1,309 research outputs found
Traces of performativity at Nelson Rodrigues s plays
No full textThis dissertation investigates the relationships promoted by Nelson Rodrigues
between the text and the scene, which reveals on his playwriting evidences of
performativity. Therefore, the theoretical basis used here includes studies of
performance, pragmatic and discourse analysis, offering tools to enable this
performativity to be seen under different approaches. The second moment of this
dissertation is reserved for the verification of these theoretical principles and the
dramaturgy of Rodrigues, through the analysis of Anjo Negro, Valsa nº6 and A
Falecida. The traces of performativity are observed in each one of these plays
through their emphasized formal characteristics: while the theory of the speech acts
tries to evidence the performativity present in the dialogues of A Falecida; the study
of the poetic function of language permits to ascertain traces of performativity
involved in the writing of Valsa nº 6. Also, the performance studies enable the
understanding of performative content revealed in the dramaturgical architecture of
Nelson Rodrigues as a scenic writer, especially in Anjo Negro.Esta dissertação busca investigar as relações que Nelson Rodrigues promove entre
o texto e a cena, o que faz com que sua dramaturgia revele traços de
performatividade. Para tanto, a base teórica aqui utilizada contempla estudos da
performance, da pragmática e da análise do discurso, que oferecem instrumentos
para que essa performatividade possa ser surpreendida sob diferentes enfoques. O
segundo momento desta dissertação é reservado à verificação desses princípios
teóricos e a dramaturgia rodriguiana, através da análise de Anjo Negro, Valsa nº 6 e
A Falecida. Os traços de performatividade são verificados em cada uma destas
peças através de suas características formais colocadas em destaque: enquanto a
teoria dos atos da fala busca evidenciar a performatividade presente nos diálogos de
A Falecida; o estudo da função poética da linguagem permite averiguar os vestígios
de performatividade implicados na escrita de Valsa nº 6. Já os estudos performáticos
possibilitam a compreensão do teor performativo revelado na arquitetura
dramatúrgica de Nelson Rodrigues enquanto escritor cênico, principalmente em Anjo
Negro.Coordenação de Aperfeiçoamento de Pessoal de Nível Superio
Kamila Janiak i punk
Full text linkThe author presents poetry by Kamila Janiak in the context of avant-guard pop-culture. She deals mainly with punk and cyber-punk motifs of this poetry, which alow to understand them as a feminist, post-human and anty-capitalist project. She shows how Janiak for her purposes uses d.tournements: she takes on the one hand principles, which rule in the “controlled societies” and on the other hand pop-culture aesthetics and psychodelic rock music.The author presents poetry by Kamila Janiak in the context of avant-guard pop-culture. She deals mainly with punk and cyber-punk motifs of this poetry, which alow to understand them as a feminist, post-human and anty-capitalist project. She shows how Janiak for her purposes uses d.tournements: she takes on the one hand principles, which rule in the “controlled societies” and on the other hand pop-culture aesthetics and psychodelic rock music
Replication data for: Caracterização microbiológica e avaliação de sobrevivência em NAC e protótipos de carne cultivada
No full textOs dados apresentados aqui fazem parte da tese de doutorado de Kamila Habowski, especificamente ao 3° capítulo no qual foram desenvolvidos vários experimentos, realizados no Laboratório de microbiologia Quantitativa de Alimentos (LMQA) da Faculdade de Engenharia de alimentos (FEA). Os metadados fazem parte e explicam os resultados alcançados durante as analises de caracterização microbiológica de dois ingredientes - Scaffolds de nanofibras de acetato de celulose (NAC) e de protótipos de células contendo mioblastos C2C12, potenciais ingredientes para produção de carne cultivada. Além disso, os metadados possuem dados da avaliação de sobrevivência de dois patógenos alimentares, Salmonella Typhimurium e Listeria monocytogenes, nas mesmas matrizes alimentícias - NAC e Protótipos
"Kartography" by Kamila Shamsie
No full textKartography (2002) is the third novel by the Karachi-born author Kamila Shamsie and the “first full-length Pakistani-English novel with the 1971 war”, which resulted in the secession of Pakistan’s East wing, “as its central concern” (Bhattacharji, 385). Today, Shamsie is best known for her highly prescient Home Fire (2017), which explores the familial repercussions of a young British Pakistani’s recruitment by the Islamic State, and for her post-9/11 novel Burnt Shadows (2009)
Solidarity economy: concepts and norteador principles
No full textMade available in DSpace on 2019-09-12T16:57:05Z (GMT). No. of bitstreams: 0
Previous issue date: 2018The first movements that would culminate in the emergence of Solidarity Economy, date from the beginning of the nineteenth century in Europe, and its arrival in America happened from 1980. Because it is a relatively new field, the subject has scarce literature in Brazil, which expresses a difficulty in its conceptualization. Starting from this theme, the present work intends to conceptualize the Solidary Economy, starting from the analysis of its historical evolution, principles and characteristics. In order to reach the objective of the study, a bibliographical and exploratory research was adopted, where it was tried to explore books and periodicals that deal with the subject, to reach a more complete conceptualization. Thus, the study concludes that Solidary Economy is a social movement that proposes a self-managed, democratic and cooperative way of production, alternative to the traditional economy, whose purpose is economic, social and political development, to the detriment of pure accumulation of capital, as well as explained in the following chapters.[Leal, Kamila Soares] Univ Estadual Tocantins UNITINS, Palmas, Tocantins, Brazil[Rodrigues, Marilsa de Sa] Universidade de Taubaté (Unitau
Artysta w zwierciadle sztuki. Recenzja książki Seweryna Kuśmierczyka: "Księga filmów Andrieja Tarkowskiego"
No full textTHE ARTIST IN THE MIRROR OF THE ART. REVIEW OF SEWERYN KUOEMIERCZYK’S THE BOOK OF ANDREI TARKOVSKY’S MOVIESVolumetrically impressive elaboration by Kuśmierczyk — amounting to a hundred pages — describes Tarkovsky as a real man-artist. The book, having the formula of a biographic monograph, tries to catch all the film accomplishments of the Soviet director. The author, analyzing chronologically the artist’s works, not only refers extensively to their biographic context, but also focuses our attention on plots, motifs and formal solutions marking Tarkovsky’s style. In a very convincing mode Kuśmierczyk shows the creative way of Tarkovsky, the development of his personality and approach to the cinema philosophy. With a great diligence the researcher quotes biographical curiosities connected with the process of creating the director’s works and traces the cultural and metaphysical contexts of Stalker’s author’s poetics.Translated by Kamila ŻytoTHE ARTIST IN THE MIRROR OF THE ART. REVIEW OF SEWERYN KUOEMIERCZYK’S THE BOOK OF ANDREI TARKOVSKY’S MOVIESVolumetrically impressive elaboration by Kuśmierczyk — amounting to a hundred pages — describes Tarkovsky as a real man-artist. The book, having the formula of a biographic monograph, tries to catch all the film accomplishments of the Soviet director. The author, analyzing chronologically the artist’s works, not only refers extensively to their biographic context, but also focuses our attention on plots, motifs and formal solutions marking Tarkovsky’s style. In a very convincing mode Kuśmierczyk shows the creative way of Tarkovsky, the development of his personality and approach to the cinema philosophy. With a great diligence the researcher quotes biographical curiosities connected with the process of creating the director’s works and traces the cultural and metaphysical contexts of Stalker’s author’s poetics.Translated by Kamila Żyt
Wavy Line and Totality. Showiness and Efficiency in Kamila Janiak’s Poetry
No full textThe aim of this article is to discuss poetic works by Kamila Janiak using categories of showiness (a formal surplus) and efficiency (understood as critical or per-formative potential). The author of the article comments upon the early reception of Janiak’s poems to point that first reviewers oftentimes intuitively indicated the totality of Janiak’s poetic gestures, and then he traces the poetess’s strategy back to Camp aesthetics
Znaczenie hermeneutyki w badaniach nad przekładem. Uwag kilka o tłumaczeniu wybranych wierszy Cypriana Kamila Norwida na język francuski
Full text linkThe objective of this paper is to apply the hermeneutics theory in translation. The author defines the notion of hermeneutics and presents briefly the main considerations of most prominent hermeneutic scholars. In this paper the relationship between hermeneutics and translation is presented on the example of Feliks Konopka, the author of French translation (1974) of selected fragments of Cyprian Kamil Norwid’s poetry.Przedmiotem analizy jest znaczenie teorii hermeneutycznej w przekładoznawstwie. W artykule zdefiniowano pojęcie hermeneutyki oraz pokrótce przedstawiono poglądy głównych jej przedstawicieli. Relację: hermeneutyka–przekład obrazuje w niniejszej pracy postawa tłumacza-interpretatora ucieleśniona przez Feliksa Konopkę, autora tłumaczenia na język francuski (1974) wybranych do analizy fragmentów poezji Cypriana Kamila Norwida
Acyclic and Cyclic Reversing Computations in Petri Nets
No full textReversible computations constitute an unconventional form of computing whereany sequence of performed operations can be undone by executing in reverseorder at any point during a computation. It has been attracting increasingattention as it provides opportunities for low-power computation, being at thesame time essential or eligible in various applications. In recent work, wehave proposed a structural way of translating Reversing Petri Nets (RPNs) - atype of Petri nets that embeds reversible computation, to bounded ColouredPetri Nets (CPNs) - an extension of traditional Petri Nets, where tokens carrydata values. Three reversing semantics are possible in RPNs: backtracking(reversing of the lately executed action), causal reversing (action can bereversed only when all its effects have been undone) and out of causalreversing (any previously performed action can be reversed). In this paper, weextend the RPN to CPN translation with formal proofs of correctness. Moreover,the possibility of introduction of cycles to RPNs is discussed. We analyzewhich type of cycles could be allowed in RPNs to ensure consistency with thecurrent semantics. It emerged that the most interesting case related to cyclesin RPNs occurs in causal semantics, where various interpretations of dependencyresult in different net's behaviour during reversing. Three definitions ofdependence are presented and discussed.Comment: arXiv admin note: text overlap with arXiv:2101.07066 by other author
The Performance of Identity in Kamila Shamsie’s Burnt Shadows
No full textThe paper discusses the processes of identity construction enacted by the main character in the novel Burnt Shadows by Kamila Shamsie focusing on the performative relationship existing between agency and identity. The aim is to explore the ways in which the author portrays the relationship between relevant political facts and the dynamics of identity formation. Such events can indeed become a driving force to enact a process of identity formation that questions certain social conventions. In the novel historical events become a drive to agency and thus to the performative construction of the self. Such a construction process brings the protagonist of Shamsie’s novel to develop a position highly critical of nationalisms and nationalistic policies and to embrace the idea of possible transnational solidarities
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