVS) are believed to cause regions of the viewing field to be identified as perceptually salient, attracting the attention of the viewer. It is anticipated that this characteristic of the HVS can be incorporated into a feature based fuzzy scene decomposition model, which will assist an image rendering system in the allocation of the highest levels of detail to the most conspicuous objects. Efficiency gains should occur, with minimal loss of perceptual image quality. \ud \ud This paper describes the early stages of the development of this fuzzy model, for a small subset of commonly accepted visual features: colour, size, location, edges and depth cues. Previous researchers have used arbitrary feature relationship models in image processing systems, with some success. Our aim is to improve on these models by integrating present knowledge of visual feature relationships , with experimental results of our own, and to apply this model to the area of image synthesis.\ud \ud Preliminary results from experiments with size features are presented, along with planned experimentation for other visual features. This work will have applications in the areas of scientific visualisation, vision simulation and entertainment

    Psychophysical Evaluation of a Variable Friction Tactile Interface

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    This study explores the haptic rendering capabilities of a variable friction tactile interface through psychophysical experiments. In order to obtain a deeper understanding of the sensory resolution associated with the Tactile Pattern Display (TPaD), friction discrimination experiments are conducted. During the experiments, subjects are asked to explore the glass surface of the TPaD using their bare index fingers, to feel the friction on the surface, and to compare the slipperiness of two stimuli, displayed in sequential order. The fingertip position data is collected by an infrared frame and normal and translational forces applied by the finger are measured by force sensors attached to the TPaD. The recorded data is used to calculate the coefficient of friction between the fingertip and the TPaD. The experiments determine the just noticeable difference (JND) of friction coefficient for humans interacting with the TPaD.LSR

    Human-Centered Content-Based Image Retrieval

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    A breakthrough is needed in order to achieve a substantial progress in the field of Content-Based Image Retrieval (CBIR). This breakthrough can be enforced by: 1) optimizing user-system interaction, 2) combining the wealth of techniques from text-based Information Retrieval with CBIR techniques, 3) exploiting human cognitive characteristics, especially human color processing, and 4) conducting benchmarks with users for evaluating new CBIR techniques. In this paper, these guidelines are illustrated by findings from our research conducted the last five years, which have lead to the development of the online Multimedia for Art ReTrieval (M4ART) system: http://www.m4art.org. The M4ART system follows the guidelines on all four issues and is assessed on benchmarks using 5730 queries on a database of 30,000 images. Therefore, M4ART can be considered as a first step into a new era of CBIR

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Synthetic environments as visualization method for product design

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    In this paper, we explored the use of low fidelity Synthetic Environments (SE; i.e., a combination of simulation techniques) for product design. We explored the usefulness of low fidelity SE to make design problems explicit. In particular, we were interested in the influence of interactivity on user experience. For this purpose, an industrial design case was taken: the innovation of an airplane galley. A virtual airplane was created in which an interactive model of the galley was placed. First, three groups of participants explored the SE in different conditions: Participants explored the SE interactively (Interactive condition), watched a recording (Passive Dynamic condition), or watched static images (Passive Static condition). Afterwards, participants were tested in a questionnaire on how accurately they had memorized the spatial layout of the SE. The results revealed that interactive SE does not necessarily provoke participants to memorize spatial layouts more accurately. However, the effect of interactive learning is dependent on the participants’ Visual Spatial Ability (VSA). Consequently, this finding supports use of interactive exploration of prototypes through low fidelity SE for the product design cycle when taking the individual’s characteristics into accountHuman Information Communication DesignIndustrial Design Engineerin

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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