1,722,021 research outputs found
Fuoripagina. La collezione Roffi
Mostra della collezione di poesia visuale "Fuoripagina" di Gian Paolo Roffi presso il MAC,n - Museo di Arte Contemporanea e del Novecento di Monsummano Terme (PT), dal 7 marzo al 2 giugno 2015
Gian Paolo Roffi. La quadratura del cerchio
Uno studio sulla produzione verbi-voco-visiva del poeta e artista bolognese Gian Paolo Roffi
Schede opere di: Pietro Fragiacomo, Cesare Laurenti, Guido Marussig, Umberto Moggioli, e Ugo Valeri
The work of Umberto Boccioni, artist and avant-garde man, painter and sculptor who marked the art and culture of the twentieth century, can still hold surprises if studied with passion by looking towards his formative years, the lesser-known years , the years in which the artist laid the foundations for full participation in the Futurist movement. This volume offers the most in-depth research and the most complete collection ever published of Boccioni's works from the early 1900s to 1910, from the first studies between Rome, Venice and Milan to the works immediately preceding the signing of the Futurist Manifesto. The study of the sources, starting from the diaries, from Boccioni's correspondence up to 1910, and the recent research carried out by the curators Virginia Baradel, Niccolò D'Agati, Francesco Parisi and Stefano Roffi make the book a fundamental tool for deepening and knowing the artist and his works
Words Beyond. Fuoripagina, the Gian Paolo Roffi Collection
For many years now, the Bolognese Gian Paolo Roffi has added the collecting to his artistic and poetic activity, relying on the knowledge gained over forty years of participation in the field of visual poetry. The author has constituted a collection of about one hundred and forty pieces of small format, titled Fuoripagina, to underline the attempt to escape from the conventions of the printed page that characterizes the individual works. Starting from the collecting criteria adopted by Roffi, in the present text a partial critical path is traced which intends to highlight ways and strategies of reinvention of the printed page typical of the verbo-visual searches of the second half of the Twentieth Century
European Society of Cardiology Congress 2019 Together With the World Congress of Cardiology in Paris: The Scientific Chairs Give the Inside Track on Achieving Excellence and Engagement
How do you attract 33 500 people from around the world to a cardiovascular conference? Offer plenty of important new science. That was the recipe for the European Society of Cardiology (ESC) and its Congress 2019, held in Paris over 5 days this summer. Chairing the Program Committee of any congress is challenging enough, but organizing the Scientific Program of the world’s largest cardiovascular congress is a daunting task. This year, ESC President Professor Barbara Casadei appointed 2 chairs: Professor Silvia Priori and Professor Marco Roff
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
What a congress!
The 2019 Annual Congress of the European Society of Cardiology (ESC), held in collaboration with the World Congress of Cardiology of the World Heart Federation, took place in Paris from August 31 to September 4. With more than 33 500 attendees, this meeting of the largest congress of cardiovascular (CV) medicine in the world achieved an all-time record of attendance. For the first time, it was hosted in a venue in downtown Paris, Port de Versailles, which has recently been extensively renovated. Access was easy thanks to a wide range of public transportations including the Metro.
At the entrance, the ‘wow effect’ was created by a circular LED screen measuring more than 120 m long and 2 m high. The compact setting of the venue, with the vast majority of the activities taking place in the central three-story building, immediately conquered the attendees allowing delegates to easily become oriented and feel comfortable. Despite the attractiveness of Paris and the nice weather, the sessions were packed until the end of the day
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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