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    El surgimiento del Deseo en Kierkegaard: un análisis de los estadios eróticos inmediatos

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    The aim of this paper is to analyse Kierkegaard’s early theory of desire. This theory is developed in “The Inmediate Stages of the Erotic” (Either / Or. Part I) by pseudonym author A. The paper states the conceptual place of Cherubino (first stage), Papageno (second stage) and Don Juan (third stage) in A ́s exposition of the esthetic way of life (i.) and provi-des a reconstruction of the rise of the desire (ii.).El objetivo de este artículo es analizar la primera teoría kierkegaardeana del deseo. Dicha teoría es desarrollada en “Los estadios eróticos inmediatos” (O lo uno o lo otro. Parte I) por el autor pseudónimo A. El artículo establece el lugar conceptual de Cherubino (primer estadio), Papageno (segundo estadio) and Don Juan (tercer estadio) en la exposición de A del modo estético de vida (i.) y proporciona una reconstrucción del surgimiento del deseo (ii.)

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

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    Familiaridad consigo mismo, reflexión y desesperación en Kierkegaard. Un comentario a Deleuze, Kierkegaard and the Ethics of Selfhood de Andrew Petzinger

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    The present article aims to explore some central aspects of Kierkegaard theory of subjectivity. For this purpose, I reconstruct and discuss some chapters of Andrew Petzinger’s recently published book Deleuze, Kierkegaard and the Ethics of Selfhood. First, and following Petzinger, I will try to establish what place Deleuze gives to Kierkegaard in the post-Kantian history of subjectivity. Then, I will offer an interpretation of the first chapter of The Sickness unto Death based on the notion of «familiarity with oneself».El presente artículo pretende explorar algunos aspectos centrales de la teoría de la subjetividad de Kierkegaard. Con este propósito, procedo a una reconstrucción y discusión de algunos capítulos del libro de Andrew Petzinger Deleuze, Kierkegaard and the Ethics of Selfhood de reciente publicación. En primer lugar y siguiendo a Petzinger, trataré de fijar qué lugar le otorga Deleuze a Kierkegaard en la historia postkantiana de la subjetividad. A continuación, ofreceré una interpretación del primer capítulo de La enfermedad mortal a partir de la noción de «familiaridad consigo mismo»

    Trabajo como terapéutica existencial: la constitución ética de la personalidad en O lo uno o lo otro de Kierkegaard

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    El presente artículo explora la noción de “trabajo” en O lo uno o lo otro (1843) de Kierkegaard. Este libro contiene una discusión entre dos concepciones o modos de vida: la ética (segunda parte) y la estética (primera parte). El concepto de trabajo recibe una atención explícita en la primera y la segunda parte del libro. El propósito principal del discurso ético es superar la desesperación, que es concebida como una comprensión incorrecta del yo y su relación con los otros y el mundo. En este sentido, el trabajo se piensa como un modo de elegirse a sí mismo y evitar la alienación.

    El concepto de alienación en Kierkegaard: análisis del concepto ético de desesperación como descripción kierkegaardeana de la vida dañada

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    O lo uno o lo otro, la primera obra pseudónima de Kierkegaard, comienza con una exposición de la visión estética de la vida (primer volumen), seguida por la crítica ética de la concepción estética de la existencia (segundo volumen). La categoría de «desesperación» es el concepto central en el rechazo de la estética: la afirmación básica de O lo uno o lo otro II es que la vida estética es desesperación, y la vida ética ofrece un escape de la desesperación. Este artículo se propone presentar la primera conceptualización kierkegaardeana de la desesperación como una teoría de la alienación
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