371,577 research outputs found
Rodrigo de Souza Vieira: 650
No full textEntrevista com Rodrigo de Souza Vieira, autor do livro Crescimento econômico no estado de São Paulo: uma análise espacial, publicado pela Editora Unesp.Banco ABC Brasil S/AUniversidade Estadual Paulista (UNESP), Pós-Graduação em Economia, Faculdade de Ciências e Letras (FCLAR), Araraquar
Rodrigo Valencia, órgano (Colombia)
No full textConcierto interpretado por Rodrigo Valencia. Organista valIecaucano, residente en Europa desde hace 16 años. Después de sus estudios académicos en Cali, Bogotá, París y Firenze ha desarrollado una intensa actividad en Italia, particularmente en las más importantes basílicas, catedrales y salas de conciertos y festivales organísticos y musicales de Escandinavia, Alemania, Austria (Mozarteum de Salzburgo), Bélgica, Inglaterra, Grecia y Unión Soviética. Ha efectuado además grabaciones radiofónicas para la radio Copenhague y la radio Suiza Italiana, donde se ha ganado siempre el favor del público y de la crítica internacional.
En este concierto interpretó obras de J. S. Bach, Vivaldi, Lucas Estrada, Manuel Enríquez y Brian Brockless
Rodrigo Valencia, órgano (Colombia)
No full textConcierto interpretado por Rodrigo Valencia quien inició sus estudios musicales en Buga (Valle) hasta la adolescencia. Ingresa después al Conservatorio de Cali, donde estudia por cuatro años consecutivos, obteniendo el "Diploma en Estudios Básicos Musicales" y obteniendo diversos premios, entre otros el Primer Premio en Música de Cámara con el Maestro Wolfgang Schneider. Ha ejecutado numerosos conciertos de órgano en las principales Basílicas y Catedrales de Italia, entre ellas Roma, Florencia, Prato, Vallombrosa, La Spezia, Riccione, Pescara, Viterbo, Poggibonsi.
En este concierto interpretó obras de J. S. Bach, F. Mendelsshon, R. Pineda-Duque, Ch. Ives, F. Liszt
Caracterización morfoagronómica y electroforética de cultivares de ajo (Allium sativum L.).
No full textAjo-Allium sativumMaestría en CienciasMaestrí
Quadros provincianos : a obra de Rodrigo Júnior
No full textOrientador: Prof. Dr. Rodrigo Vasconcelos MachadoTese (doutorado) - Universidade Federal do Paraná, Setor de Ciências Humanas, Programa de Pós-Graduação em Letras. Defesa : Curitiba, 21/08/2019Inclui referências: p. 342-348Resumo: O objetivo geral desta tese é reunir e analisar a obra do poeta paranaense Rodrigo Júnior, pseudônimo de João Baptista Carvalho de Oliveira (1887-1964). Para isso, foi necessário coletar a quantidade máxima das suas publicações literárias e ensaísticas e, num recorte específico, analisá-las e discuti-las sob a perspectiva de quanto seus textos se apresentam como provincianos, e, quanto ao mesmo tempo não os são. Rodrigo Júnior é um autor que buscou intensamente seu próprio estilo no meio do confuso pré-modernismo, entre o parnasianismo, simbolismo e o neorromantismo, utilizando-se de várias estéticas e escolas unicamente com objetivo encontrar sua liberdade na arte. Nessa busca, encontrou a sua voz quando escreveu principalmente seus poemas com temas bucólicos, amorosos, satíricos, quase sempre atravessados por uma constante melancolia, por um tédio e pessimismo, uma tristeza de quem deseja paz e felicidade. Consagrou-se como poeta de rara qualidade, compondo ora em formas clássicas, ora em verso livre sempre com uma linguagem simples, mas também foi um eficiente prosador, como escritor de contos, crônicas, novelas e ensaios. Sua carreira começa no início do século XX e dura até os anos 60, atuando diariamente na imprensa curitibana, estabelecendo-se como um agitador cultural durante esse tempo. A produção gigantesca contrasta com seus poucos livros publicados, pois acabou abandonando muitos projetos de livros e deixando a maior parte dos seus escritos esparsos em jornais e revistas. Incentivou e influenciou pelo menos duas gerações de artistas do Paraná, como os jovens interessados no futurismo e no modernismo e os literatos da década de 30 e 40 que queriam modernizar as letras paranaenses. Por fim, dedicou boa parte da sua vida à literatura e à criação um sistema literário no Paraná autossuficiente que fosse independente dos grandes centros urbanos da época como o Rio de Janeiro. Palavras-chave: Rodrigo Júnior. Literatura paranaense. Pré-modernismo e modernismo paranaense. Simbolismo. Provincianismo.Abstract: The general objective of this thesis is to gather and analyze the work of the poet Rodrigo Júnior, pseudonym of João Baptista Carvalho de Oliveira (1887-1964). For this, it was necessary to collect the maximum amount of their literary and essayistic publications and, in a specific cut, to analyze and discuss them from the perspective of how much their texts are provincial, and at the same time not. Rodrigo Júnior is an author who intensely sought his own style in the midst of confusing pre-modernism, between parnasianism, symbolism and neorromantism, using various aesthetics and schools solely to find their freedom in art. In this search, he found his voice when he wrote mainly his poems with bucolic, loving, satirical themes, almost always crossed by a constant melancholy, boredom and pessimism, a sadness of those who want peace and happiness. He established himself as a poet of rare quality, composing sometimes in classical forms, sometimes in free verse always with simple language, but was also an efficient prospector, as a writer of short stories, chronicles, novels and essays. His career begins in the early twentieth century and lasts until the 1960s, working daily in the Curitiba press, establishing himself as a cultural agitator during that time. The mammoth production contrasts with its few published books, as it has abandoned many book projects and left most of its sparse writings in newspapers and magazines. It encouraged and influenced at least two generations of artists from Paraná, such as the young people interested in futurism and modernism and the literati of the 30's and 40's who wanted to modernize Paraná's lyrics. Finally, he devoted much of his life to literature and the creation of a self-sufficient literary system in Paraná that was independent of the great urban centers of the time such as Rio de Janeiro. Keywords: Rodrigo Júnior. Literature from Paraná. Premodernism and modernism of Paraná. Simbolism. Provincialism
¿Hay alguien allí? Metaficción en La velocidad de las cosas, de Rodrigo Fresán
No full textIs there anybody? Metafiction in Rodrigo Fresán’s The Speed of Things In this article we attempt to present a wide spectrum of metafictional techniques used in Rodrigo Fresán’s The Speed of Things. The book, constructed on the principle of hybridisation, fuses various devices of the metanarrative frame stories, fractal construction, fictionalization of writing as an act of creation, self-consciousness of narrators and the metadiscourse figure of the writer identified with the real author, literary reflection in order to form a complex metafictional game that invites the reader to participate in the literary dialogue. Is there anybody? Metafiction in Rodrigo Fresán’s The Speed of Things In this article we attempt to present a wide spectrum of metafictional techniques used in Rodrigo Fresán’s The Speed of Things. The book, constructed on the principle of hybridisation, fuses various devices of the metanarrative frame stories, fractal construction, fictionalization of writing as an act of creation, self-consciousness of narrators and the metadiscourse figure of the writer identified with the real author, literary reflection in order to form a complex metafictional game that invites the reader to participate in the literary dialogue. 
Diffusive author(s), cohesive author: Analysis of S/N (1994)
No full textThis study indicates the ways in which various aspects of the author(s) are brought forth in Dumb type’s performance art, the S/N production. Previous research has suggested a non-hierarchical organization of Dumb type and the absence of a “privileged author” in Dumb type’s collaborative work, S/N. However, the results that I have investigated from member’s interviews on the creative process of S/N along with my analysis of the recorded images of S/N, indicate a different aspect of the author(s). First, S/N was created through, so to speak, the collective ideas of the members of Dumb type. Further, S/N has at least nine quotations from previous performances, installations, and printed writings, besides the work-in-progress technique. Explicating one of the “author functions” as given by Michel Foucault, each text has plural subjects of the author. However, it has been revealed from members’ interviews that Teiji Furuhashi had a decision-making role in selecting the members’ ideas within the performance. Since then, S/N has had plural subjects of creation; however, Furuhashi is one of the subjects of creation along with the “privileged author.” S/N has plural authors (diffusive authors) yet at the same time, it has a “privileged author,” Teiji Furuhashi (cohesive author)
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Tutorial sketchup
No full textintrodução a ferramenta de modelagem 3D Sketchupvídeo de mini curso sobre Sketchup ofertado aos alunos do Grupo de Estudo e Pesquisa das Relações Interdisciplinares da Expressão Gráfica (GEPRIEG). Ministrante: Rodrigo Lisboa Nogueira, acadêmico do curso de Expressão Gráfica da UFPR.bo
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